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Australian Idol - (Feb 23rd)
Class of 92- Full Time - (Feb 23rd)
Never Mind the Buzzcocks - (Feb 23rd)
Australian Survivor - (Feb 23rd)
True Crime Presents - (Feb 23rd)
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Oceanfront Property Hunt - (Feb 23rd)
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Britains Got Talent- Unseen - (Feb 23rd)
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Deadliest Catch - (Oct 2nd)
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**Shocking rather than frightening.** Friedkin's The Exorcist is a film that shocks rather than scares. A well made film that achieved notoriety via pea soup. A slow and intelligent film with strong performances - yet also a mostly disappointing one for those who dare to go beyond the hype and actually _experience_ it for the first time. For a film that _does_ succeed in frightening the audience and with none of the hype - I recommend The Changeling starring George C Scott. Now **THAT** is a scary movie.
The 4K restoration of The Exorcist is absolutely stunning. Every frame has been enhanced to reveal richer textures, making the eerie details of Regan's demonic possession even more unsettling. The colours in key scenes are now more vivid, adding depth to the already tense atmosphere. Iconic moments, such as Father Merrin's arrival under the streetlight and Regan's head spin, have been revitalized, making them feel even more intense. The film's haunting interiors, from Regan's dimly lit bedroom to the unsettling atmosphere of Father Karras's moments of doubt, now have a newfound clarity that enhances the immersive terror.
The Exorcist (1973) is one of those horror films that sticks with you long after the credits roll. It sets itself apart with an eerie, slow-building tension rather than relying on cheap scares. The story follows a young girl who begins exhibiting disturbing behavior, leading her mother to seek help from both medical professionals and, eventually, the church. The plot is simple but highly effective, creating an unsettling atmosphere that feels grounded in reality. It doesn’t waste time on unnecessary subplots, keeping the focus tight and the tension high. William Friedkin’s direction is masterful, balancing realism with the supernatural in a way that makes everything feel disturbingly possible. The opening in the desert is a great example, setting up the film’s themes with a quiet unease before shifting to the main story. The cinematography reinforces the horror without feeling over-stylized, using dim lighting, tight framing, and cold color tones to build dread. The way the camera lingers just long enough on certain shots makes you feel like you’re watching something you shouldn’t be. The acting is phenomenal across the board, but the standout performance is from Linda Blair as the possessed girl. She delivers a chilling performance that makes the supernatural feel shockingly real. Ellen Burstyn and Max von Sydow bring depth to their roles, adding weight to the film’s emotional core. The dialogue feels natural, which makes the disturbing moments hit even harder. The script is smartly written, giving just enough exposition without over-explaining, letting the horror unfold naturally. The sound design and score elevate the entire experience. The use of silence is just as effective as the unsettling sounds that creep in at the right moments. The film’s signature theme, Tubular Bells, is simple yet haunting, perfectly setting the tone for the film. The shock scenes are well-timed and never feel excessive, keeping the horror grounded rather than over-the-top. The Exorcist still holds up today as one of the most well-crafted horror films ever made, blending strong storytelling, unsettling direction, and incredible performances into something unforgettable.
After Satan has stolen all of the worlds hot dogs, two agents has to go down in Hell and kill Satan.
A night of terror awaits four teens after they awaken an ancient evil. It'll take holy water, goat soap, and a fair amount of sword fighting to survive until dawn.
Jon Porter returns to his hometown after the sudden and bizarre death of his mother. He hopes to leave as soon as the funeral is over but it's too late. The sinister forces that caused his sister's brutal murder 30 years ago are back. Jon knows the nightmare can't continue. He must stand up to his fear and exorcise the demons who have risen again to take posession of his beautiful teenage daughter - body and soul.
Three short tales of supernatural horror. In “The Telephone,” a woman is plagued by threatening phone calls. In "The Wurdalak,” a family is preyed upon by vampiric monsters. In “The Drop of Water,” a deceased medium wreaks havoc on the living.
The film tells the story of documentary filmmaker Michael King (Shane Johnson), who doesn’t believe in God or the Devil. Following the sudden death of his wife, Michael decides to make his next film about the search for the existence of the supernatural, making himself the center of the experiment – allowing demonologists, necromancers, and various practitioners of the occult to try the deepest and darkest spells and rituals they can find on him – in the hopes that when they fail, he’ll once and for all have proof that religion, spiritualism, and the paranormal are nothing more than myth. But something does happen. An evil and horrifying force has taken over Michael King. And it will not let him go.
While witnessing a horrific paranormal occurrence inside an abandoned church, a military commando led by a ruthless colonel, discovers a digital tablet with video footage on it: co-workers filming their trip in the woods, connecting the hikers in the footage with the unbound evil inside the church.
The encounters recorded by Chris Chambers have been studied by industry professionals and proven to be accurate recorded paranormal accounts. Currently documented as one of the most supernatural recorded events to date.
A Freudian analysis of the teenage mind and the purpose of art itself when both are exposed to nature and maturity.
Wilbur works in an old carnival and shows some gruesome things to the public. He covers his face because he had a sadistic father who burned his face as a child. Everybody makes jokes about his scars and when the new boss fires him, he goes to an old swamp-witch who gives him a peace of wood from a hanging tree. Wilbur makes a mask from this piece of wood and puts all his anger in this mask. When he puts the mask on, everybody who looks at him commits suicide.
In this sequel, two juvenile detention officers must escort a group of criminally-inclined urban kids to the country where they are being forced to renovate a shelter for teens as punishment for their crimes. After one of them is shot by a local, the survivors seek refuge in the home of a voodoo woman, where they mistakenly summon legendary clown-faced demon Killjoy who begins hunting them down one by one.
When an eccentric clan living in virtual isolation in an Italian castle finds their family togetherness threatened by the arrival of three mysterious strangers, they summon up some supernatural protectors to fend off the barbarian invasions.