Song for Hope

A documentary by Tony Palmer on English composer Sir William Walton (1902–1983), made shortly before his death. The film includes the only full-length interview ever recorded with Walton. Filmed at his home on Ischia and in Oxford, London & Oldham, it includes contributions from Laurence Olivier, Sacheverell Sitwell and Lady Susana Walton. Specially performed extracts of his music are conducted by Simon Rattle in his first substantial contribution to television when he was in his early 20s, with Simon Preston, Julian Bream, Yvonne Kenny, Yehudi Menuhin, Iona Brown, John Shirley-Quirk, Elgar Howarth & Ralph Kirshbaum, the Philharmonia Orchestra, the Grimethorpe Colliery Band, Christ Church Cathedral Choir, Oxford & Los Paraguayos.

Hearing Beethoven’s Ninth Symphony for the first time changed Daniel Bartholomew-Poyser’s life forever, and in this inspiring documentary, we see him—the first openly gay Black conductor in Canada and a regular conductor with the San Francisco and Vancouver symphonies—using his passion to bring live classical music to people identifying as “different,” like he does. Having struggled with his own sexuality, Bartholomew-Poyser believes music can help unite and uplift everyone beyond race, class, and gender. This unorthodox film chronicles his concerts in a women’s prison and teaming up with Thorgy Thor (from RuPaul’s Drag Race and also a classically trained violinist) to create the first orchestral drag show in Canada.

Novelist and screenwriter Emmanuèle Bernheim and filmmaker Alain Cavalier have been friends for 30 years. They are preparing a film based on the former’s autobiography, “Tout s’est bien passé” (Everything Went Fine). In it, she tells how her father asked her to “end it” in the wake of a heart attack. Cavalier suggests that she plays herself, and that he plays her father. One winter morning, Emmanuèle calls Alain; they will have to postpone the shoot until the spring, as she needs an urgent operation.

Can a work of art remain relevant 200 years after its creation? Ludwig van Beethoven’s last completed symphony proves it’s possible.

When it was announced in May of 2016 that lead singer Gord Downie had been diagnosed with terminal brain cancer, the band decided that they would do one final run of 15 dates across Canada. A National Celebration was the final show of the Tragically Hip's Man Machine Poem Tour recorded on August 20th, 2016 at the K-Rock Centre in their home town of Kingston Ontario. Originally aired live by CBC across all platforms, the concert was experienced by an estimated one-third of Canadians, among the biggest events in the country's broadcast history.

Very few people really knew Herbert von Karajan. The conductor gave access to his private life only a little circle of strictly loyal people who kept their secrets even long after the maestro’s death. This documentary for the first time shows in the whole dimension the real man Karajan: not only the image of a dandy that he himself had shown to the public, but the unfiltered image of his personality. Newly discovered original film footage from the inner circle shows Karajan’s private life like it really was.

In 2007, the Berliner Philharmoniker celebrated their 125th anniversary. Film director Enrique Sánchez Lansch took this occasion to tell a hitherto unknown chapter in the history of the Berliner Philharmoniker: the years of National Socialism from 1933 to 1945. The film, “The Reichsorchester”, made in collaboration with musicians of the orchestra and its archive.

Explores concerns about uterine cancer and the value of the Pap Test in detecting this serious type of cancer.

This unconventional film is an observation Teodor Currentzis – one of the most extra-ordinary modern conductors. Backed by pieces from Mozart, Stravinsky, Jean-Philippe Rameau and with choreography by Jiri Kylian, this film is 64 minutes of love, light, life, beauty and being inside music.

“The most important work doesn’t take place on stage, but everywhere else,” Teodor Currentzis is convinced. And that is precisely where this film portrait follows him. For eight months, German director Andreas Ammer accompanied the charismatic conductor. He observed him in rehearsals with the SWR Symphony Orchestra, which Currentzis leads as chief conductor since 2018. He has visited him at his former place of activity in Perm, where he led the opera house from 2011 to 2019 and launched his career through meticulous work with his ensemble musicAeterna. He accompanied Currentzis on guest performances and had numerous conversations with him. The result is a many-faceted portrait of the impressive musician, who sees his profession also as a spiritual mission.