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Entertaining enough buddy-cop movie has some fun action scenes (the bus chase sequence was great). Only thing holding it back was the pairing of Schwarzenegger and Belushi never quite worked for me. Still a good flick from Walter Hill, though not sure it ranks all that high compared with others from the era. **3.5/5**
Look out Chicago, Arnie & Jimmy are loose on the streets. Captain Ivan Danko (Arnold Schwarzenegger) is a no nonsense Soviet cop who is sent to Chicago to pick up a murdering Russian drug dealer. Upon arriving in the windy city, Danko is teamed with Art Ridzik (James Belushi), a wise-cracking street cop notorious for cutting corners to get the job done. Complete polar opposites, both men form an unlikely alliance as Danko's Soviet methods blend with Ridzik's free spirited street wise techniques. There were quite a few buddy buddy films around in the 1980s, certainly the teaming of unlikely cop partners was nothing new at the time of Red Heat's release. Yet for all it's obvious reliance on clichés, and its out dated Russian/American guffaws, Red Heat is a romping, violent and funny picture. Pairing the big Austrian Oak Schwarzenegger with the Americana that is James Belushi pays off in bundles. Yes it's sometimes crass, but Belushi's cocky mannerisms play off Schwarzenegger's robotic frame with comedic joy. All played out in amongst carnage and murder created by director Walter Hill, who is quite frankly, and thankfully, just extending the formula that he started in 1982 with 48 Hrs. The support cast is not to be sniffed at either. Peter Boyle, Ed O'Ross, Laurence Fishburne, Pruitt Taylor Vince, Brion James and Gina Gershon. All line up to add fuel to the Arnie and Jimmy fire. Also good to see is that Hill shot on location in Illinois and Moscow to give the film some scenic impetus, whilst James Horner's score is suitably bombastic and at one with the material. It's no rocket scientist who observes a film like this and calls it popcorn fodder, because it so obviously is. But within its buddy buddy framework lies a very quotable film that's essential for fans of Arnie & Jimmy. Sometimes that's all one needs from a film like this. 7/10
I am not sure how much actual acting Arnold Schwarzenegger had to do in this rather derivative crime caper. A bit like John Wayne in "Brannigan" (1975), he is despatched to partner up with a cop abroad to order to repatriate a dangerous criminal. In this case, though, he is a Russian and it is wise-cracking American "Ridzik" (Jim Belushi) that he must bridge the culture-gap and work with to track down a murderous drug dealer who did for his partner and fled. To be fair to Arnie, he has his tongue a bit in his cheek here, but Belushi just mis-fires once too often in this rather sloppy adventure. The escapades are all rather predictable and the underlying joke/scenario wears thin all too quickly. I suppose it nods a little to the thawing in the post-Reagan relationship between the USA and the Soviet Union, but the delivery borders on the slapstick at times and I was never really a fan of Belushi's brand of rather puerile comedy - indulged in spades here by a trio of writers including the usually far more reliable Troy Kennedy Martin. It passes the time effortlessly enough, and reminds us who lived through that period of just how dodgy some of our fashions were, but thereafter it's all pretty mediocre fayre.
Iwane Sakazaki returns to his homeland and gets caught in the middle of an incident that results in the tragic death of two of his best friends from childhood. He decides to leave his domain, parting with his fiancée Nao, and becomes a vagrant masterless samurai with nothing more to lose. Iwane drifts to Edo, filleting eels during the day and working as a bodyguard at night for Imazuya, a reputable money exchanger. He gradually wins the trust of the people around him because of his mellow nature, the chivalrous way he treats everyone with courtesy, and his skills of swords. One day, he learns that Imazuya is being targeted in a conspiracy to sabotage a new monetary system implemented by the government, and Iwane decides to protect the people who have given him support.
An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.
An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.
During China's Warring States period, a district prefect arrives at the palace of Qin Shi Huang, claiming to have killed the three assassins who had made an attempt on the king's life three years ago.
A case involving drug lords and murder in South Florida takes a personal turn for undercover detectives Sonny Crockett and Ricardo Tubbs. Unorthodox Crockett gets involved romantically with the Chinese-Cuban wife of a trafficker of arms and drugs, while Tubbs deals with an assault on those he loves.
Fast-talking, quick-thinking Detroit street cop Axel Foley has bent more than a few rules and regs in his time, but when his best friend is murdered, he heads to sunny Beverly Hills to work the case like only he can.
Axel Foley returns to the land of sunshine and palm trees to investigate the near-fatal shooting of police Captain Andrew Bogomil. With the help of Sgt. Taggart and Det. Rosewood, they soon uncover that the shooting is associated with a series of "alphabet" robberies masterminded by a heartless weapons kingpin—and the chase is on.
After the death of Emperor Marcus Aurelius, his devious son takes power and demotes Maximus, one of Rome's most capable generals who Marcus preferred. Eventually, Maximus is forced to become a gladiator and battle to the death against other men for the amusement of paying audiences.
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feed his urge for violent action.
After getting a green card in exchange for assassinating a Cuban government official, Tony Montana stakes a claim on the drug trade in Miami. Viciously murdering anyone who stands in his way, Tony eventually becomes the biggest drug lord in the state, controlling nearly all the cocaine that comes through Miami. But increased pressure from the police, wars with Colombian drug cartels and his own drug-fueled paranoia serve to fuel the flames of his eventual downfall.