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Gene Hackman turns in one of his best performances in this intimate western. Hackman is Zandy, a hard and angry rancher who needs a wife to cook the meals and birth him some sons, and sends away for one. The titular bride comes in the form of Hannah (Liv Ullmann), fresh off the stage from Minnesota to the gorgeous coast near Monterey, California. Hannah has lied about her age and Zandy already has it in for her from the beginning. The two are married immediately, and Zandy sexually assaults his new bride that night (this is a very hard "PG" rated film). Zandy's place is filthy, and Hannah does what she can to clean it up. She makes some meek requests- things like a clothesline, no hats at the dinner table, and Zandy must wash his hands before eating. Zandy reacts angrily and violently to this, and eventually we find out why. Zandy goes to visit his father (Frank Cady), mother (Eileen Heckart), and little brother (Sam Bottoms). There, Pa treats Ma with even less regard than Zandy treats Hannah. Zandy returns home and finds Hannah has befriended Maria (Susan Tyrrell), a hot-to-trot Latina who has obvious designs on Zandy. Tyrrell is surprisingly good in a part that she would be all wrong for. The film wanders from situation to situation, things that may seem minor today, but were part of life back then. Zandy is attacked by a bear, and carted home by some neighbors, who invite the isolated couple to a Thanksgiving barbecue. In one of the film's strongest scenes, Hannah tries to please Zandy by curling her hair and dressing in a red dress, just to be dunked in a horse trough and humiliated by her husband, who thinks she looks like a hussy. Hannah meekly fights back here and there, but she is trying to make the most of her situation. She walks in on Zandy and Maria together, and Zandy takes off for months without telling Hannah where he is going. Jan Troell and screenwriter Marc Norman fashion a great film here. This is a western, but there are no gunfights, no sheriffs, no outlaws, just seemingly realistic life. Troell's camera finds great little scenes, showcasing the actors who are dressed down and dowdy. Life then was ugly, and Troell captures it well. Hackman is incredible. He is really unlikable, cruel, and delights in the cruelty he shows to his new wife. Hackman never crosses the line into caricature, his character is totally believable. Ullmann is also great, not becoming just another victim who turns into a liberated woman at just the right time. The audience realizes she is a person before Zandy does. Like I wrote, Tyrrell is good, as is Heckart. She has a great pained look that is the product of years of her character's abuse at the hands of Frank Cady's Pa, eons from his folksy sitcom characters. The script sends us through the lives of these people without too much direction, and I believe this is because these people's lives were just as directionless. There is an underlying anger and toughness to this cast that you do not see in many westerns, which seem to make us think that life then was really fun. "Zandy's Bride" is not your average western, and even non-genre fans will find something to like. I highly recommend it.
A fatally wounded white man is found by an outcast Native American who prepares him for the afterlife.
A posse discovers a trio of men they suspect of murder and cow theft and are split between handing them over to the law or lynching them on the spot.
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.
Wounded Civil War soldier, John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
Jack Crabb, looking back from extreme old age, tells of his life being raised by Indians and fighting with General Custer.
Harvard graduate James Averill is the sheriff of prosperous Jackson County, Wyo., when a battle erupts between the area's poverty-stricken immigrants and its wealthy cattle farmers. The politically connected ranch owners fight the immigrants with the help of Nathan Champion, a mercenary competing with Averill for the love of local madam Ella Watson. As the struggle escalates, Averill and Champion begin to question their decisions.
After avenging his family's brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected.
When rancher and single mother of two Maggie Gilkeson sees her teenage daughter, Lily, kidnapped by Apache rebels, she reluctantly accepts the help of her estranged father, Samuel, in tracking down the kidnappers. Along the way, the two must learn to reconcile the past and work together if they are going to have any hope of getting Lily back before she is taken over the border and forced to become a prostitute.
From Wichita to Dodge City, to the O.K. Corral in Tombstone, Wyatt Earp is taught that nothing matters more than family and the law. Joined by his brothers and Doc Holliday, Earp wages war on the dreaded Clanton and McLaury gangs.
Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.
In 1850 Oregon, when a backwoodsman brings a wife home to his farm, his six brothers decide that they want to get married too.