Frank Zappa: Peefeeyatko

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.

This is Poe and Král's first effort, shot on small-gauge stock, before their more well-known endeavor The Blank Generation (1976) came to be. A "DIY" portrait of the New York music scene, the film is a patchwork of footage of numerous rock acts performing live, at venues like Madison Square Garden, Radio City Music Hall, the dive bars of Greenwich Village and, of course, CBGB.

Lulu Monahan, the press agent for John Barrymore, is attempting to get a sponsor for a radio program. To that end, she and the agent for bandleader Kay Kyser, plant a story that the great Shakespearean actor, over his heartfelt objections, will teach Kyser how to play Shakespeare, which isn't the same as playing Paducah, which soon becomes evident.

In a nightclub setting, Bob Crosby and His Orchestra play five numbers, as young couples dance in front of the bandstand, in contrasting styles ranging from Dixieland to Blues to Ragtime Pop to Swing: "How'dja Like to Love Me?", "Pagan Love Song", "Moments Like This", "Romance in the Dark" and one of the group's best-known recordings, "The South Rampart Street Blues." The featured vocalist if Kay Weber and the drummer is Ray Bauduc.

This musical short salutes bandleader B.A. Rolfe on his 40th anniversary in show business.

Bandleader Frances Carroll leads The Coquettes, an all-female band, in several swing tunes.

A brief history of Stan Kenton's musical career from taxi-dance gigs to his successful big band orchestra.

In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.

This DVD features performances and interviews with some of the best drummers to ever work with Frank Zappa: Terry Bozzio, Chester Thompson, Chad Wackerman, Ruth Underwood, and Ralph Humphrey.

Who gets the idea to write “Nine unfinished symphonies” - one of them perhaps the shortest Symphony in music history? Or "1001 sonatas’ - each lasting about a minute but in total being one of the longest pieces ever written? Like a postmodern Erik Satie the Belgium composer Boudewijn Buckinx is using music history as a playing field. The classical music audience is irritated, the avant-gardist wrinkles his nose... "Daisies in a Meadow" - that's how Buckinx described his "1001 Sonatas” for violin and piano, They play a leading role in our film, in the supporting roles the Spanish sun and the Belgian rain. The latter, however, did not show up at the set - just as you always have to be prepared for surprises with Boudewijn Buckinx. "Why is my music so simple? - Why is my music so complex?" With a wink, Buckinx gives various answers to these recurring questions. The portrait of an immensely productive artist who is radically taking his own path.