Zločin a trik II.

Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.

Czech comedy fantasy directed by Jiri Krejcik et al.

A woman working the late shift at a gas station while a killer is on the loose; a man who can't stand the thought of losing his hair; a baseball player that submits to an eye transplant. An anthology of terror.

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

A young and excentric radio DJ airs a successful program in which diverse calls come in from anonymous listeners, who reveal their love stories, all charged with mix-ups, disputes and passion.

Five new stories of grueling horror: A Christmas Haunting, Zombie Office, Undone, Unchangeable and The Psychomanteum - ghosts, zombies and bloody revenge.

Wasteland is a five-part anthology film that deals with isolation, mental illness, and the subjectivity of reality. Each of the five parts can be watched individually, but when viewed in sequence, each story brings out a more interesting and distinct context to its respective pieces.

A filmmaker talks about his work and love life with an unseen friend behind the camera. We also watch four of his short films.

Four stories where an app will open the doors to horror. A young woman in the hands of a sinister network dedicated to the online transmission of abuse for high spheres of power. A voyeur will discover that his neighbors are hiding dark secrets that he wishes he had never heard. A little boy, used by his father to find dates online, will discover an enormous power within himself. A group of friends on their way to a beautiful cabin rented online, will fall into the hands of a sinister occult group.

An uproarious version of history that proves nothing is sacred – not even the Roman Empire, the French Revolution and the Spanish Inquisition.

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.