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Prosecuting Evil with Kelly Siegler - (Mar 16th)
1923 - (Mar 16th)
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SpongeBob SquarePants - (Mar 16th)
Gladiators - (Mar 16th)
The Tommy Tiernan Show - (Mar 16th)
A Secret to Die For - (Mar 16th)
Murder by the Sea - (Mar 16th)
The Beat with Ari Melber - (Mar 15th)
The Last American Vagabond - (Mar 15th)
Our Dream Farm with Matt Baker - (Mar 15th)
Portugal with Michael Portillo - (Mar 15th)
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I have to say that this was a rather “meh” experience. It certainly was not an improvement over the original. Why try to rewrite a story that was actually not bad when you cannot be bothered to spend some effort on it? The new story is sloppy and it is rather clear that whoever wrote it got only two directives: Make sure that Megan Fox gets a lot of focus and if you do not know what to write then cram in some special effects. There are a lot of special effects in this movie! It is obvious that Megan Fox’s ego have had a lot of influence on the movie. To the extent that you might wonder if this movie is about the turtles or about Megan Fox. She might be the wet dream of some less discerning teenagers but her acting skills leaves somewhat to be desired. Okay, okay she was actually not too bad in this movie but then it was not to difficult to shine in this movie either. There are a few moments when it looks like it is going to turn interesting. For instance when the shredder is first introduced and punishes some of his underlings but rather quickly he is reduced to just another “special effect” when they slap this robotic shredder suit onto him. Come on, he is supposed to be a skilled martial arts combatant, not some freak in a robotic suit. Splinter was just sad. Some lab rat that picked up martial arts from a book he found in the sewers! What the f…? That ruined a lot of the movie. The turtles themselves, being already pushed back somewhat into the background by Megan Fox desire to be in front of the cameras most of the time, are bland to say the least. They are immature, even for a movie like this, and the jokes are simply unintelligent and mostly not very funny. I was about to write that, if you like special effects and do not care for much of the rest, then you will probably like this movie but when I think back even the special effects where often only mildly interesting. They were perhaps not really bad but not very impressive either. The truck ride down a snowy slope was just silly and some of the scenes where actually rather underwhelming for instance. On the whole, to me, this was a mildly entertaining movie that could have been much better if someone with basic intelligence had been asked to write the script in the first place. There are actually five (!) people credited with writing this movie and maybe that is the problem. Too many cooks!
Flat, generic, CGI-filled. 'Teenage Mutant Ninja Turtles' bored me, unfortunately. I have a slight memory of seeing bits of TMNT when I was younger but never intentionally watched it, though have always been interested in viewing a film with them in. So in that sense, this disappointed. It just has nothing about it, no character or charm whatsoever. No reason to care for any of the onscreen bunch. Very plain. None of the cast stick out, particularly the voices. Megan Fox is probably the best this has to offer, though I didn't mind William Fichtner either... Whoopi Goldberg shows up in an alright minor role too, I guess? I found little to zero of the action scenes entertaining, not helped by some questionable editing and music. Another issue I did also notice is the humour, which falls flat at almost every opportunity - especially with the grating Michelangelo (Noel Fisher). I'll check out the sequel, because I always going to, but I ain't expecting much! This 2014 film isn't worth seeing.
Oh come on, it's not actually that bad! I mean, if we accept from the outset that there's nothing at all original about this apocalyptic "Batman"-style thriller, then we can just get behind our heroes in an half shell and enjoy the ride. Bumpy? Well yes it is. You see, "Shredder" (Tohoru Masamune) and his dastardly "Foot Clan" have taken control of New York City. To make matters worse, "Splinter" has been attacked and he and all but "Raphael" turtle-napped. Now the game is afoot. Rescue them all then with the help of feisty reporter "April" (Megan Fox) and her savvy cameraman "Vern" (Will Arnett) apply their ninja skills and get to grips with the evil that now governs their city. Nothing at all original, no, but there's plenty of action and the odd bit of witty dialogue - usually from "Michaelangelo" - is included as leader "Leo" and the sharpest of the bunch - "Donatello" - have to come up with and execute a cunning plan in the face of seemingly insurmountable odds. Of course there's a message for us too. Some gently moralising stuff about inter-reliance, team building, loyalty - and, of course, there are plenty of sagely interventions from their rattish guru. It was entirely logical for Hollywood to capitalise on these global phenomena and to be fair, though it's pretty poor, it's no worse than a great many derivative efforts that the 2010s CGI factories churned out to keep the production lines in full flow. True fans may get something more from this, but for the rest of us - well it's not really up to much at all.
In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.
Shirin is struggling to become an ideal Persian daughter, politically correct bisexual and hip young Brooklynite but fails miserably in her attempt at all identities.
Juki is a celebrity at the peak of his popularity. His innocence, humourous, and courageous attitude, gains him the love of everyone. When a fallen meteor is threatening to destroy the country, can Juki save Indonesia?
Frustrated with his commitment-phobic boyfriend Chris and running out of time, Min makes a proposal: a green-card marriage with their friend Angela in exchange for her partner Lee's expensive IVF. Elopement plans are upended, however, when Min's grandmother surprises them with an extravagant Korean wedding banquet.
Mira Ray, dealing with the loss of her fiancé, John, sends a series of romantic texts to his old cell phone number… not realizing the number was reassigned to Rob Burns' new work phone. Rob, a journalist, is captivated by the honesty in the beautifully confessional texts. When he’s assigned to write a profile of megastar Céline Dion, he enlists her help in figuring out how to meet Mira in person and win her heart.
Pakistan-born comedian Kumail Nanjiani and grad student Emily Gardner fall in love but struggle as their cultures clash. When Emily contracts a mysterious illness, Kumail finds himself forced to face her feisty parents, his family's expectations, and his true feelings.
Story is about how a revolutionist, played by Cheng Pei Pei, taking on the identity of a Captain's (Ou Wei) long lost sister who is actually dead. Cheng manages to fool the Captain for a while, but little by little, the Captain catches on to her and the revolutionist's plan to stop Chinese-Japanese relations.
An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.
Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.
Low-level bureaucrat Sam Lowry escapes the monotony of his day-to-day life through a recurring daydream of himself as a virtuous hero saving a beautiful damsel. Investigating a case that led to the wrongful arrest and eventual death of an innocent man instead of wanted terrorist Harry Tuttle, he meets the woman from his daydream, and in trying to help her gets caught in a web of mistaken identities, mindless bureaucracy and lies.
A fleet of Martian spacecraft surrounds the world's major cities and all of humanity waits to see if the extraterrestrial visitors have, as they claim, "come in peace." U.S. President James Dale receives assurance from science professor Donald Kessler that the Martians' mission is a friendly one. But when a peaceful exchange ends in the total annihilation of the U.S. Congress, military men call for a full-scale nuclear retaliation.