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Gogglebox - (Feb 14th)
Deadline- White House - (Feb 14th)
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Good watch, would watch again, and can recommend. This feels like a trope, but I'm honestly not sure if "surprise, you're royal" is a trope. Making up a country for this also feels like a special sub-trope. What I'm sure is a trope is the "She's All That" where you have a clumsy, homely girl that you turn into a beautiful, graceful desirable. The fun of cultures clashing between America and "Genovia" is fun, and a family reuniting is touching, but all the high school girl drama, all the flavors, is overdone and boring. I understand it is needed to develop Mia as a character with which we empathize, but there have to be better ways to establish a character. Unfortunately, we would lose quite a lot by speeding it up, so I get it. While this movie doesn't do much special, it's equally good from start to finish, and reliably so.
It goes on for a bit too long, but 'The Princess Diaries' is just about a good film. Anne Hathaway (Mia) is the star no doubt, she's the only character I'll likely remember from this 2001 production. Julie Andrews (Clarisse) is decent too, while Héctor Elizondo (Joe) is extremely likeable in his role. There's also a (incredibly) small appearance from 'The Walking Dead' alum Karl Makinen. I found the plot a little tedious to watch in parts, not helped by a few cringey gags. I also, in live-action/non-fantasy films, always find it difficult to believe in fictional places - in this case "Genovia". It's a small gripe of mine. Anyway, I do of course appreciate and rate the overall message of the film. Overall, when all is said and done, I did narrowly enjoy watching this. The main reason being Hathaway, but also the moral of the story.
An aging gangster, Fernand Naudin is hoping for a quiet retirement when he suddenly inherits a fortune from an old friend, a former gangster supremo known as the Mexican. If he is ambivalent about his new found wealth, Fernand is positively nonplussed to discover that he has also inherited his benefactor’s daughter, Patricia. Unfortunately, not only does Fernand have to put up with the thoroughly modern Patricia and her nauseating boyfriend, but he also had to contend with the Mexican’s trigger-happy former employees, who are determined to make a claim.
Chris, a sexy teenager who appears mostly bare-breasted on the French Riviera, has a crush on Romain, her mother's lover. In reaction to her inability to attract his attention, she experiments with other risque affairs.
Doc, who has just moved to Cannery Row, realizes that the only entertainment is the brothel. There he meets the spunky Suzy and they fall in love, giving them both a renewed chance at life.
Louise, an unfulfilled divorced woman with regrets, gets the chance to relive her past when she meets a young man who bears an uncanny resemblance, in name and appearance, to her high school sweetheart who died many years before.
The terrible and trecherous Pendragon plans to gain the throne of Cornwall by getting the king to abdicate and to marry his lovely daughter. To help him he has his dreadful witches in his castle and his almost unstoppable sorcery. A giant under his control abducts the princess, but on the way home with her the giant meets farming lad Jack who slays him. This is only the beginning.
13-year-old Brian is the sole survivor of an unreported plane crash. Alone in the Yukon wilderness, Brian must learn to survive by his wits, find food and shelter, and brave wild, hungry animals until or if he is found.
A showman introduces a small coastal town to a unique movie experience and capitalizes on the Cuban Missile crisis hysteria with a kitschy horror extravaganza combining film effects, stage props and actors in rubber suits in this salute to the B-movie.
Nicholas and Isabel were made for each other but how will they ever know it? As ghosts, fate and the sheer power of true love pull them together, so too does life threaten to tear them apart.
Two bumbling servants are hired by a dizzy society matron to cook and serve a meal for visiting royalty.
Leelee Sobieski is brash, abrasive and vulnerable as a teenage child of divorce who hides her pain behind a mask of hard-edged gothic rebellion. Albert Brooks plays a man who is her total opposite, a precise and well-ordered menswear store owner of forty-nine who manages limited expectations and protects lonely secrets with pleasant ritual and quiet, ironic reserve. These two total opposites collide in conflict then come together in a surprising alliance, changing each other's lives forever.