Justice League Crisis on Infinite Earths Part Two 2024 - Movies (Apr 23rd)
Arthur the King 2024 - Movies (Apr 23rd)
Monkey Man 2024 - Movies (Apr 23rd)
The Cost 2023 - Movies (Apr 23rd)
Dangerous Waters 2023 - Movies (Apr 23rd)
Downtown Owl 2023 - Movies (Apr 23rd)
Token Taverns 2023 - Movies (Apr 22nd)
Time Addicts 2023 - Movies (Apr 22nd)
Tigers on the Rise 2024 - Movies (Apr 22nd)
Fern Brady Autistic Bikini Queen 2024 - Movies (Apr 22nd)
Tiger 2024 - Movies (Apr 22nd)
Hip-Hop and the White House 2024 - Movies (Apr 22nd)
Locked in My House 2024 - Movies (Apr 22nd)
My Child Has My Doctor’s Face 2024 - Movies (Apr 21st)
When Evil Lurks 2023 - Movies (Apr 21st)
Flying for the Flag 2023 - Movies (Apr 21st)
Stockholm Bloodbath 2023 - Movies (Apr 21st)
The Bricklayer 2023 - Movies (Apr 20th)
The Breaking Ice 2023 - Movies (Apr 20th)
Abigail 2024 - Movies (Apr 20th)
Hard Miles 2023 - Movies (Apr 20th)
Have I Got a Bit More News for You - (Apr 23rd)
Saturday Kitchen - (Apr 23rd)
The Chase Australia - (Apr 23rd)
Tipping Point Australia - (Apr 23rd)
Accused - (Apr 23rd)
Inside the Force - (Apr 23rd)
NCIS - (Apr 23rd)
WWE Raw - (Apr 23rd)
This Old House - (Apr 23rd)
Bob Hearts Abishola - (Apr 22nd)
The Neighborhood - (Apr 23rd)
Contraband- Seized at the Border - (Apr 23rd)
Spring Baking Championship - (Apr 23rd)
Seeking Sister Wife - (Apr 23rd)
Ugliest House in America - (Apr 23rd)
Lakefront Empire - (Apr 23rd)
Lethally Blonde - (Apr 23rd)
The ReidOut - (Apr 23rd)
All In with Chris Hayes - (Apr 23rd)
Love Your Weekend with Alan Titchmarsh - (Apr 23rd)
**An interesting film, with qualities, but it could be much better.** I think that, at this point, anyone who reasonably knows cinema already knows that Danny Boyle's films are not for all audiences. Perhaps “Slumdog Millionaire” is his most commercial film, capable of reaching more easily the general public, but we only need to think about “Trainspotting” to get an idea of how raw and intense he can be as a filmmaker. He seems to enjoy it, and there's no denying that there's a niche audience for these films. The script takes us to Edinburgh, to the apartment where three young friends live. As often happens among impoverished youth, they divide the rent between them so that they can remain there, and they are looking for a fourth companion because there is still space for another roommate. However, after about a week, the guy they have chosen is found dead next to a huge suitcase full of money. And they are left in a dilemma: should they call the police and tell them everything? After all, they didn't kill him! Or would it be better to hide the body somewhere and keep the money? They really need it… is it worth it? As you can see, the film explores the themes of greed and pettiness, friendship and the way in which something can transform the way people relate, putting an end to friendships and leading to brutal paranoia that feeds on the unconfessable fears of each one. There's something that reminds me of Alfred Hitchcock here. I believe this would be enough for the film to be interesting, but Boyle added a subplot where a group of criminals knows about the money and are looking for it, leaving a trail of bodies wherever they go. The film didn't need this, and it would have been better to invest in the central plot. The biggest problem with this film is that it is not beautiful nor does it have likable characters. On the contrary! They are petty, cynical, unsympathetic and their friendship seems artificial, forced by circumstances. However, this is exactly what the film could explore to the limit. It tries to do so, the tension gradually increases as this happens, but the sub-plot I mentioned introduces itself blatantly and ruins things a bit. In the cast, Chris Eccleston and Ewan McGregor stand out with inspired and slightly insane performances. Their characters called for this expansiveness and both knew how to rise to the challenge, although they sometimes exaggerated. Kerry Fox is not that good and just exaggerates. Boyle has style, but he is not a director skilled at guiding his cast. In addition, we have Keith Allen, who has very little to do, and Ken Stott, relegated to a secondary position and of no great interest to the plot. Technically, the film has frankly positive notes: the set is very well-thought-out, with the production looking for every means to cope with the Franciscan poverty of its budget. The cinematography is good, but not enchanting, and the camera work has its moments of creative inspiration, with original perspectives and some unusual framings. The fast pace reasonably covers up the weaknesses, making the film more fun and palatable. The ending is an effort, but the twist was predictable.
A fatalistic car crash in Mexico city sets off a chain of events in the lives of three people: a supermodel, a young man wanting to run off with his sister-in-law, and a homeless man. Their lives are catapulted into unforeseen situations instigated by the seemingly inconsequential destiny of a dog.
An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.
In the year 2035, convict James Cole reluctantly volunteers to be sent back in time to discover the origin of a deadly virus that wiped out nearly all of the earth's population and forced the survivors into underground communities. But when Cole is mistakenly sent to 1990 instead of 1996, he's arrested and locked up in a mental hospital. There he meets psychiatrist Dr. Kathryn Railly, and patient Jeffrey Goines, the son of a famous virus expert, who may hold the key to the mysterious rogue group, the Army of the 12 Monkeys, thought to be responsible for unleashing the killer disease.
A master thief coincidentally is robbing a house where a murder—in which the President of The United States is involved—occurs in front of his eyes. He is forced to run, while holding evidence that could convict the President.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
A card shark and his unwillingly-enlisted friends need to make a lot of cash quick after losing a sketchy poker match. To do this they decide to pull a heist on a small-time gang who happen to be operating out of the flat next door.
Léon, the top hit man in New York, has earned a rep as an effective "cleaner". But when his next-door neighbors are wiped out by a loose-cannon DEA agent, he becomes the unwilling custodian of 12-year-old Mathilda. Before long, Mathilda's thoughts turn to revenge, and she considers following in Léon's footsteps.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feed his urge for violent action.
Lola receives a phone call from her boyfriend Manni. He lost 100,000 DM in a subway train that belongs to a very bad guy. She has 20 minutes to raise this amount and meet Manni. Otherwise, he will rob a store to get the money. Three different alternatives may happen depending on some minor event along Lola's run.
Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers and supposedly Jewish jewelers fight to track down a priceless stolen diamond.
Jeffrey 'The Dude' Lebowski, a Los Angeles slacker who only wants to bowl and drink White Russians, is mistaken for another Jeffrey Lebowski, a wheelchair-bound millionaire, and finds himself dragged into a strange series of events involving nihilists, adult film producers, ferrets, errant toes, and large sums of money.