The Great American Baking Show - (Feb 10th)
Perfect Match - (Feb 10th)
Saint-Pierre - (Feb 10th)
Murdoch Mysteries - (Feb 10th)
Family Feud Canada - (Feb 10th)
The Kelly Clarkson Show - (Feb 10th)
Open House NYC - (Feb 10th)
Common Side Effects - (Feb 10th)
Ready to Love - (Feb 10th)
Baddies Midwest - (Feb 10th)
Married at First Sight UK - (Feb 10th)
The Chase Australia - (Feb 10th)
Tipping Point Australia - (Feb 10th)
Tribunal Justice - (Feb 10th)
Scars of Beauty - (Feb 10th)
StuGo - (Feb 10th)
PULISIC - (Feb 10th)
Austin City Limits - (Feb 10th)
LIVE with Kelly and Mark - (Feb 10th)
The Sunday Show with Jonathan Capehart - (Feb 10th)
Twenty years have passed since those two apartments in the heart of Mexico City were the battlefield of a war of the sexes between Ana, Carlos, Andrea, Miguel, Tomás and María. All that is left of those apartments are memories and the image of Tomás' dead body at the bottom of the elevator shaft. Their lives have changed, their families have grown and new and unexpected characters have come to unsettle their daily lives and trigger a chain of events that will make them realize that modesty has been replaced by public disclosure; sex is only an app away; but love...love is still something elusive that everyone in today's banal and chaotic world is seeking.
When Iyay, a single mother, learns that her estranged husband has died, she drags the entire family on a road trip from Cebu to Dumaguete to attend the funeral.
A boy, obsessed with comparing himself with those less fortunate, experiences a different life at the home of his aunt and uncle in 1959 Sweden.
Two drag queens and a transgender woman contract to perform a drag show at a resort in Alice Springs, a town in the remote Australian desert. As they head west from Sydney aboard their lavender bus, Priscilla, the three friends come to the forefront of a comedy of errors, encountering a number of strange characters, as well as incidents of homophobia, whilst widening comfort zones and exploring new horizons.
A former U.S. Navy Seal seeks life, liberty and the pursuit of happiness living life as a transgender woman.
In Kentucky, a transgender woman and her best male friend lament the lack of eligible partners and step across old boundaries of love and romance.
Set in 1970s Rome, the fiction tracks the plight of a nuclear family, consisting of an unhappy married couple: Clara (a deeply dissatisfied expatriate Spaniard) and Felice (an abusive businessman cheating on Clara with his secretary) and their children Adriana, Gino, and Diana. Their eldest child, 12-year-old Adriana, experiences gender dysphoria; he rejects girlhood and instead goes by the name of Andrea (a primarily masculine name in Italian). Andrea develops a crush for Sara, a Roma girl who knows him as a boy. Upon a shared sense of being outsiders, Andrea and Clara grow closer.
At a very camp party in Paris, guests are told about a strange tom-tom played by an Andalusian gipsy, himself a character in a book by a young novelist present at the party. A frantic quest begins for a mysterious love-filter. Tam Tam shows desire and repression through the subversion of archetypes both social (ambassadors, stars, artists) and sexual (homophiles, transvestites, transsexuals), and converting these into a most accurate account of a certain kind of unease: an identity crisis.
A splendid doctor arrives in a small village: all the males compete to undergo repeated examinations in order to get to know the beautiful woman better. The mayor of the village, taking advantage of the beautiful "bait", would like to teach a lesson to the playboy Gustavo, who some time ago had caught all the husbands of the village.
Between the ages of two and three, children already know which gender they belong to. One in 10,000 males and one in 40,000 females feel the opposite gender to the one they were assigned at birth. The first signs of transsexuality can appear very early. The families of all the protagonists in the documentary agree that their children have, almost from the moment they began to speak, expressed with surprising insistence and firmness that they belonged to the sex opposite to that of their genitalia.
Eduarda (Eddi) wants to become a woman, but what makes a woman? Maybe breasts help? She goes on holiday with her family and meets Lukas. Unfortunately, she is not the only family member who wants to feel attractive. Are we really defined by what others see?