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When the friendship between two men is put to the test by two women, we can only laugh because the author has managed to adapt this situation in a superb comedy.
Paris of the 1930s, in the world of little rascals. Loulou gus is in the shade. To get a clean crust, it needs sorrel, fuzzy, dough. Especially since he owes a package to Pierrot's band that is close to making his skin. But Loulou is madly stiff. Luckily, Paul, who has a crush on her, spins in a small jewelry store. This is the perfect breakage opportunity. From a frill-frac behind the fagots. But Jo, Loulou's acolyte, who has no gas on all the floors, promises us not the breakage of the century, but at least the breakage of the evening… And then the Mother Mercandieux, jeweler of father in girl, is not ready to leave his jewelry to this band of thugs ... Especially since Paul is not going to let himself be told too long. So beware, there’s going to be some mayhem!
When a dying theater’s last hope for business suddenly goes from a murder mystery show to an actual murder mystery, the cast must play it off in order to save their jobs!
The comedy, centered on five characters (Rita, Rodolfo, Agostino, Bettina, and Don Attilio - "o viecchio pazzo"-), has as background the Italy of the 60s between the economic boom and the perennial unemployment crisis. The cylinder, well explained by "Agostino-Eduardo" in the comedy, is a representation of power, designed to intimidate the ignorant for its only evocative "power". It can also be seen as a sort of "Pirandellian mask", where the character of Augustine wears it to defend himself and represent something that he is not.
