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The Tucker Carlson Show - (Feb 3rd)
Come Dine With Me- South Africa - (Feb 3rd)
Bargain Hunt - (Feb 3rd)
Marketplace - (Feb 3rd)
Perfect Match - (Feb 3rd)
The Tommy Tiernan Show - (Feb 3rd)
Saint-Pierre - (Feb 3rd)
Murdoch Mysteries - (Feb 3rd)
Family Feud Canada - (Feb 3rd)
When the Stars Gossip - (Feb 3rd)
Room to Improve - (Feb 3rd)
Open House NYC - (Feb 3rd)
Mysteries Unearthed with Danny Trejo - (Feb 3rd)
Forensic Factor- A New Era - (Feb 3rd)
Joselines Cabaret Texas - (Feb 3rd)
Baddies Midwest - (Feb 3rd)
Australian Idol - (Feb 3rd)
Married at First Sight UK - (Feb 3rd)
The Chase Australia - (Feb 3rd)
Billy and Dom Eat the World - (Feb 3rd)
Click here for a video version of this review: https://youtu.be/b-v5AvIlc8E _Lord of the Flies_ is a classic book that I have never read, and its the source material for two movies, one from 1963, and the other in 1990, both of which I had also never seen. Having spotted the 1963 version on Kanopy, I loaded it up for a look. If you're not sure what it's about, here's a brief rundown: _Amidst a nuclear war, a plane carrying a group of schoolboys crash lands on a deserted island. With no adult survivors, the boys are forced to fend for themselves. At first they cooperate, but when they split into two separate camps their society falls into disarray._ Opening with a pretty effective photographic prologue that sets up things nicely for the commencement of the film itself this got my attention quite quickly, but boy does it go downhill very fast after that. The kids are not very good actors - most of their lines sound like they're reading them, it's poorly edited, and overall comes off feeling like something made by a first year film student in their back yard. I spent a lot of the runtime thinking "okay this isn't very good, but let's see where its going" but ultimately it goes nowhere. There's no real explanation as to why certain boys go so wild, they just suddenly do. And as there is no time scale given you can't gauge if this was a slow descent into madness or not, and because of that we're just left with the choppy editing so it seems they went wild in a matter of days which makes how wild they go even more ridiculous. For a movie that sets out to be a serious drama film that asks the "what if?" question, it hasn't a shred of logic to it. Any metaphorical meaning is lost in its terrible execution and complete lack of explanation. If I had not been primed by years of "this is an examination of the breakdown of humanity" and gone into this blind, I would have come away thinking it was a shoddily made movie with an incoherent story and no message. In fact, even going into it primed for a "breakdown of humanity" story, I still came away thinking it was a shoddily made movie with an incoherent story and no message. There are no explanations, no exposition, and I couldn't help but be left thinking "why on earth is this a classic?"
True enough to the book. It has been decades since I've read the book, and also since I've seen the movie. For the few who are unaware, it's about the savage ways that a group of young boys take on when left on their own after a plane crash. One of the boys becomes a sort of "anti hero" just by not being a sadist. He begins by being a leader, but some of the other boys begin being sadistic savages. It's a bit of a reflection on the debate long ago between Voltaire and Rousseau, about the nature of man. The French Revolution and other incidents bore out Voltaire's cynicism and mocked Rousseau's optimism. Other movies have the same motif. Anzio, Ulzana's Raid, End of the Spear, while which reflect on the need to understand that we have to fight inner demons. Here, two boys totally give in to the demons, and two boys totally reject the demons. Other boys fall in between, but find that if they reject the demons, they must do so in an underground movement., It does make for some characters whose motivation is just pure evil, because they are totally possessed by demons. It's something everyone must fight against all the time. A film to compare this with is "Fortress", which is much the better film, because there is an adult who mentors the young boys and girls who go through an ordeal, and in "Fortress" we see them work together for a common good to help every individual. Which is the exact opposite of what "Lord of the Flies" does. The boys here do the exact opposite. It's depressing, but not contrived IMO. It shows how ugly that ugliness truly is, which is its saving grace.
Rusty Sabich is a deputy prosecutor engaged in an obsessive affair with a coworker who is murdered. Soon after, he's accused of the crime. And his fight to clear his name becomes a whirlpool of lies and hidden passions.
Allie Fox, an American inventor exhausted by the perceived danger and degradation of modern society, decides to escape with his wife and children to Belize. In the jungle, he tries with mad determination to create a utopian community with disastrous results.
A strong-willed peasant girl is sent by her father to the estate of some local aristocrats to capitalize on a rumor that their families are from the same line, but is left traumatised from her experiences.
Several years after leaving the orphanage, to which her father never returned for her, Gabrielle Chanel finds herself working in a provincial bar. She's both a seamstress for the performers and a singer, earning the nickname Coco from the song she sings nightly with her sister. A liaison with Baron Balsan gives her an entree into French society and a chance to develop her gift for designing.
Elling has lived with his mother all his life. Mom is the practical one, while Elling ponders the more theoretical aspects of life. He spends his time in their apartment reading books and looking at the neighbours through the living room window. Elling doesn't seem to need to be around others like most people. That's why Elling is less than enthusiastic when his mother suddenly decides to take her son on a beach vacation to Spain. Reluctantly, Elling agrees. After all, a lady at her age needs a good man by her side. But what Elling refuses to realize is that Mom is not only old, but also sick. Very sick. On her last vacation she tries to get Elling to see that life is bigger than their living room.
A teenage hustler and a young man obsessed with alien abductions cross paths, together discovering a horrible, liberating truth.
In the late 19th century, two Swedish emigrants, Lasse Karlsson and his son Pelle, arrive on the Danish island of Bornholm hoping to find work on a farm and save enough money to travel to the United States of America.
Young seminary student Franziskus (Benjamin Besson) has been ceremonially ordained. He wants to escape the harshness and injustice of the world and devote himself to the service of God in the quiet seclusion of a monastery. He is also hoping to forget the beautiful lady Aurelie (Jaroslava Schallerová), whose life he saved in a flooded brook and with whom he spent an amorous night. He knows that her father would never allow her to marry him. But the devil dressed in a monk's habit and under the name Viktorin (Andrzej Kopiczynski) intervenes in Franziskus's destiny and attempts to lead him astray. To do so he first uses the diabolical elixirs kept at the monastery as a rare relic. When the young monk gets expelled from the monastery, Viktorin prepares another trap with the help of Aurelie's stepmother Euphemie (Milena Dvorská).
A young couple is overjoyed when they find out that, after having had two girls, the wife is pregnant again, and this time it will be a son. However, the boy turns out to autistic. Unhappy with the diagnoses and treatments available, they decide to work out their own therapy program for their son.
Detective Inspector Campbell (Gordon Jackson) looks into the murder of a teacher at a girls school where there are a number of suspects, including her colleagues and the married man she had been seeing.
With a heavy haul of 250 kilograms of gold bullion, the grizzled criminal mastermind, Rhino, and his ruthless gang of cutthroats, head to a ramshackle retreat somewhere in the Mediterranean to lay low on a scorching day of July. However, the unexpected and rather unwelcome arrival of the bohemian writer, Bernier, his muse, Luce, along with a pair of no-joke gendarmes further complicates things, as the frail allegiances will soon be put to the test.