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Overall, Uncommon Valor (UV) is a less-flashy atypical Hollywood movie of ex-soldiers being reunited to form a team to rescue Vietnam POWs, using good (but not Oscar quality) humor, and decent near-realistic (but not memorable) special effects to tell a 2-part story of forming a rescue team which then performs their mission. Decades after UV was produced, one could say that it's just another run-of-the-mill movie about rescuing Vietnam POWs; however, this was one of the earlier movies of this genre so I don't think it can be fairly compared with the rest of this ilk. (E.g. Missing In Action was 1985 and the 2nd Rambo movie was 1986.) UV isn't a typical Hollywood attempt at making a blockbuster, yet it did very well in the theater. UV is noteworthy for being more emotional than its brethren; it's not a tear-jerker, nor is it a masterpiece drama since it is a bit light-hearted in many places and uses humor liberally. (The humor isn't comedy per se, I felt that its purpose is to reminder us that the characters are misfits and has-beens, ex-soldiers but not ex-warriors, and they're transitioning from plain vanilla real lives to what's normally reserved for elite teams of soldiers like Delta Force. UV has a charm about it that most others lack. The acting isn't superb, but it's still very good. It doesn't have tons of eye-candy special effects, but it does use them fairly appropriately to enhance the story; I'd even go so far to say that, unlike typical Hollywood movies of today, instead of dialogue and story gluing together a bunch of CGI action scenes, UV takes the opposite approach of using action scenes and humor to glue together the story parts and demonstrate that the characters are a bunch of misfits, aging former soldiers brought together for a rescue mission. Patrick Swayze's character is unique here, really gung ho, kind of a counterpoint to the aging ex-soldiers. The 1st half of UV tells a story of ex-soldiers coming together, overcoming their unique prejudices, and re-learning how to work together as a team. Eventually, they form a fairly effective team and the rescue mission is a Go. The action scenes weren't very realistic, but they were still OK, certainly good at demonstrating how the character steadily became a team. The 2nd half of UV is the rescue mission itself, not really anything spectacular and more typical of a Hollywood film. It's not bad at all, just fairly routine, but done well, nonetheless. The action scenes, in particular, are decent but not eye-popping or noteworthy of realism, yet they're sufficient for the story. (Of course, there are scenes which are a bit over-the-top, maybe worth a half-star ding in the overall rating.) PS This review is based on my having seen UV in the theater when released, augmented by my just having watched it again over 30 years later.
A flying prodigy, Captain Vikrant Khanna's flight takes a stirring and mysterious trajectory after take-off from an international destination. Concurrently, it follows the tenacious Narayan Vedant in his pursuit to uncover the truth.
A corrupt cop gets in over his head when he tries to assassinate a beautiful Russian hit-woman.
Banks is a hit man, the best, usually working for Latin American drug cartels. He picks up solitary women, uses them briefly for a job, then kills them. He's in the Southwest, headed toward Mexico, when he picks up Bennie, a woman leaving an abusive marriage, going to Paradise, Arizona. The film follows three tracks: Banks's slow recruitment of Bennie, the set-up for the hit at a swank resort in Mexico, and the FBI's close pursuit of Banks, whom they want alive in hopes he'll rat out his bosses. Bennie may not be who she seems, and there may be a chink in Banks's tough-guy armor. Guns, money, and a chance at Paradise.
A troubled psychologist is sent to investigate the crew of an isolated research station orbiting a bizarre planet.
In October 1991, a confluence of weather conditions combined to form a killer storm in the North Atlantic. Caught in the storm was the sword-fishing boat Andrea Gail.
On their cross-country drive, a married couple, Jeff and Amy Taylor, experience car trouble after their SUV breaks down. Stranded in the New Mexico desert, the two catch a break when a passing truck driver offers Amy a ride to a nearby café to call for help. Meanwhile, Jeff is able to fix the car and make his way to the café, but Amy isn't there. He tracks down the trucker - who tells the police he's never seen Jeff or his wife before. Jeff then begins a desperate, frenzied search for Amy.
As the heir and current marketing director for one of the nation's biggest gun manufacturers, Liberty Wallace is indifferent to the atrocities made possible through her business and her CEO husband, Victor. On her way to see her actor lover, Liberty ends up chained to a food cart full of explosives - all at the insistence of "Joe", a sniper whose young daughter was a victim of gun violence, and who now has Liberty in his sights.
When Ruby and Rhett's parents are killed in a car accident, their carefree teenage lives are suddenly shattered. Moving to an incredible house in Malibu with the Glasses', old friends of the family, seems to be the beginning of a new life for them.
A Marine officer reported as killed in Vietnam, but who was actually a POW, returns home. Instead of being welcomed home, however, he discovers that his father has died, his wife has remarried, his daughter has been adopted, his business has been sold, and his life has completely changed.
Bomba decides to find out who his parents were. He starts with Cody Casson's diary and follows the trail to a native village. An ancient blind woman tells him his parents and the village's true ruler were murdered by the current chieftain and his daughter.
A CIA operation to purchase classified Russian documents is blown by a rival agent, who then shows up in the sleepy seaside village where Bourne and Marie have been living. The pair run for their lives and Bourne, who promised retaliation should anyone from his former life attempt contact, is forced to once again take up his life as a trained assassin to survive.