Fernando Peixoto

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Fernando Amaral dos Guimarães Peixoto (Porto Alegre, May 19, 1937 - São Paulo, January 15, 2012) was a writer, translator, actor and theater director, linked to Teatro Oficina de São Paulo, until 1968. Author of several works linked to Brechtian conceptions, having been a member of the central committee of the Brazilian Communist Party. Born : 19th-May-1937

Movie Credits

Correspondência

Released : 1st-Jan-1996

Fogo Morto

In 1910, in the State of Paraíba, Brazil, a man is expelled from his own land by the ruthless colonel who owns the sugar mill. He asks some outlaws to help him retrieve his land.
Released : 1st-Jun-1976

The Brazilwood Man

Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.
Released : 22nd-Feb-1982

Senhora dos Afogados

Released : 18th-Jul-1985

Sangria

Released : 13th-Mar-1972

Desire Machine: 60 Years of Teatro Oficina

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.
Released : 10th-Apr-2021

Doramundo

A series of murders begins to haunt Cordilheira, a small town near São Paulo, Brazil. The investigations show there is a love triangle involved.
Released : 17th-Feb-1978

Cristais de Sangue

Rui arrives in a small town looking for his father, a prospector. Before that, he gets involved with Maria, who is facing problems in the family. Maria's stepfather is the head of a gang and will go to any lengths to prevent Rui from finding his father.
Released : 15th-Dec-1975

They Don't Wear Black Tie

Otavio is an idealistic union leader trying to organize workers at a factory to resist the company's exploitative practices. His son, Tião, one of the employees, is more of a realist and doesn't want to risk losing his job by striking. This clash of perspectives puts the father and son at odds. Fortunately, Tião's mother, Romana, is on hand to act as a moderator between the two opinionated men.
Released : 28th-Sep-1981

O Predileto

Based on the novel "Totônio Pacheco", written by João Alphonsus. At the time of the decadence of the great farms of Minas Gerais, Totônio is a symbol of the golden age of state farms: old and accustomed to having all his wills obeyed. However, after moving to his son's home because of his wife's death and the resulting loneliness, he realizes that he has lost his job as a boss and is struggling to regain his prestige by moving to a brothel.
Released : 19th-Dec-1975

Gamal, O Delírio do Sexo

Symbolic film from the Underground Movement of Brazilian Cinema (Cinema Marginal) about a woman, three men and some apes. In the director's own words: “a fable where realism and logic have no place, and in which sex is a translation of all the tortures, circumstances and violent actions.”
Released : 14th-Dec-1970

Bebel, Garota Propaganda

Poor and beautiful girl is hired by a sales promoter to advertise a new brand of soap. The success is immediate, but the need for a new face hinders her way to stardom.
Released : 17th-Nov-1967

Vianinha

Released : 14th-Sep-1987

The Fall

An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.
Released : 20th-Aug-1976

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