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In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.
A filmed adaptation of Rose Leiman Goldemberg’s play, based on Sylvia Plath’s intense correspondence with her mother Aurelia, from the time the poet was in university until her suicide. Delphine Seyrig and her niece Coralie Seyrig recite Sylvia and Aurelia’s letters to the audience directly.
Daivathinte Swantham Cleetus revolves around Cleetus (Mammootty), a dreaded long-haired rogue. He surprises the parish priest (Siddique) by his uncanny resemblance to Jesus Christ in looks and mannerisms. He is roped in by the priest for the role of Jesus Christ for a light and sound show for their upcoming festival. His real self comes to the fore during rehearsals. The fact that he is a goon is revealed, yet the priest decides to persist with him in the belief that the experience of performing the noble character will lead to his transformation. Things change in the life of Cleetus after that. Events that occurred in the life of Jesus Christ start occurring in the life of Cleetus too. What happens to Cleetus and the people surrounding him form the rest of the story.
During a writing slump, playwright J.M. Barrie meets a widow and her four children, all young boys—who soon become an important part of Barrie’s life and the inspiration that lead him to create his masterpiece. Peter Pan.
At the end of the 1980s, Stella, Victor, Adèle and Etienne are 20 years old. They take the entrance exam to the famous acting school created by Patrice Chéreau and Pierre Romans at the Théâtre des Amandiers in Nanterre. Launched at full speed into life, passion, and love, together they will experience the turning point of their lives, but also their first tragedy.
A group of teenagers living in a housing project in the outskirts of Paris rehearse a scene from Marivaux's play of the same name. Krimo is determined not to take part, but after developing feelings for Lydia, he quickly assumes the main role and love interest in the play.
Renowned for his extreme generosity, the Athenian nobleman Timon has fallen prey to flatterers and false friends, on whom he showers lavish gifts and extravagant hospitality. His loyal steward, Flavius, tries to warn him of the financial consequences of such reckless expenditure, while the cynical philosopher Apemantus mocks his naivety, but Timon ignores them both. When his money runs out and his creditors demand payment, Timon sends confidently to his "friends" for help. When all refuse him, he throws one last party - one that heralds a dramatic change in his attitude to the world.
Today, immense confusion reigns over the quest for the absolute, revolt and fury, violence and its appendages. And many people plunge back in Albert Camus' work to find answers. In the foreword to his play, the philosopher and writer summarizes the intrigue as follows: "In February 1905, in Moscow, a group of terrorists, belonging to the Socialist Revolutionary Party, organized a bomb attack against the Grand Duke Serge, Tsar's uncle ”. The rapper and slammer Abd Al Malik offers with this "musical tragedy" a contemporary staging of "The Just", a complete creation, faithful to the text of Camus, but reinventing a scenic and musical language resolutely inscribed in our time.
Recording of the play 1789, a collective creation by Théâtre du Soleil at La Cartoucherie de Vincennes in 1970, edited from several shows.
Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.