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The Price Is Right - (Jun 23rd)
Deadline- White House - (Jun 23rd)
Love Island - (Jun 23rd)
The Young and the Restless - (Jun 23rd)
Dover 24/7- Britains Busiest Port - (Jun 23rd)
Sun, Sea and Selling Houses - (Jun 23rd)
Fare Dodgers- At War with the Law - (Jun 23rd)
Panorama - (Jun 23rd)
Motorway Cops- Catching Britains Speeders - (Jun 23rd)
Alan Titchmarshs Gardening Club - (Jun 23rd)
Big City Greens - (Jun 23rd)
Bridge of Lies - (Jun 23rd)
Grantchester - (Jun 23rd)
The Farmer Wants a Wife - (Jun 23rd)
Head Over Heels - (Jun 23rd)
Kiff - (Jun 23rd)
Wylde Pak - (Jun 23rd)
Hell Motel - (Jun 23rd)
Bargain Hunt - (Jun 23rd)
Evil Lives Here- The Killer Speaks - (Jun 23rd)
**A film about characters and dialogue, made by men and for (some) men.** Watching films with a lot of dialogue allows us, sometimes, to find some very good works in terms of the construction of lines and development of characters. In these films, these elements become the essence that justifies their existence. And we can think of several examples, such as “Before Sunrise”. This film isn't bad either, but it targets a niche audience that I don't find myself in: single men, somewhat bitter and dissatisfied, misogynists and womanizers. I am single, and I feel peacefully satisfied, without a hint of misogyny and never closing doors to love, but also without any despair. And in fact, I haven't set foot in a bar since my college days. As you can see, I'm not the kind of man who could identify with these characters. The plot revolves around three friends, aspiring actors, who seek to make it in challenging Los Angeles. One of them is depressed due to the end of a long-term relationship, and the other two friends decide to take him to bars, to drink and flirt as much as possible. From drink to drink, from one flirtation to another, the conversation between the various characters reveal a lot about themselves, and the way they see the world. It's not a narrative film, it doesn't have a very solid story, but it has good characters and an excellent collection of dialogues. Directed by Doug Liman, the film has simple, but effective and credible cinematography, sets and costumes. Being an independent film, made outside the multimillion-dollar studios, the production had several budget problems that forced practical and functional choices. This may have been positive, allowing for greater verisimilitude and the choice of realistic locations and situations. Being a film so focused on the male mentality, and a world of bars and flirting, it is likely that the female audience would prefer to see something else. Screenwriter and actor John Favreau plays the main character, supported by two longtime friends, Vince Vaughn and Ron Livingstone. Each of them does a good job and explores their character very well, expressing a lot of themselves, which turns these characters into “alter egos” of the actors who play them. This is unusual in cinema, but not unheard of. The film also features the participation of other actors and friends of those involved, in smaller and less well-crafted characters.
Flamboyantly gay Austrian television reporter Bruno stirs up trouble with unsuspecting guests and large crowds through brutally frank interviews and painfully hilarious public displays of homosexuality.
A young actor from Texas tries to make it in New York while struggling in his relationship with a beautiful singer/songwriter.
Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.
In Martha's Vineyard, Mass., conjoined twins Walt and Bob Tenor make the best of their handicap by being the fastest grill cooks in town. While outgoing Walt hopes to one day become a famous actor, shy Bob prefers to stay out of the spotlight. When a fading Hollywood actress, Cher, decides to get her show "Honey and the Beaze" cancelled, she hires Walt - and his brotherly appendage - as her costars. But their addition surprisingly achieves the opposite.
This film is a glimpse into the life, love and the unconquerable spirit of the legendary Bruce Lee. From a childhood of rigorous martial arts training, Lee realizes his dream of opening his own kung-fu school in America. Before long, he is discovered by a Hollywood producer and begins a meteoric rise to fame and an all too short reign as one the most charismatic action heroes in cinema history.
An aged Charlie Chaplin narrates his life to his autobiography's editor, including his rise to wealth and comedic fame from poverty, his turbulent personal life and his run-ins with the FBI.
A Hollywood studio executive is being sent death threats by a writer whose script he rejected - but which one?
New York gangster Ben 'Bugsy' Siegel takes a brief business trip to Los Angeles. A sharp-dressing womanizer with a foul temper, Siegel doesn't hesitate to kill or maim anyone crossing him. In L.A. the life, the movies, and most of all strong-willed Virginia Hill detain him while his family wait back home. Then a trip to a run-down gambling joint at a spot in the desert known as Las Vegas gives him his big idea.
Former child star Joe Davis, reduced to living in a cheap Hollywood motel while struggling for acting jobs, is lusted after by nearly every woman he meets, including Jessica Todd, a tightly wound feminist who has recently come out as a lesbian. When Jessica's mother, Sally, an emotionally needy has-been actress, meets Joe, she moves him into her enormous, tacky mansion as her new boy toy and attempts to get him acting work.
In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.