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Despite the flat-as-a-pancake orchestral opening at the start, this film is really all about Lauren Bacall. She ("Schatze") lives with fellow models "Pola" (Marilyn Monroe) and "Loco" (Betty Grable) and are down to their last cent. Unless they can raise some money sharpish, they are going to be out on the street - and none of these fur wearing, champagne swilling, women are in any way equipped for that! On their terrace one afternoon, they hit on a plan. Marry a millionaire. They all know plenty of them, they are gorgeous and the men usually too stupid, or vain, to know when they are being played. How hard can it be? Well, as this light-hearted comedy unfolds, they discover that separating the wheat from the intellectual chaff isn't that simple after all. "Schatze" takes a shine to "Hanley" (William Powell) but he turns out to be a surprisingly decent cove and she must look elsewhere. Then there's "Pola" - who has the eyesight of a very old mole. She alights on "Freddie" (David Wayne) before, finally, "Loco" who really hasn't a clue what she's doing with "Eben" (Rory Calhoun) and/or "Tom" (Cameron Mitchell). Thing is, though - aside from Powell, they don't appear to have any money? How will this solve their problem? Now we know that one of these boys is actually as wealthy as Croesus, but they are oblivious and believe it or not, they might actually be starting to think about their choices based on the "l" word! Bacall is in her element here. She epitomises her elegant and smart character. Monroe does the ditzy and affectionate rather well and Grable, well she docent really feature much at all as the story develops. The first film in Cinemascope and a curiously stage-bound choice for it, but that aside it's an engaging enough rom-com that allows three women to play the game for all it's worth.
Portrait of a Knight is a musical romance about the way in which historic ideals inform contemporary urban life. Rachel is a young archivist living and working in Wellington, New Zealand. Feeling alone and disconnected from life, she projects her romantic fantasies onto the paintings she loves, until one day her song brings Reginald - a Knight of the Realm - to life. His carefree innocence and zest for life begin to open Rachel up to the beauty around her, but the fates have a way of making trouble when miracles occur...
Challenged to compose 100 songs before he can marry the girl he loves, a tortured but passionate singer-songwriter embarks on a poignant musical journey.
A domestic black comedy, MISTER E expresses some of the edgier mischief and discontent that women of mid-century America could rarely express openly. This short film narrates the revenge acted out by a young wife, left at home while her husband is at a card game; by staging a rendezvous with a mannequin, this woman provokes an eruption of jealousy and violence before bringing about the desired marital tenderness. Preserved by Chicago Film Archives with support from the Women’s Film Preservation Fund.
A ghost appears from a laundromat dryer seeking vengeance against her husband for leaving her for another woman.
It’s Christmas season. Ten years have passed since Lina traveled to Chile to work as a domestic worker away from her son who lives with her grandmother in Peru. Manuel, a former employer, ask her to supervise the construction of a swimming pool for his daughter Clara in his new house. In this half-inhabited space, Lina spends the day taking care of Clara, while at night, she has furtive sexual encounters with strangers that confront her with her deep solitude.
Mad scientist Prospero runs away with his blind daughter Miranda to Tromaville, hiding from evil pharmaceutical execs, including his own sister Antoinette who ruined his career after he found the cure against opioid addiction. With the help of a handicapped crack-whore, he releases a massive amount of laxative to whales, while his enemies are on a cruise ship to North Korea. A humongous shitstorm washes the boat away and brings them to Tromaville, where Prospero can now fully realize his ultimate vengeance.
Upon first sight of a beautiful instructor, a bored and overworked estate lawyer signs up for ballroom dancing lessons.
The beautiful princess Giselle is banished by an evil queen from her magical, musical animated land and finds herself in the gritty reality of the streets of modern-day Manhattan. Shocked by this strange new environment that doesn't operate on a "happily ever after" basis, Giselle is now adrift in a chaotic world badly in need of enchantment. But when Giselle begins to fall in love with a charmingly flawed divorce lawyer who has come to her aid - even though she is already promised to a perfect fairy tale prince back home - she has to wonder: Can a storybook view of romance survive in the real world?
Ran and Leela are passionately in love with each other. The only problem is that their respective clans have been enemies for 500 years.
