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Implosion The Titanic Sub Disaster 2025 - Movies (May 29th)
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100 Foot Wave - (May 30th)
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Deadline- White House - (May 29th)
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Tonight - (May 29th)
Interior Design Masters with Alan Carr - (May 29th)
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Nope, this is another film about which I didn't get the memo. Though Margit Carstensen performs addictively in the title role, the rest of this quickly descends into a rather tedious introspection of a sexually fluid woman who treats her secretary "Marlene" (Irm Hermann) appallingly at the best of times and even worse when attractive, aspiring and ambitious model "Karin" (Hanna Schygulla) arrives seeking a career - and maybe more. "Petra" falls for her: hook line and sinker, but her new paramour doesn't quite reciprocate. The torrid nature of their frequently gin-soaked on/off relationship and conversation now unfold in the static environment of her apartment with a great deal of verbiage and very little actual procress. It's not that it's slow burn - I can handle them. It's that she is dull. She exudes a sense of entitlement and arrogance that I just couldn't engage with. Of course that's testament to the acting to an extent, but I also think there's something of the emperor's new clothes to it all. Who cares about her or her life? Everything around her is disposable - except "Karin", whose repeated attempts to shock and hurt her lover might have worked in their bed, but they didn't work on me as I gradually wanted to brick them all in with a lifelong supply of Bombay Sapphire and let them grind each other to a powder. The film looks great, the costumier and set designer have conjured up a thing of beauty and style, but that can't really help this rather empty and depressing appraisal of people who, "Marlene" and possibly daughter "Gabriele" (Eva Mattes) notwithstanding, entirely deserved each other. I suspect this might have worked better with the intimacy of a stage - indeed much of Fassbinder's direction appears much better suited for that perfectly framed medium, but as a film it left me cold.
In post-9/11 New York City, an eclectic group of citizens find their lives entangled, personally, romantically, and sexually, at Shortbus, an underground Brooklyn salon infamous for its blend of art, music, politics, and carnality.
When cocky military lawyer Lt. Daniel Kaffee and his co-counsel, Lt. Cmdr. JoAnne Galloway, are assigned to a murder case, they uncover a hazing ritual that could implicate high-ranking officials such as shady Col. Nathan Jessep.
An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.
Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.
Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.
A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
Der Stolz der Firma, meaning The Pride of the Business, is a classic German silent film from 1914. The film tells the story of a shrewd apprentice and is filmed in the comical style of director Lubitsch. This is one of the few Lubitsch films from World War I that wasn’t lost.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.
Out of prison after a five-year stretch, jewel thief Tony turns down a quick job his friend Jo offers him, until he discovers that his old girlfriend Mado has become the lover of local gangster Pierre Grutter during Tony's absence. Expanding a minor smash-and-grab into a full-scale jewel heist, Tony and his crew appear to get away clean, but their actions after the job is completed threaten the lives of everyone involved.
A gold prospector in Alaska struggles to survive the elements and win the heart of a dance hall girl.