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Fails to hit the right notes. 'The Bears and I' holds a storyline that we've basically seen before with these Disney animal-filled films, so there's nothing fresh or majorly interesting there. Likewise with the animals themselves, it's the studio's second release in four years that is about bears; see: 'King of the Grizzlies'. This one has a secondary plot involving Whites and Native Americans, another thing we've already seen numerous times. Cast-wise it's alright, with Patrick Wayne leading as Bob. Chief Dan George (Peter) and Michael Ansara (Oliver) are OK, though Valentin de Vargas' character of Sam is ill-written. These type of productions always tend to be rather light with the human cast anyway. The animals are cute and the overall message with them is positive, though you could again raise issues with welfare concerns. The writing and dialogue, meanwhile, is below par. To me, this is paced too slowly and doesn't do enough to separate itself from past films from Disney.
"Ballad of Smokey the Bear" tells the story of how Smokey got his name. Smokey and his forest friends encounter a creature they've never seen before that is starting fires. Smokey finds his calling in dealing with this strange new animal.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
An elderly rodeo rider becomes mentor to a young man attempting to make his own name in the business.
In the latter half of the 19th century, gold is discovered in the Black Hills, sacred land of the Lakota people. Gold diggers, profiteers and adventurers flock to the region. Among them is the hard-hearted land speculator Bludgeon, who tries to expel the Lakota using brutal methods. Lakota warriors retaliate, and soon the gold diggers' town becomes a battlefield.
One Million B.C. is a 1940 American fantasy film produced by Hal Roach Studios and released by United Artists. It is also known by the titles Cave Man, Man and His Mate, and Tumak. The film stars Victor Mature as protagonist Tumak, a young cave man who strives to unite the uncivilized Rock Tribe and the peaceful Shell Tribe, Carole Landis as Loana, daughter of the Shell Tribe chief and Tumak's love interest, and Lon Chaney, Jr. as Tumak's stern father and leader of the Rock Tribe.
Raised by wild animals since childhood, Mowgli is drawn away from the jungle by the beautiful Kitty. But Mowgli must eventually face corrupt Capt. Boone, who wants both Kitty's hand and the treasures of Monkey City – a place only Mowgli can find.
New York trapper Tom Dobb becomes an unwilling participant in the American Revolution after his son Ned is drafted into the Army by the villainous Sergeant Major Peasy. Tom attempts to find his son, and eventually becomes convinced that he must take a stand and fight for the freedom of the Colonies, alongside the aristocratic rebel Daisy McConnahay. As Tom undergoes his change of heart, the events of the war unfold in large-scale grandeur.
Bolt is the star of the biggest show in Hollywood. The only problem is, he thinks it's real. After he's accidentally shipped to New York City and separated from Penny, his beloved co-star and owner, Bolt must harness all his "super powers" to find a way home.