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We all know that the moon is made of cheese, so when "Wallace" and his long-suffering hound "Gromit" run short of their precious Wensleydale - and maybe after watching a bit of "The Mouse on the Moon" (1963) on the telly - they decide to build a rocket and take themselves to this Elysium of fromage. After a last minute dash to get the cream crackers, off they go and are soon positively rolling in the stuff. Thing is, though, they are not the only occupants and their escapades now really begin. I rarely mention voice credits on animations, as many of us don't get the same people, but the delightfully charismatic comic actor Peter Sallis is inspired casting as the voice of "Wallace" and the animation skills of writer Nick Park and the Aardman team make for a really engaging stop-motion story that is amiable and enjoyably paced for twenty minutes of colourful and characterful drama. It's simple, uncomplicated and well worth a watch.
A quiet young English girl named Alice finds herself in an alternate version of her own reality after chasing a white rabbit. She becomes surrounded by living inanimate objects and stuffed dead animals, and must find a way out of this nightmare - no matter how twisted or odd that way must be. A memorably bizarre screen version of Lewis Carroll’s novel "Alice’s Adventures in Wonderland".
A very free adaptation of Marlowe's "Doctor Faustus", Goethe's "Faust" and various other treatments of the old legend of the man who sold his soul to the devil. A nondescript man is lured by a strange map into a sinister puppet theatre, where he finds himself immersed in an indescribably weird version of the play, blending live actors, clay animation and giant puppets.
What if Apollo 11 never actually made it? What if, in reality, Stanley Kubrick secretly shot the famous images of the moon landing in a studio, working for the US administration? This is the premise of a totally plausible conspiracy theory that takes us to swinging sixties London, where a stubborn CIA agent will never find Kubrick but is forced to team up with a lousy manager of a seedy rock band to develop the biggest con of all time.
3 robot-themed episodes from various Scooby-Doo series. First stop is Cyber Gulch, where the Mystery, Inc. gang must solve the riddle of the man-a-trons or get terminated in Go West, Young Scoob. En route to Florida, Freddy runs into a real Monster Truck at a championship stock car race in Gentlemen, Start Your Monsters. Buckle up for a roller-coaster ride of fun and fear in Foul Play in Funland when the gang discovers a fully operated amusement park...with nobody in it! Will they find the phantom in the Hall of Mirrors? Stay tuned for more escapades with Scooby-Doo - and watch out for those robots!
'Alan Smithee' is a film about a boy growing up. It delves into the darker side of what 'growing up' sometimes means: growing into your flaws, inevitably being met with the errors of your parents, and the necessity to make room for the pain. While Alan is surrounded by what is thought to be the American ideal, all the material comforts that should equate happiness, he learns that sometimes all we are is lost in the woods.
Professors Vrooshka and Crump decide to visit an archaeological site to study the artifacts there. Lo and behold, it's right next to a caravan site where all manner of people are staying. With a randy Major owning the site, a snobbish mother, and the two professors' constant innuendos, the story ends with a sinking caravan site and a striptease performance as a replacement for the cabaret night.
Udin, a Betawi boy who loves painting, dreams of joining a competition. But his father insists he practice pencak silat like other boys his age, unaware that Udin is being bullied at the training center.
Abraham, a seventy-year-old pianist, receives an invitation to a tribute in his honor. But he's having trouble remembering things. During a visit from Diana and Iris, Abraham tries to remember his most precious composition before it's too late.
Henry lies at the side of the road, bleeding out from a gunshot wound. A young mother with a bizarre sense of appropriate uses his final moments as a teachable lesson for her 6 year old son.
This ode to standup comedy and overall antisocial, student film, headlined the 2002 film program at Long Beach.