La Tragédie du Roi Christophe

Denver’s iconic and Grammy Award-winning musicians reveal the secrets of their success and longevity in the music business while warning the young lions to whom they pass the torch to stay relevant in a marketplace both treacherous and brutal. The majestic Rocky Mountains tower over a bustling metropolis filled with steamy and romantic nightclubs where jazz flourishes on stage. JazzTown features never seen before live concert footage on historic stages that have now crumbled due to economic stresses of the Covid Pandemic. ~ Dianne Reeves, 5-time Grammy Award winner for Best Jazz Vocalist ~ US Senator John Hickenlooper (former jazz club owner) ~ Ron Miles (Colorado Music Hall of Fame, Joshua Redman, Bill Frisell, Ginger Baker) ~ Charlie Hunter (Snarky Puppy, Christian McBride, Stanton Moore) ~ Art Lande (Mark Isham, Gary Peacock) ~ Ayo Awosika (Session Singer on Soundtracks to: Wakanda Forever, Nope, Dune, The Lion King ... tours with Miley Cyrus,) and many more.

In 1936, 18 African American athletes dubbed the "black auxiliary" by Hitler defied Nazi Aryan Supremacy and Jim Crow Racism to win hearts and medals at the 1936 Summer Olympic Games in Berlin. The world remembers Jesse Owens. But, Olympic Pride American Prejudice shows how all 18 are a seminal precursor to the modern Civil Rights Movement.

Who was Frantz Fanon, the author of Wretched of the Earth and Black Skin, White Masks, this Pan-African thinker and psychiatrist engaged in anti-colonialist struggles? Born in Martinique, Frantz Fanon was not yet 20 years old when he landed, weapons in hand, on the beaches of Provence in August 1944 with thousands of soldiers from "Free France", most of whom had come from Africa, to free the country from Nazi occupation. He became a psychiatrist and ten years later joined the Algerians in their fight for independence. Died at the age of 36, he left behind a major work on the relationships of domination between the colonized and the colonizers, on the roots of racism and the emergence of a thought of a Third World in search of freedom. 60 years after his death, the film follows in the footsteps of Frantz Fanon, alongside those who knew him, to rediscover this exceptional man.

How does a state with the motto “Live Free or Die” and a celebrated legacy of abolitionism confront and understand its participation in slavery, segregation, and the neglect of African-American history? What happens when we move toward a fuller understanding of our history by including all voices? No other documentary has explored Black history in New Hampshire, no less Black history in New England. Shadows Fall North brings to light a forgotten history and continues a dialogue that is more important today than ever before. Without acknowledging our past, accepting it and embracing it, we will never move forward in our actions about race in this country.

In 1895, young journalist Albertine Auclair arrives in the Kabylie during a family visit. The beauty of the region seduces her but she soon learns of the struggles of the native Algerians. She hears in particular about Arezki El Bachir, who was recently sentenced to death by the colonial justice system, and decides to find out more about this extraordinary man.

Tracing the struggle of the Algerian Front de Liberation Nationale to gain freedom from French colonial rule as seen through the eyes of Ali from his start as a petty thief to his rise to prominence in the organisation and capture by the French in 1957. The film traces the rebels' struggle and the increasingly extreme measures taken by the French government to quell the revolt.

Harlem, 1926. A “sweetman” Zeddy, living off a woman, brings a country girl he’s trying to impress to a gay-owned cabaret. There he meets a friend, Jake, whose girlfriend, Congo Rose, is the singer there. Drama swirls around the characters as Zeddy confronts the cabaret owner, about his sexuality. Congo Rose, seeking to reignite her man’s fading interest, puts on a performance, with her Pansy Dancer, of a Bessie Smith song that seduces the whole room, especially Zeddy.

The story of how Everett Leroy Jones became Amiri Baraka, from his childhood to the mid '60s, is told through interviews recorded in the late '90s.

Seville, Spain, 14th century. A group of black slaves brought from Africa form the Hermandad de los Negros, a Holy Week brotherhood that has survived over the centuries, despite the opposition of the powerful; still active, it is one of the oldest institutions in Europe.

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

When French writer Marguerite Duras (1914-96) published her novel The Sea Wall in 1950, she came very close to winning the prestigious Prix Goncourt. Meanwhile, in Indochina, France was suffering its first military defeats in its war against the Việt Minh, the rebel movement for independence.