Evocation

A loner artist, exiled from the art community for creating a sculpture deemed too offensive, embarks on a bizarre odyssey of art, flesh, decomposition, and spiritual ascension. Vexanthrone details the mental and physical difficulties of the creative process in an experimental and surreal fashion that mixes arthouse sensibilities with gross-out body horror.

Ms. Isabel Archer isn't afraid to challenge societal norms. Impressed by her free spirit, her kindhearted cousin writes her into his fatally ill father's will. Suddenly rich and independent, Isabelle ventures into the world, along the way befriending a cynical intellectual and romancing an art enthusiast. However, the advantage of her affluence is called into question when she realizes the extent to which her money colors her relationships.

Arthur Egeli directs this multifaceted romance set on the beaches of Cape Cod, the story of young painter Steven Buchanan (Pablo Bryant) and his interactions with three beautiful women vying to be his muse. There's Melissa (Isabelle Dahlin), the student who admires him; Theresa (Jessica Brytn Flannery), the model who inspires him; and Mary (Aleksandra Kaniak), the fellow artist who transforms him.

It's 1997. Distorted guitars rule the world. In an aging Chinese restaurant, a father and his punk-rock son struggle with their familial roles as they realize they each desperately need something from the other.

A group of people are confronted with their sorrow and inner demons in the worst group therapy of their lives.

A woman visits a personal stretcher, only to have unexpected objects pulled out of her body. A near silent witness statement to the reopening of invisible wounds in an abstract pursuit of healing.

Henri Serin (Jean-Pierre Marielle), an umbrella salesman, leads a quiet life between his work, his family and his passion for painting. During his many business trips, Henri indulges in a few amorous escapades, which provide a welcome change from the tiresome daily routine his bigoted wife locks him into. One fine day, Henri decides to drop everything and live on love and fresh water. He ends up in Pont-Aven, where he meets Émile, a local painter imitating Gauguin, with whom he shares his drinking and other feminine attractions..

Marjetka is living ten years with Maks, who is a painter, and an uncompromising conceptual artist. At first, it seemed different: Max was witty, charming, talented and promising, so he hired Marjetka to reach fame and success. "Well, it is funny today, but fame and money is not coming out of nowhere". The film has a poet, Srecko, Max's mother, an opera singer, and Vilma, Marjetka's friend. In short, the artists themselves, or as Max says from his point of view: "Slovenian - Country artists". And when Marjetka a few days after her 30th birthday, full of doubts about this way of life, which is not to her liking, she realizes that Maks is not only an irreversible bohemian, but also a slacker and sarcastic, she decides to change her life. And this is very radical. Rather than leave it to him.

75-year-old Cho Nam-bong and 71-year-old Lee Mae-ja are a couple suffering with dementia. After being married for 45 years, the couple couldn’t even remember when they were in a good relationship. However, as their memories fade by the day, their dreams and romance that have been forgotten rekindle.

The film's main theme is obsession. An obsession with love, with art, originality, copying, with success, money and... with oneself. Sooner or later, if we lose our rational upper hand over it and let ourselves be dragged down by it, every obsession leads to destruction. But it is only when being dragged down, in spite of all the cuts and bruises, that we find a unique DELIGHT, if only for a few short moments - and what else is life really about? It is like a drug. What at first seems to be weak and trivial is capable of expanding and growing into a serious problem that can appear to be absolutely incomprehensible and absurd to those who have never experienced anything like it.

A young man spends most of his time recording self-tapes for parts he never gets. After multiple rejections for a series of nightmarish commercial auditions, he takes it upon himself to find a new part to play.