Tôchika

When a beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.

An isolated introverted man who lives an airstream talks to himself before going on a date with a pessimistic extraverted woman and has trouble communicating his thoughts. Meanwhile, he escapes to a fantasy where he has no problem connecting with her.

In a godforsaken landscape, filmed in transcendental black and white, as if fallen out of time, young Ada lives alone with her ill mother. Her rather lonely existence is characterized by hard work and poverty and as her mother's condition worsens there doesn't seem to be a way out anymore. Ecce homo is a parable about being human, rich in religious symbolism, which dreamily and at the same time sombrely poses existential questions without volunteering answers.

This collection of experimental shorts includes the winner form SXSW film festival and celebrates the talents of Australian filmaker Julian Dahl (Camjackers). After traveling major film festivals world wide, the collection is made available to American audience for the first tiem in this unique release we are proud to present, experimental filmmaking rarely seen in release featuring, in the words of David Finkelstein; "Stark Photography That Resonates On a Poeti and Symbolic Level." Incluces; "Falling," "Puppy Love," "Stream," "Insect," "Alien Baby," "Go," "Camjackers Trailer," an interview with filmaker Julian Dahl and a bunch of extras

Featuring a cast that includes Sonic Youth's Kim Gordon and Thurston Moore, Mike Watt of the legendary hardcore band Minutemen, and Pettibon himself, this deadpan narrative pays dubious homage to the 1960's radical underground. In this crudely rendered home video of a commune of stoned revolutionaries, the cameras are hand-held, the edits in-camera, and the dialogue is wryly on-target. Pettibon's band of outsiders reenacts a countercultural moment defined by rock music, drugs, and ideological paradox — and in so doing, captures their own late-80's West Coast grunge milieu as well.

A young woman answers the door.

Three friends form a bond over the year, Johnathan is gay, Clare is straight and Bobby is neither, instead he loves the people he loves. As their lives go on there is tension and tears which culminate in a strong yet fragile friendship between the three.

The protagonist feels dead in waking life and alive in dreams.

An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?

A woman Diane, has an affair while her husband is away with a younger woman, Jane. But as time passes the identities of the women come into question and revelations as to the nature of their relationships comes to the surface. All while strange occurrences happen around them, seemingly linked to mirrors around the house and a strange light that appears during the night.

A vacationing entomologist suffers extreme physical and psychological trauma after being taken captive by the residents of a poor seaside village and made to live with a woman whose life task is shoveling sand for them.