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Alternative “family” structures have been around for some time now, and they’ve assumed a variety of forms, both domestically and overseas, as well as in their essential composition. And, in a number of cases, it has taken some trial and error to figure out what works best for these diverse groupings, depending on the various factors that characterize the individuals involved. Such is the case in this profile of a multi-ethnic, mostly LGBTQ+ household in Skopje, North Macedonia that struggles to find a harmonious footing when stricken by a tragedy involving a family matriarch (Alina Serban). Those left behind (Anamaria Marinca, Vladimir Tintor, Samson Selim) must figure out how to regroup, particularly when it comes to the care of a belligerent adolescent (Mia Mustafa) and her sweet, young, surprisingly worldly half-sister (Dzada Selim). It’s especially challenging for those in charge, given that they’re not terribly experienced at (nor overly interested in) the responsibility for such matters. They truly find themselves engaged in a crash course of “housekeeping for beginners,” one that finds them with one foot each in the middle class world of Skopje and in the impoverished world of nearby Shutka, an enclave of Roma (a.k.a. “Gypsy”) culture. Writer-director Goran Stolevski’s third feature outing provides an intriguing look at life in locales that have not received much cinematic attention, depicted through the eyes of an eclectic mix of characters living lives far different from what one typically finds in most conventional households. This domestic comedy-drama gets off to a somewhat rocky start, mainly due to a failure in identifying the nature of the relationships among the principals, and a narrative that can be rather episodic at times, with resolutions to its multiple story threads that feel incomplete or end abruptly (most notably in the final act). Viewers probably would have benefitted from some additional information about the ethnic backgrounds of the characters, too, given that many viewers are likely unfamiliar with the cultures involved. However, once the picture starts settling down and finding its rhythm, this release definitely gets stronger and more involving as it progresses, touching audiences profoundly, given that the situations that arise are often universal in nature, no matter what structure a family unit takes. “Housekeeping for Beginners” definitely has its strengths and touching moments; it’s a little disappointing, though, that there aren’t more of them. Greater clarification and consistency in the storytelling would have done this offering a world of good in its depiction of a world otherwise seldom seen.
Three friends form a bond over the year, Johnathan is gay, Clare is straight and Bobby is neither, instead he loves the people he loves. As their lives go on there is tension and tears which culminate in a strong yet fragile friendship between the three.
Tom and Ajani are outsiders in their small conservative village in The Netherlands. Together, they dream of freedom and a new life as film students in Amsterdam, where their relationship no longer has to be a secret. When they finally leave their old life in the countryside behind, they are confronted with the norms and social constructs of the big city that turn out to be completely different than what they imagined. While Ajani thrives in the Amsterdam queer scene, Tom struggles to find his place, putting a strain on their now public relationship. In this new world, freed from always being hated for who they are, who will they become?
A troubled woman seeks out the child she gave up for adoption; a gay motel owner takes in a handsome drifter; and the wife of a preacher frets that a gay couple has moved in across the street. All of their lives will intersect as Loggerheads subtly draws out their secret losses and desires.
A filmmaker holds a series of boundary-pushing auditions for his latest project: a thriller on the subject of female pleasure.
When Tyler Davidson brings his college buddy Chase home for the summer holidays a secret is revealed that threatens to tear his perfect family apart.
Fernando is attracted to his best friend. They skip class together and go camping in the woods.
Based in Jacksonville, Oregon in the year 1992, life changes for the worst. People start going crazy, violent, cannibalistic, tearing the world apart. We follow Erin, a quiet young teenager through a post-apocalyptic world. Facing struggles not even your worst enemy should face. Mystery and menace have taken control of their lives. From getting ripped apart, broken down, hurt and scared. Erin and Jacob always find their way back to each other.
Six people in New York are adrift. Zeke and Luke work in a sex shop: Zeke takes gay liberation seriously, Luke likes to sparkle and takes nothing seriously. He's offended when Stephen calls him a gay cliché, then, surprisingly, they find each other attractive and interesting. Stephen, it turns out, has a great apartment, trust fund, and artwork he's painted on his walls. Meanwhile, Peter, a neat-freak, and Derek, nice to everyone, move in together. Peter's compulsiveness threatens the relationship. Last, newly-engaged Marilyn, a recovering alcoholic stuck at step 2, can't stop obsessing about wedding details. Can these folks sort out civilization and its discontents?
A charming comedy about going on a rather long walk. Félix is a laid-back guy living in the bleak northern coastal town of Dieppe. He lives happily with his lover Daniel and is a soap opera enthusiast and HIV-positive. After losing his job, Félix decides to find the father he never knew in Marseilles. Agreeing to meet Daniel in the southern port city in a week's time, Félix throws on his backpack and starts hiking. On his way, he discovers that family need not always be connected by blood.
A long term couple on the verge of closing their open relationship find themselves in uncharted territory when one of them forms an intense connection with a younger man. Their individual fears and desires collide over a hot Texas summer.