Speak No Evil 2024 - Movies (Sep 23rd)
Hellboy The Crooked Man 2024 - Movies (Sep 23rd)
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Transformers One 2024 - Movies (Sep 23rd)
The Damned 2024 - Movies (Sep 22nd)
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The Cook Up with Adam Liaw - (Sep 23rd)
The Boy That Never Was - (Sep 23rd)
Richard Hammonds Workshop - (Sep 23rd)
SAS- Catching the Criminals - (Sep 23rd)
Matlock - (Sep 23rd)
Weekends with Jonathan Capehart - (Sep 23rd)
Carnival Eats - (Sep 23rd)
Halloween Wars - (Sep 23rd)
90 Day Pillow Talk Before the 90 Days - (Sep 23rd)
Paranormal Caught on Camera - (Sep 23rd)
60 Minutes - (Sep 23rd)
Futurama - (Sep 23rd)
Yellowstone Wardens - (Sep 23rd)
Sister Wives - (Sep 23rd)
SEAL Team - (Sep 22nd)
Tulsa King - (Sep 22nd)
Industry - (Sep 23rd)
Bobs Burgers - (Sep 23rd)
Married to Evil - (Sep 23rd)
Universal Basic Guys - (Sep 23rd)
The turmoil that has overtaken Hong Kong since its return to Chinese sovereignty in 1997 has spawned a new generation of young, passionately committed activist filmmakers; they want to tell Hong Kong's story with Hong Kong voices. And the best indie documentary to have emerged so far from the HKSAR is this year's Yellowing, by Chan Tze Woon, a 29-year-old with degrees in policy studies and film production. Hong Kong's fraught, tense relationship with its mainland Chinese overseers came to a head with the Umbrella Movement of 2014. A crowd of protesters stormed Civic Square on September 27. The next day police shocked most residents of the HKSAR by attacking the growing crowds with volleys of tear gas, whereupon a wide cross section of Hong Kongers occupied the streets in several areas and stayed for almost 6 weeks. Chan took his camera on the streets for 67 days during these events.
The personal and professional story, told in first person, of Spanish actress Carmen Maura, director Pedro Almodóvar's first muse and a brilliant artist in her own right.
Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.
Heart Murmurs is a poetic dialogue between the filmmaker and Dean, a young man living in Hong Kong. In reflecting on his experience living with a congenital disability and HIV during the first years of the COVID pandemic, Dean expresses his sense of self in the face of regular medical challenges.
How does the vision of the brilliant Spanish filmmaker Luis García Berlanga (1921-2010) remain relevant in a time whose popular culture has little to do with his own? Since to understand the secrets of an artist it is essential to know the person behind, his family, his friends, his collaborators, as well as prestigious filmmakers and actors trace a collective portrait of a creator as singular as he is universal.
The film begins following the British victory of the first Opium War and the seizure of Hong Kong. Although the island is largely uninhabited and the terrain unfriendly, it has a large port that both the British government and various trading companies believe will be useful for the import of merchandise to be traded on mainland China, a highly lucrative market.
Dickson Hughes and Richard Stapley, two young composers and romantic partners, are caught in the web of silent film star Gloria Swanson when she hires them to write a musical version of Sunset Boulevard, her 1950 film directed by Billy Wilder.
In 1905, revolutionist Sun Yat-Sen visits Hong Kong to discuss plans with Tongmenghui members to overthrow the Qing dynasty. But when they find out that assassins have been sent to kill him, they assemble a group of protectors to prevent any attacks.
Journey with the musicians of the Berlin Philharmonic and their conductor Sir Simon Rattle on a breakneck concert tour of six metropolises across Asia: Beijing, Seoul, Shanghai, Hong Kong, Taipei and Tokyo. Their artistic triumph onstage belies a dynamic and dramatic life backstage. The orchestra is a closed society that observes its own laws and traditions, and in the words of one of its musicians is, “an island, a democratic microcosm – almost without precedent in the music world - whose social structure and cohesion is not only founded on a common love for music but also informed by competition, compulsion and the pressure to perform to a high pitch of excellence... .” Never before has the Berlin Philharmonic allowed such intimate and exclusive access into its private world.