封印映像43 御井戸様

Carl returns to document the strange occurrences that continue to take place on the farm.

After Kazuto Kodama's popular horror series "The Real Deal! Cursed Videos" (Honto ni Atta! Noroi no Video) unleashed a new generation in horror, we bring you volume 4 in the ultimate horror video collection! The occult, the grotesque, the gruesome madness and criminal behaviour of man and of course spiritism. A variety of hundreds of videos were recorded by chance and buried in the darkness. It challenges every single taboo like no other, with the entire production being self-regulated.

The pursuit of fear continues. After Kazuto Kodama's popular horror series "The Real Deal! Cursed Videos" (Honto ni Atta! Noroi no Video) unleashed a new generation in horror, we bring you volume 5 in the ultimate horror video collection! The occult, the grotesque, the gruesome madness and criminal behaviour of man and of course spiritism. A collection of videos recorded by chance and buried in the darkness. It challenges every single taboo like no other, with the entire production being self-regulated. Collected herein: "Malicious Call", "Call-girl Customer", "Bizarre Campground" and more

A movie without regulation like never before! The occult, the grotesque, the gruesome madness and criminal behaviour of man and of course spiritism. A collection of videos recorded by chance and buried in the darkness. Collected on this volume, the inexplicable event that begot a bike messenger "Absence of Sight, Behold the Beyond" and the visit to a local shrine "Domain of the Demonic"

There are surveillance cameras all around us in the streets, but once the dead stare into them they become "Death Cams", projecting things out of this world. In an elevator, at a convenience store and a questionable occurence at an intersection. This horror documentary is a collection of bizarre and frightening videos captured by "surveillance cameras", of which there are said to be more than 4 million all across Japan!

A film crew tracks a group of researchers and their breakthrough disease research. While battling through the rain-forest, things turn deadly leaving them fighting to survive.

When two up and coming internet bloggers take on a road trip to film footage from a forest that is known for disappearance and death, they find themselves in a fight against the supernatural for more than ratings. The events to follow considerably deteriorate, spiraling the adventure seekers head on into magic, mayhem, and murder.

A couple's joy of moving into a beautiful hillside mansion is soon replaced by terror as a manifestation of evil begins to overtake their lives.

Stranded in the suburbs, student filmmaker Chloe begins to make a documentary about her family's troubled past. Whilst filming, she and best friend Ed, witness an hysterical girl appearing to escape from a neighbour's house, only to be quickly dragged back inside again. Is she a recovering drug addict like the neighbours say? Or is she really in danger from those who claim to be caring for her?

On July 4th, 2016 hackers raided government networks and stumbled across a litany of unsolved cases the county refuses to recognize. The hacked footage shows Thomas and Alex as they attempt to help a young boy struggling to fit in.

“Leda + Swans” depicts an infernal, mythic birth of cinema, dredging the violence and horror from Wallace McCutcheon’s comic short film “Photographing a Female Crook” (1904). Leda, who may or may not be a falsely accused young woman, is brought in for a mugshot by two officers. She first attempts to avoid the camera’s gaze, and, when overpowered and manhandled, contorts her face to ruin the photograph. However, her small rebellion proves futile; she was already being recorded, objectified, mapped, and co-opted by the Godhead of the director. As her body and image are repurposed and transmuted ad infinitum, the filmic universe also explodes into a supernova. What is born out of this suffering and manipulation is another example of our sublime medium and modern muse. She will not be last the Leda, and she may not even be the first. Who is the guilty party here? Is beauty a chimera in traditional cinema? Has the ephemeral cinema of the attractions and distractions era gone anywhere?