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Welcome To Gunlock Star in the Dust is directed by Charles Haas and adapted to screenplay by Oscar Brodney from the novel "Law Man" written by Lee Leighton. It stars John Agar, Mamie Van Doren, Coleen Gray, Richard Boone, Leif Erickson, Harry Morgan, Randy Stuart and James Gleason. Music is by Frank Skinner (Joseph Gershenson supervising) and Technicolor cinematography is by John L. Russell Jr. We are in the town of Gunlock and Sheriff Bill Jorden (Agar) is set to hang hired killer Sam Hall (Boone) at sunset. Only he finds himself in the middle of the Ranchers and Farmers because one lot want to help Hall escape, and the other want to lynch him post haste. With the exception of his two trusty deputies, Sheriff Jorden - already having to carry around the weight of not being as good as his dad was at the job - can't trust anyone and has it all to do to ensure things are done legal like. It begins with a shot of a Sheriff's badge in the dust, and sure enough from that moment on the feeling of watching a poor High Noon/Rio Bravo knock off is hard to shake. Pic is erring towards psychological smarts with a half decent screenplay put forward by Brodney, and the cast can't be called for being poor since most are good enough when given enough screen time to work with. Though it has to be said that Agar is just a touch too wooden, overplaying his weary lawman act and it grows tiresome entering the last third of film. Pacing is deadly slow, and as a number of characters are introduced along the way, there's barely any action to cling onto as a point of dramatic worth. There's a decent fist fight on show, and a wickedly enjoyable girl scrap, which even involves any weapons that are handy! A brilliant piece of stunt work in the finale is to be highly applauded, but other than that we are sort of plodding through to the end. Biggest crime comes in under using Boone as the villain, he's on in it for short moments at a time, and he's hardly given a biting script to spout. The guitar based musical score is quite dreadful and irritatingly it's practically non stop when the story moves out of the jailhouse. I understand why the usually reliable Skinner was going for sombre tones in the play, but it's a dirge, and when the narrative perks up a notch, the guitar shifts into something that sounds like it belongs in animation Batman instead of a psychological Western. Bonus is the colour photography, lovely lenses from Russell and the TCM print is gorgeous. But again there's an irk, for the story rarely ventures out of the town so we are denied and sparkling Technicolor landscapes. It does have fans, and it really isn't a bad Western as such, it's just not a good one either. It goes through the motions and wastes a good cast and potential for character dynamism. 5/10 Footnote: Clint Eastwood is in the mix for a walk on part, keep a look out for him.
After an awfully slow opening 30 minutes, 'Star in the Dust' does eventually turn into a decent western flick from 1956. I really didn't enjoy that beginning chunk, which is severely meandering as it's filled with set-up and uninteresting characters. Thankfully things gradually improve, how much I'm not fully sure, to lead into an eventful, at least, finale. I don't have much to note with the cast. John Agar stands out as you'd expect, while future Disney mainstay Harry Morgan is also involved. Clint Eastwood has a minor showing, a few words but nothing more.
Johnny Mack Brown essays the title role in Universal's Fighting Bill Forgo. Returning to his home town, Bill Fargo takes over the operation of his late father's newspaper. He quickly gets swept up in political intrigue fomented by political boss Hackett (Kenneth Harlan), who has a cute habit of rubbing out any and all honest candidates for the sheriff's office.
The story takes place in Kansas, just after the Civil War. Wild Bill Hickok is summoned from Dodge City to Abilene, there to neutralize a crooked political machine. Hickok is aided every step of the way by Tex Rawlings, a seemingly harmless drifter who is appointed sheriff after proving his prowess with his six-guns.
Newly appointed sheriff Pat Garrett is pleased when his old friend Doc Holliday arrives in Lincoln, New Mexico on the stage. Doc is trailing his stolen horse, and it is discovered in the possession of Billy the Kid. In a surprising turnaround, Billy and Doc become friends. This causes the friendship between Doc and Pat to cool. The odd relationship between Doc and Billy grows stranger when Doc hides Billy at his girl Rio's place after Billy is shot.
Young Travis Coates is left to take care of the family ranch with his mother and younger brother while his father goes off on a cattle drive in the 1860s. When a yellow mongrel comes for an uninvited stay with the family, Travis reluctantly adopts the dog.
After the Civil War, a former Union colonel searches for the two traitors whose perfidy led to the loss of a close friend.
A Texan sheriff and his younger brother travel across the border into Mexico to confront the man who killed their father.
Marshall Dan Mitchell, who is the law in Abilene, has the job of keeping peace between two groups. For a long time, the town had been divided, with the cattlemen and cowboys having one end of town to themselves, while townspeople occupied the other end. Mitchell liked it this way, it made things easier for him, and kept problems from arising between the two factions. However…
Donald Barry, not yet Donald "Red" Barry, heads the cast of the Republic western Ghost Valley Raiders. A federal marshal, Barry is assigned to put an end to the activities of a stagecoach-robbery gang. That's why he spends most of the film pretending to be an outlaw himself. Stunt specialist Yakima Canutt plays a secondary villain, and also doubles for Barry in the dicier action scenes.
After escaping from jail, outlaw Wes McQueen is convinced by his old partner in crime to do one last heist.
A gunfighter with a reputation as a fast gun almost kills an innocent child. He makes up his mind that he is not going to carry around loaded weapons anymore, but when he's asked to become sheriff of a lawless town, he compromises by carrying an unloaded pistol and relying on his reputation to keep order.