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Welcome To Gunlock Star in the Dust is directed by Charles Haas and adapted to screenplay by Oscar Brodney from the novel "Law Man" written by Lee Leighton. It stars John Agar, Mamie Van Doren, Coleen Gray, Richard Boone, Leif Erickson, Harry Morgan, Randy Stuart and James Gleason. Music is by Frank Skinner (Joseph Gershenson supervising) and Technicolor cinematography is by John L. Russell Jr. We are in the town of Gunlock and Sheriff Bill Jorden (Agar) is set to hang hired killer Sam Hall (Boone) at sunset. Only he finds himself in the middle of the Ranchers and Farmers because one lot want to help Hall escape, and the other want to lynch him post haste. With the exception of his two trusty deputies, Sheriff Jorden - already having to carry around the weight of not being as good as his dad was at the job - can't trust anyone and has it all to do to ensure things are done legal like. It begins with a shot of a Sheriff's badge in the dust, and sure enough from that moment on the feeling of watching a poor High Noon/Rio Bravo knock off is hard to shake. Pic is erring towards psychological smarts with a half decent screenplay put forward by Brodney, and the cast can't be called for being poor since most are good enough when given enough screen time to work with. Though it has to be said that Agar is just a touch too wooden, overplaying his weary lawman act and it grows tiresome entering the last third of film. Pacing is deadly slow, and as a number of characters are introduced along the way, there's barely any action to cling onto as a point of dramatic worth. There's a decent fist fight on show, and a wickedly enjoyable girl scrap, which even involves any weapons that are handy! A brilliant piece of stunt work in the finale is to be highly applauded, but other than that we are sort of plodding through to the end. Biggest crime comes in under using Boone as the villain, he's on in it for short moments at a time, and he's hardly given a biting script to spout. The guitar based musical score is quite dreadful and irritatingly it's practically non stop when the story moves out of the jailhouse. I understand why the usually reliable Skinner was going for sombre tones in the play, but it's a dirge, and when the narrative perks up a notch, the guitar shifts into something that sounds like it belongs in animation Batman instead of a psychological Western. Bonus is the colour photography, lovely lenses from Russell and the TCM print is gorgeous. But again there's an irk, for the story rarely ventures out of the town so we are denied and sparkling Technicolor landscapes. It does have fans, and it really isn't a bad Western as such, it's just not a good one either. It goes through the motions and wastes a good cast and potential for character dynamism. 5/10 Footnote: Clint Eastwood is in the mix for a walk on part, keep a look out for him.
After an awfully slow opening 30 minutes, 'Star in the Dust' does eventually turn into a decent western flick from 1956. I really didn't enjoy that beginning chunk, which is severely meandering as it's filled with set-up and uninteresting characters. Thankfully things gradually improve, how much I'm not fully sure, to lead into an eventful, at least, finale. I don't have much to note with the cast. John Agar stands out as you'd expect, while future Disney mainstay Harry Morgan is also involved. Clint Eastwood has a minor showing, a few words but nothing more.
A group of young gunmen, led by Billy the Kid, become deputies to avenge the murder of the rancher who became their benefactor. But when Billy takes their authority too far, they become the hunted.
From Wichita to Dodge City, to the O.K. Corral in Tombstone, Wyatt Earp is taught that nothing matters more than family and the law. Joined by his brothers and Doc Holliday, Earp wages war on the dreaded Clanton and McLaury gangs.
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
A young boy journeys to the old west to help the local sheriff defend his town from a villainous gang of outlaws.
Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons to bring down his old friend Billy the Kid.
Four unwitting heroes cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day, but first they have to break each other out of jail, and learn who their real friends are.
Some time after the Mousekewitz's have settled in America, they find that they are still having problems with the threat of cats. That makes them eager to try another home out in the west, where they are promised that mice and cats live in peace. Unfortunately, the one making this claim is an oily con artist named Cat R. Waul who is intent on his own sinister plan.
Ken Maynard's exceptionally intelligent horse, Tarzan the Wonder Horse, is the star of this western about evil cowboy Steve Frazer (Welch) who gathers horses for slaughter, whose meat is sold to pet food manufacturers. The wild horse Tarzan frees the doomed horses from their corrals, and Frazer convinces the Sheriff that Tarzan is a threat and can be shot on sight. Local cowboy Ken Benson (Maynard) and rancher Pat Riley (Kennedy) work together to clear Tarzan's good name and put Frazier behind bars for his evil deeds.
When Sheriff Bill marries, he moves to another village to lead a more peaceful life. His replacement is killed by Colorado Charlie and his gang. The town sends for Bill, who returns unarmed because his wife has hidden his gun. When Colorado Charlie demands a shoot-out, Bill's wife relents and gives him back his weapon After Bill kills the bandit, his wife agrees to his return as sheriff.
When Black Bill's father is murdered and his uncle kidnapped, he sets out in pursuit of the perpetrators.