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It's a fence off and Prez Chet has to get involved! Guns of Wyoming (AKA: Cattle King) is directed by Tay Garnett and written by Thomas Thompson. It stars Robert Taylor, Robert Loggia, Joan Caulfield, Robert Middleton, Larry Gates and William Windom. Music is by Paul Sawtell and cinematography by William Snyder. A range war looms large in Wyoming... Fronted by the ever reliable Western presence that was Bobby Taylor, this pic follows a familiar and slight formula. Which ultimately is fine for those who love the prolific line of Westerns produced in the 50s and 60s. Thematically it's strong, where we find Taylor's hard working and honest cattleman desperately trying to protect his land from the free grazing movement - something which brings into play nefarious characters. Sam Brassfield (Taylor) fences off his land and Clay Matthews (Middleton) - with henchmen in tow - cuts them down, simultaneously putting the word out that it's Brassfield who's doing the snipping! Naturally there's romance in the air, which causes friction from more than one quarter, and into the mix comes a visit to this part of Wyoming by President Chester A. Arthur. Who, as it happens, is a key player in spite of his limited screen time (Gates regally excellent). There's a dark edge bubbling away in this one, which is capitalised upon with a genuinely shocking turn of events. If only the finale could have given us a barnstormer of the kind the story kind of demands. Elsewhere there's no problems in the cast, all perform goody/villain/pretty gal characters with measured form, the location photography in Kernville, California is most appealing, whilst the screenplay is without fuss and pointless filler. True enough to say it's hardly essential viewing for Western fans, and action junkies will be left hankering, but Taylor fans are appeased and it remains watchable from first frame to last. 6/10
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
With thousands of cattle being rustled from White Sage ranch the 1930's Texas Rangers are called in. They manage to get one of their agents into the gang by making them think he is the Pecos Kid on the lam.
A town is cleared of crime when a group of cowboys under the direction of Hayden battles an outlaw gang. They also manage to restore the reputation of a friend wrongly accused of murder.
When his cattlemen abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his cowboys in order to get his herd to market in time to avoid financial disaster. The boys learn to do a man's job under Andersen's tutelage, however, neither he nor the boys know that a gang of cattle thieves is stalking them.
Retired wealthy sea captain Jim McKay arrives in the Old West, where he becomes embroiled in a feud between his future father-in-law, Major Terrill, and the rough and lawless Hannasseys over a valuable patch of land.
Peterson has a plan to obtain all the ranches in the valley. He gives Carson a phony Spanish land grant and has him pose as the Mexican owner. When Fred and Fuzzy have their cattle stolen by Peterson's men, they quickly become involved in the scheme.
Following the Civil War, headstrong rancher Thomas Dunson decides to lead a perilous cattle drive from Texas to Missouri. During the exhausting journey, his persistence becomes tyrannical in the eyes of Matthew Garth, his adopted son and protégé.
During the Klondike Gold Rush, a misanthropic cattle driver and his talkative elderly partner run afoul of the law in Alaska and are forced to work for a saloon owner to take her supplies into a newly booming but lawless Candian town.
Gunslinger Clayton Drumm is about to be hanged when he is given a chance to live if he agrees to murder Matthew, a miner who has steadfastly refused to sell his land to the railroad company. Matthew’s refusal is a major obstacle to the railroad’s plans for expansion.
Marshall Dan Mitchell, who is the law in Abilene, has the job of keeping peace between two groups. For a long time, the town had been divided, with the cattlemen and cowboys having one end of town to themselves, while townspeople occupied the other end. Mitchell liked it this way, it made things easier for him, and kept problems from arising between the two factions. However…
Young Travis Coates is left to take care of the family ranch with his mother and younger brother while his father goes off on a cattle drive in the 1860s. When a yellow mongrel comes for an uninvited stay with the family, Travis reluctantly adopts the dog.
