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Not an official Sartana western, Berger is never called "Sartana" and the producers/director Mauri just slapped that name on it (as other have done) hoping it would fool some and get attention. Had some possibilities at moments but they quickly passed to make room for more crappiness. Berger's worst spaghetti.
A coffin-dragging gunslinger and a prostitute become embroiled in a bitter feud between a merciless masked clan and a band of Mexican revolutionaries.
El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man.
Jack Beauregard, an ageing gunman of the Old West, only wants to retire in peace and move to Europe. But a young gunfighter, known as "Nobody", who idolizes Beauregard, wants him to go out in a blaze of glory. So he arranges for Jack to face the 150-man gang known as The Wild Bunch and earn his place in history.
Where the Tumbleweeds Grow, a fusion of spaghetti-western grit and the laid-back charm of the Austin classic Dazed and Confused. Immerse yourself in the stunning cinematography, gripping storyline, and outstanding performances offering a fresh perspective on the timeless themes of the Old West in the context of the modern world.
The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.
A gunslinger returns to his hometown to warn of an impending outlaw gang attack, but he's met with hatred and fear for his previous killings.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
At the beginning of the 1913 Mexican Revolution, greedy bandit Juan Miranda and idealist John H. Mallory, an Irish Republican Army explosives expert on the lam from the British, fall in with a band of revolutionaries plotting to strike a national bank. When it turns out that the government has been using the bank as a hiding place for illegally detained political prisoners - who are freed by the blast - Miranda becomes a revolutionary hero against his will.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
Henrickson plays Frank Morgan, a notorious and feared gunfighter that has lived his life on the run. His face and eyes reveal a man that has been very much hardened by that life. We quickly learn, however, that there is still passion inside. Upon receiving a telegram from Linda, an old lover (played by Kay Lenz), requesting his presence, he abandons his woman, mounts his horse and rides to Linda without giving it a second thought. Upon arrival, he learns that Linda is now happily married to the owner of the local general store. The only vestige of her past that remains is a daughter, who Frank is surprised to learn is his. Written by Dave Gan