Teri Meri Kahaniyaan

Laughter and Grief by the White Sea is a 1987 Soviet traditionally animated feature film directed by Leonid Nosyrev made at the Soyuzmultfilm studio. The film is a celebration of the culture of the Russian Pomors who live around the White Sea.

Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to chose between his wife and his lover, and a married man who turns to a prostitute for advice.

What are the rules that determine how attraction and desire are set free? Glances, unexpected smiles, confiding in unknown women. Long cherished fantasies, intimate friendships and unexpected meetings. In Volume 2 of the Sexual Tension diptych, Marco Berger and Marcelo Mónaco take us on a journey through the twists and turns of female seduction: two guests of a hostel become roommates (and more); a keen shop assistant helps a woman uncertain about what dress to buy; the outset of a great passion between two girls during a picnic, even though one of them has a boyfriend. In the film we also find a conversation about Woody Allen between a waitress and a woman, which goes too far; and two high-class escorts who discover that they are attracted to each other, when they are in bed with a client. The film finally shows what could happen, but never did happen, and will probably never happen, to two thirty-year-old women. Maybe it would be better not to have sex with people we love. Sex ...

A man searching for his missing ex-girlfriend uncovers the dark secret behind an organization selling romantic virtual reality experiences. A film director looking for artistic inspiration runs into a strange woman who may or may not be a ghost. An assassin and a target for in love with each other but the assassin must complete the assignment.

A trio of desperate men are forced to participate in a nightmarish game of blackjack for their souls. The circumstances behind how these fellows wound up in purgatory are revealed in three individual segments: Two vicious hoodlums break into the basement dwelling of an old hermit who isn't nearly as harmless as he appears to be; an unscrupulous entertainment lawyer gets more than he bargained for when he decides to steal several songs from a deceased blues singer; and a young ex-con agrees to help a scuzzy drug dealer rob a pharmaceutical lab in order to save his girlfriend from the clutches of said dope pusher.

Part I : A middle-aged woman gets off a bus at Muju Terminal. She passes through the town and walks into a forest. She starts to search for the vestiges of her life from beyond the grave. Part II : A young woman, Minjae, returns to her hometown of Muju and starts to work at the county office. Her mother is displeased that her daughter has returned to the hometown. One day, Minjae’s friend from college, Kyungyoon, who hadn’t been in touch for a while, comes to see her.

The film centers on Dr. Marcus, a renowned psychiatrist who has selected 6 severe mentally ill and dangerous patients from the Spring Valley Mental Hospital to interview as part of research for his new book. As Dr. Marcus interviews each patient, one by one the horrors they have committed begin to unfold. However, Dr. Marcus soon learns that there is one patient who ties them all together - Patient Seven.

A compendium of three short science-fiction films, each with a decidedly feminist slant.

Written and directed by Sergio Pastore in 1969. Il diario proibito di Fanny is an anthology film starring Giovanna Lenzi as four different women, all named Fanny. The film touches upon all the hot-button issues of 1968: illegal immigrants from the Eastern bloc, the Prague Spring, the Italian star cult and even abortion.