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All In with Chris Hayes - (Jul 27th)
The Kelly Clarkson Show - (Jul 27th)
Love Island - (Jul 27th)
Terror at 30000 Feet - (Jul 27th)
The Stand Up Sketch Show - (Jul 27th)
The Bold and the Beautiful - (Jul 27th)
The Young and the Restless - (Jul 27th)
The ReidOut - (Jul 27th)
Champions- Full Gallop - (Jul 27th)
Motorway- Hell On The Highway - (Jul 27th)
GRAND SUMO Highlights - (Jul 27th)
The Beat with Ari Melber - (Jul 27th)
Deadline- White House - (Jul 26th)
8 Out of 10 Cats Does Countdown - (Jul 26th)
Gutfeld! - (Jul 26th)
Jesse Watters Primetime - (Jul 26th)
Outnumbered - (Jul 26th)
Special Report with Bret Baier - (Jul 26th)
The Ingraham Angle - (Jul 26th)
Hannity - (Jul 26th)
2018… Norman Jewison and William Harrison expand Harrison’s short story into a full length feature film, with great results. Story takes place in 2018 and the world is a global corporate state, a hegemony of six ruling cartels. There are no wars, poverty and etc, so the cartels provide the antidote to pent up frustrations with Rollerball, a bloodthirsty arena sport where no quarter is given or taken. But when the sports number one star, Jonathan E, becomes a free spirit and too big for the sport, the corporations aim to retire him… Headed by a superb James Caan as Jonathan, the performances are from the high end, the photography superb and the action during the games themselves is beautifully choreographed. The use of classical music to run concurrent with the themes in the narrative is smartly rendered to the tricksy plot, while the writing is sharp and deserving of the utmost attention from the viewer. It’s folly to suggest that when the film is away from the Rollerball ring it sags a touch, so patience is required and a respect of literate posturing is also expected to get the most out of it. A deft crafted dystopian sci-fier with literate smarts and lusty blood letting. 7.5/10
"Rollerball" is a violent, quickly paced and ruthless sport and "Jonathan E" (James Caan) is it's acclaimed hero. Dominant and popular, the crowd love him - but his boss "Bartholomew" (John Houseman) tells him it's time to retire. Their world is run by big corporations and these are not to be readily defied - but "Jonathan" isn't going to play ball. He is not going to sacrifice his fame, fortune and adulation without exacting some conditions of his own. One of which is that he be reunited by his wife (Maud Adams) who was apparently "reallocated" at the behest of another company bigwig. He also tries to find out just who is behind his dismissal - and why, and luckily has the help of "Cletus" (Moses Gunn) on that particular quest as his options narrow and "Bartholomew" becomes ever so slightly more menacing. The action scenes with the ball and skaters racing around the track is quite scintillating to watch with intense photography and plenty of high-speed tumbles, but the rest of it is all sort of "Logan's Run" with an Houseman who really only knew how to play one role. That worked well in the "Paper Chase" (1973) but here, it's just a bit underwhelming. Caan puts his heart and soul into the story, but there are too many holes in that to resonate beyond the obvious and rather undercooked swipe at a sterile authoritarianism that reminds us of the Nero and the Coliseum style of entertainment for the obedient (or else!) masses. It's fine - but nothing more.
It is A.D. 2009 and the human race is caught in a war between giant humanoids, male Zentrans and female Meltrans. Returning from the edge of our solar system after making a space fold, the SDF-1 Macross makes the long journey back to Earth with survivors of South Ataria Island.
At a small seaside resort that is at risk of being submerged by the ocean, the inhabitants have been ordered to leave. Among those resigned to their fate are a reality TV candidate, a porn movie actress and a gay couple roaming the pine forest in search of themselves.
Leon S. Kennedy and Claire Redfield must battle a rogue warrior seeking revenge after unleashing the deadly G-Virus, whilst a mutated monster goes on a rampage.
A semi-biographical account of Yip Man, the first martial arts master to teach the Chinese martial art of Wing Chun. The film focuses on events surrounding Ip that took place in the city of Foshan between the 1930s to 1940s during the Second Sino-Japanese War. Directed by Wilson Yip, the film stars Donnie Yen in the lead role, and features fight choreography by Sammo Hung.
As the end approaches inexorably, the last humans, living millions of years into the future, send a message to the humanity of the present that is both a plea for help and a warning, but also an epic tale of evolution, decline and hope.
A recreation of the opening scene from the pilot episode of The Handmaid's Tale, "Offred." Originally directed by Reed Morano, ASC. Original cinematography by Colin Watkinson, ASC, BSC. Original teleplay written by Bruce Miller. Made in Misael Sanchez's "Filmmaking: Visualizing and Creating Moving Images for the Screen" at Sarah Lawrence College.
Colin MacLeod hunts for the man responsible for the death of his love. He chases the immortal Marcus Octavius across centuries as his quest threatens to take over his life and heart. In his quest, he meets a woman who reminds him of his slain beauty. But it's his final battle with Marcus that will decide not only his fate, but also the fate of everyone in the world.
In a boorish future, the government sponsors a popular, but bloody, cross-country race in which points are scored by mowing down pedestrians. Five teams, each comprised of a male and female, compete using cars equipped with deadly weapons. Frankenstein, the mysterious returning champion, has become America's hero, but this time he has a passenger from the underground resistance.
The war for freedom has just begun. Trikalypse joins forces with the rebel leader and her team of freedom fighters. They must now fight back to bring Dominion down and expose him to the world.
Pursued by loan sharks, Aoyama is rescued by a mysterious man in orange overalls, and spirited away to “The Town,” where other dropouts hide out from debtors, abusive partners or the police. It’s a perpetual holiday resort where every need is catered to but hidden in it is a sinister conspiracy.
Crooked cop Torrente gets out of jail in the year 2018 to find a different Spain from the one he knew.