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The Kansas Law Dog! Wichita is directed by Jacques Tourneur and written by Daniel B. Ullman. It stars Joel McCrea, Vera Miles, Wallace Ford, Edgar Buchannan, Lloyd Bridges and Keith Larsen. It's filmed in Cinemascope/Technicolor with cinematography by Harold Lipstein and music by Hans J. Salter. Wichita is an origin story, that of one Wyatt Earp (McCrea), the story is set before he gets to Dodge City, where apparently some famous gunfight occurred. From a narrative stand point it's a town tamer story, Earp arrives in a newly thriving Wichita, at this point he's a hunter of buffalo only. But as the cowboys converge on the town, and things turn very dark, Earp - a bastion of good and just righteousness - finds it impossible to continue in turning down the town superior's offers of becoming the town Marshal. It's one of those Western movies that made Western movie fans become Western movie fans. A film you would have watched as a youngster and just bought totally into the good guy against the baddies central core. Of course as youngsters we wouldn't have cared a jot about thematics such as capitalism ruling over common sense, or metaphysical leanings ticking away, all while a genius director is composing shots and frames of great distinction. Hell! Even the intelligence and maturity in the writing would have escaped us, the dark passages merely incidents of no great concern... Wichita is damn fine film making. OK! It isn't wall to wall action. Sure there is a good round of knuckles, a bit of trench warfare and the standard shoot-outs, but these are just conduits to smart and compelling human drama, richly performed by McCrea (brilliantly cast) and company. Tourneur, Ullman and Lipstein make sure there is no waste on the page or via location framing, the costuming authentic and pleasing, and of course the story itself, the set up of the iconic man himself, is as compelling as it is splendidly entertaining. It be a traditional Western for the traditional Western fan. Nice! 8/10
The Saturday matinee crowd got two cowboy stars for the price of one in this lavishly budgeted western serial starring former singing cowboy Dick Foran and Buck Jones. The latter contributed deadpan humor to the proceedings, making Jones perhaps the highest paid B-western comedy relief in history. The two heroes defend the Death Valley borax miners from an outlaw gang headed by Wolf Reade. An extraordinarily strong cast - for a serial, at least - supported the stars, headed by Charles Bickford as Reade, Leo Carillo, Lon Chaney, Jr., and silent screen star Monte Blue. Leading lady Jeanne Kelly later changed her name to Jean Brooks and starred in the atmospheric RKO thriller The Seventh Victim (1943). Universal claimed to have spent $1 million on this serial and made sure to get their money's worth by endlessly recycling the action footage in serials and B-westerns for years to come.
A ragtag group of gunslingers try to make their way in a post-apocalyptic world. The twist to this world is that it’s just not barren and dangerous, it’s also filled with flesh-eating zombies. The gunslingers will find themselves stranded in a town and forced to make a choice on either to save the citizens of the town or save themselves.
A mysterious preacher protects a humble prospector village from a greedy mining company trying to encroach on their land.
A mute gunslinger fights in the defense of a group of outlaws and a vengeful young widow, against a group of ruthless bounty hunters.
In the autumn of 1900, outlaw Claude Barbee puts his 'retirement plan' in action, attempting to lead his train-robbing gang across Texas to recover a cash stash hidden after a botched railroad heist.
Rancher Clay Travers finds and brings in the body of ranger Frank Mattison, murdered on the road to Trail City, where he had been sent to deal with an outbreak of cattle rustling. Businessman Art Kenyon, who has hired gunman Ed Martin to impersonate Mattison to further his rustling schemes, quickly changes Martin's story and has Travers framed for the ranger's murder. Managing to escape, Travers must come up with proof to clear his name and bring the true killers to justice.
Two brothers who hate themselves are going to spend Christmas with their mother. She tries to get them together.
Narrowly escaping death, outlaw Johnny Madrid goes on the run with the hangman's sensuous daughter Esmeralda by his side.
U.S Marshal Mike Donovan has dark memories of the death of his first love. He keeps peace between the Americans and the natives who had temporarily adopted and taken care of him. The evil actions of a white sorcerer lead him to confront the villain in the Sacred Mountains, and, through shamanic rituals conquer his fears and uncover a suppressed memory he would much rather deny.
Johnny Mack Brown dodges bullets while he tries to figure out who stole the Mexican gold and who killed the newspaper editor.