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**Money Train loses interest while trying to figure out what it wants to be.** Money Train is a movie with an identity crisis. Is it a buddy cop movie? Crime drama? Serial killer char? Heist film? Romance piece? Well, Money Train tries to be all those things in less than 2 hours, making for a disjointed mess with inconsistent pacing and barely any story to follow. Woody Harrelson and Wesley Snipes are the good guys of the story, but they ultimately rob a train and cause millions of dollars of damage, and the audience is supposed to laugh it off because their boss is a jerk. Doesn’t work. With a cast including Wesley Snipes, Woody Harrelson, and Jennifer Lopez, I thought Money Train had to be at least mildly entertaining (and it did have fun moments), but the numerous stories and tones left everything too underdeveloped to enjoy and an ending that is more abrupt than satisfying.
A poor New York resident, who is of Indian origin, dreams of becoming a fast car race driver. He endeavors, and his efforts are rewarded when he selected by a little-known group called 'RACING SADDLES'. He joins them and soon becomes their ace race driver. This man, whose name is Rajveer, then meets with a rich American woman, also of Indian origin, whose name is Radhika. Both fall in love with each other. They cannot get married, because Radhika's family hates Rajveer mainly because he is very poor. But Radhika is very stubborn, so she marries him. She loses all her rights to her family's wealth. They get married and become parents of two children. They also become very rich. Then Rajveer has an accident which changes their lives forever. They get into debt and stand to lose everything. Will Radhika be forced to return back to her family?
A guy has his life planned out until he is wooed, groomed and then dumped by an elusive woman.
Siblings Ethan and Hallie O'Fallon plot to get their divorced parents back together in time for Christmas.
Arthur is a 30-year-old child who will inherit $750 million if he complies with his family's demands and marries the woman of their choosing.
Upon his release from a mental hospital following a nervous breakdown, the directionless Anthony joins his friend Dignan, who seems far less sane than the former. Dignan has hatched a harebrained scheme for an as-yet-unspecified crime spree that somehow involves his former boss, the (supposedly) legendary Mr. Henry.
The origins, exploits and the ultimate fate of the James gang is told in a sympathetic portrayal of the bank robbers made up of brothers who begin their legendary bank raids because of revenge.
A nebbish of a morgue attendant gets shunted back to the night shift where he is shackled with an obnoxious neophyte partner who dreams of the "one great idea" for success. His life takes a bizarre turn when a prostitute neighbor complains about the loss of her pimp. His partner, upon hearing the situation, suggests that they fill that opening themselves using the morgue at night.
John Gotti, the head of a small New York mafia crew breaks a few of the old family rules. He rises to become the head of the Gambino family and the most well-known mafia boss in America. Life is good, but suspicion creeps in, and greed, rule-breaking and his high public profile all threaten to topple him.
Disillusioned with romance, Beth, an ambitious New Yorker, travels to Rome for her sister's wedding, where she plucks magic coins from a special fountain of love. The coins attract unwanted attention from an assortment of odd yet ardent suitors: a sausage merchant, a street magician, an artist, and a male model. But when the best man from the wedding, persistent reporter Nick, throws his hat in the ring, Beth wonders if his love is the real thing.
Gary, a musician, is trapped in an unhappy relationship with his live-in lover, Dora. He becomes enthralled with a beautiful seductress who enters his dreams, and tries to control his dream-state so he can spend more and more time with her. When Gary sees his mystery woman's face on a bus billboard, he discovers she is real, and fate brings him an opportunity to meet her.
Publishing assistant Brett Eisenberg wants to be a big-time editor. However, she lacks self-confidence, a problem that isn't helped by her new, overbearing boss. Brett soon enters into a relationship with Archie, an older man who has plenty of his own issues, including alcoholism, diabetes and a difficult relationship with his daughter. Intent on helping Archie get past his problems, she turns to her dying father for advice.