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You are making big profits from my work, my risk, my sweat. Thief is written and directed by Michael Mann, who adapts the screenplay form the novel "The Home Invaders" written by Frank Hohimer. It stars James Caan, Tuesday Weld, Robert Prosky, James Belushi and Willie Nelson. Music is by Tangerine Dream and cinematography by Donald Thorin. Frank (Caan) is a tough ex-con and expert jewel thief. He's working his way out to a normal life, but after being lured to a big job for the mob, he finds plans on both sides severely altered. For his first full length theatrical feature, Michael Mann announced himself to the film world with some distinction, and in the process showed everyone what style of film making makes him tick. Thief is a film of stylised grit, visually, thematically and narratively. Set and filmed in Chicago, Mann, aided by Thorin, shoots the story through pure neo-noir filters. At nighttime it is all a beautifully neon drenched haze, where the streets shimmer with dampness, a dampness brought about by the rain and god knows what else! By day there's a sweaty hue, a feeling that the heat is well and truly on, that even in daylight Frank isn't safe, his dreams may be a touch too far to reach. And no matter what the scene or scenario, Tangerine Dream are laying over the top a throbbing pulse beat, it's like The Warriors trying to get back to Coney Island, the music has a sense of dread about it, that danger is at every corner. This part of Chicago stinks, it's a vile and corrupt place. Dirty cops everywhere, underworld criminals ruling the roost - Hell! You can even buy a baby if you want one. Is it any wonder that Frank just wants to settle down with a wife and child, to walk barefooted in the sea, to have domesticity? But Frank, as smart, tough and savvy as he is, seems to thrive on the edge of things, with Mann giving him earthy and honest dialogue to engage us with, marking him out as an identifiable everyman protagonist who just happens to be an exceptional thief. Mann's attention to detail is on show straight away, none more so than with the two key safe cracking jobs that are undertaken. Using genuine jewel thieves as technical advisers on the film, these sequences ooze realism, from the tools used, the pre-planning and the execution of the takes, it smacks of reality and does justice to the genuine feel of the characterisations brought alive by the superb cast. And finally Mann delivers a finale of ambiguity, a noir shaded piece of abruptness, an ending that perfectly fits the whole production. 9/10
Seen this one before but decided to do another watch at random. Really great crime-thriller with James Caan perfect alongside Michael Mann's masterful direction and writing. Not quite to the level of something like Heat but probably just below. One of the best heist films ever of the ones I've seen. **4.5/5**
Mario, a young dancer living in a small village has to face the loss of his beloved best friend Lenz, victim of an attack in a gay club.
Toby is keen to impress his mentor and admits disturbed new patient Judith on the professor's behalf. Lowry conducts the initial interview unaware that Judith's arrival is no accident but part of a carefully orchestrated plan to bring the two of them together.
In a vibrant city pulsating with rhythm and movement, an elderly man and his young-at-heart wife rekindle their youthful passion for life and each other on one magical night.
An amateur historian is reported missing after unearthing an ancient artifact. The Detective is called to help investigate. He was last seen earlier that day, stumbling into the forest in a trance-like state. The Detective eagerly takes the case.
A unique cinema tour de force from Cinema eVerite', 'Flesh Is Heir To' is a psychological thriller delving into the feminine psyche and societal sexuality standards. The film is written and directed by critically acclaimed off-off Broadway writer/producer and filmmaker Dale A. Johnson.
A portrait of the Chicago Near-North nightlife scene in the mid-1960s, centering around the struggles and romantic desires of an African American singer played by long-forgotten folk sensation Willie Wright. (Courtesy Chicago Film Archives)
The fifth instalment in the John Wick franchise, confirmed to be in development.
In a misguided attempt to protect his friend from an extortionist, a man hijacks a blackmail scheme and puts himself and everyone he cares about in danger.
Comedy about Zdzisław Najmrodzki, most famous polish criminal in the times of Polish People Republic, named "the getaway king", known for stealing cars and escaping prison many times, but never hurting anybody.
A thief sets out to buy another person's memory in order to track down the location of a hidden item.