Au-Pair-Sex

19 year old Linnéa leaves her small town in Sweden and heads for Los Angeles with the aim of becoming the world's next big porn star, but the road to her goal turns out to be bumpier than she imagined.

Three generations of women whose lives are connected by blood and fate as they cope with relationships with men. Bea is an architect who has just got promoted but this professional success exposes her husband's insecurity. Alex is the teen-aged daughter of Bea who enters into an abusive relationship with a boyfriend. Adora is the newly widowed mother of Bea who is about to come to terms with facing life alone.

Nedjma, an 18-year-old student passionate about fashion design refuses to let the tragic events of the Algerian Civil War keep her from experiencing a normal life. As the social climate becomes more conservative, she rejects the new bans set by the radicals and decides to put on a fashion show.

Shimu, 23, works in a clothing factory in Dhaka, Bangladesh. Faced with difficult conditions at work, she decides to start a union with her co-workers. Despite threats from the management and disapproval of her husband, Shimu is determined to go on. Together the women must fight and find a way to register their union.

A hopeless waitress and a melancholy neon sign maker are on separate paths and struggle through the everyday alone. Their thoughts for each other collide with magnetic force, can fate under the guise of a cupid cowboy and a band of coffee bean ants connect the lost souls?

Following in the footsteps of her idol and bandmate Jaqueline, Shelly intends to become a great singer of Brega. She enters show business in search of fame and fortune but, inserted in a world where everything is disposable, including love and human relationships, she will encounter great difficulties to achieve fame.

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

A woman just out of prison gets a job in a nursing home and tries, unsuccessfully, to put her life back together.

The parents of five sisters have been married for forty years; the daughters have gathered in the family beach house to make a video for them. The encounter is marked by many confrontations as well as cheerful moments. Reminiscent of the sweet children's poems that mother recited are countered by Elsschot's Marriage: 'He thought: I'll kill her and set light to the house...' It also turns out that father had once disappeared for eighteen months, a 'secret' that the daughters have different ideas about. Brittle, an intimate film version of a play written and performed by the same actresses, is about rivalry in a family, the right to silence, but also about the need for solidarity. At the Netherlands Film Festival in 1997 the Golden Calf for Best Actress was awarded to the five actresses together.

An ex-con finds his plan to go straight foiled by a loan shark who manipulates his target into taking on one last heist.

Upon receiving the body of a maid in waiting who was said to have hung herself within the palace walls, dedicated doctor Chun-ryung begins to suspect foul play. Upon launching a personal investigation, however, Chun-ryung quickly discovers a labyrinthine maze of deception constructed by those with limitless power to conceal a valuable secret.