Aliens Expanded 2024 - Movies (Apr 11th)
I Am Martin Parr 2024 - Movies (Apr 11th)
Ernest Cole Lost and Found 2024 - Movies (Apr 11th)
Home Sweet Home Rebirth 2025 - Movies (Apr 11th)
Meet the Khumalos 2025 - Movies (Apr 11th)
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Shadow of God 2025 - Movies (Apr 11th)
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Gunslingers 2025 - Movies (Apr 11th)
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Panda Bear in Africa 2024 - Movies (Apr 10th)
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Diners, Drive-Ins and Dives - (Apr 12th)
The Rachel Maddow Show - (Apr 12th)
Gold Rush - (Apr 12th)
All In with Chris Hayes - (Apr 12th)
Fire Country - (Apr 12th)
Buried Hearts - (Apr 12th)
Grosse Pointe Garden Society - (Apr 12th)
The Last American Vagabond - (Apr 12th)
Lucky - (Apr 12th)
The Beat with Ari Melber - (Apr 12th)
S.W.A.T. - (Apr 12th)
The Bidding Room - (Apr 11th)
Bargain Hunt - (Apr 11th)
Escape to the Chateau DIY - (Apr 11th)
The Cruise - (Apr 11th)
Deadline- White House - (Apr 11th)
Beyond Paradise - (Apr 11th)
The Young and the Restless - (Apr 11th)
The Bold and the Beautiful - (Apr 11th)
Cops - (Apr 11th)
I know, who'd have though it? An Ingmar Bergman film that's actually quite fun! It's also quite racy too! "Fredrik" (Gunnar Björnstrand) has married the much, much younger "Anne" (Ulla Jacobsson) but their relationship is as yet unconsummated. She isn't yet happy about losing her virginity or he decides she is too young for the experience. Depends on who you talk to, but suffice to say it's not about either not wanting to have sex! The arrival of his young son "Henrik" (Björn Bjelfvenstam) home after his exams turns her head and she is clearly more interested in that member of the family. "Henrik", meantime, is also a virgin and has been having a rather unrewarding and slightly comical flirtation with the maid "Petra" (Harriet Andersson) to try and rectify that situation. Their weekend scenario is going to get even more messy when actress "Désiree" (Eva Dahlbeck) arrives, stirring up memories of her own relationship with "Frederik" - one that still nurses the gentlest of affectionate flames. Finally, her friend the "Countess Charlotte" (Margot Carlqvist) shows up with her husband "Count Carl" (Jarl Kulle). Now here is an intriguing marital dynamic. He is having a fairly open, and quite jealously protective, liaison with "Désiree" whilst his wife is ostensibly permitted to play away as she pleases. This is going to be one hell of a dinner party and a combination of drink and some fairly unfettered morals are now let loose on an audience for an enjoyable, almost farcical, costume romp. Yes, it's more sophisticated than that - but essentially, this is quite a potent and funny assessment of human nature, of the constrictions we put on our own behaviour before finding a myriad of ways to breach these codes. Alcohol empowers us, reduces our inhibitions certainly; but to what extent we will do what instinct and urge tell us to is well presented here. Personally, I thought Carlqvist and Andersson stole the scenes - their characters purveying something natural, visceral and usually quite entertaining, too. Perhaps unintentional, but the film also struck me as a bit of a parody of some of the other great looking high-costume dramas the rather more earnestly illustrate the rigidity and hypocrisy of the double-standard bearing middle and upper classes, and I did really quite enjoy this.
During the final weeks of a presidential race, the President is accused of sexual misconduct. To distract the public until the election, the President's adviser hires a Hollywood producer to help him stage a fake war.
While a diamond advocate attempts to steal a collection of diamonds, troubles arise when he realises he’s not the only one after the collection.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
Cecilie and Joachim are about to get married when a freak car accident leaves Joachim disabled, throwing their lives into a spin. The driver of the other car, Marie, and her family don’t get off lightly, either. Her husband Niels works in the hospital where he meets Cecilie and falls madly in love with her.
A young woman in her late teens, a reader of novels and with high hopes of romance and passion, marries a widowed country doctor. Although he dotes on her, she is soon bored and discontent. First, she gives her imagination to a law student in town, and next she takes a lover. When he refuses to run away with her, she takes up again with the law clerk. Her spending on dresses and furnishings mounts; these debts and her ill-advised professional counsel to her husband bring his ruin.
When her inability to commit leads to a breakup with her girlfriend, opera-loving writer Allegra winds up in the bed of amiable professor Philip. He is so smitten with Allegra that he dumps his lover, Grace, and convinces Allegra to continue their affair. When Allegra meets Grace, sparks fly, and she begins a parallel romance, unaware that her new lover is the woman Philip left to be with her.
Change comes slowly to a small New Hampshire town in the early 20th century. We see birth, life and death in this small community.
Vijay enjoys the good life: happily married, wealthy and a beautiful daughter. However, one summer, when his daughter brings a friend back to stay, their familial bliss is shattered.
Lauren simultaneously starts an affair with her boss, rents a bachelor apartment, and asks her boyfriend Tom to marry her.