Sender Barayon. Viaje hacia la luz

The amazing story of Cifesa, a mythical film production company founded in Valencia by the Casanova family that managed to dominate the box office during the turbulent times of the Second Spanish Republic, the carnage of the Civil War and the hardships of the long post-war period and Franco's dictatorship — and survive until the sixties, when Spain was timidly beginning to change.

A retrospective look at the anarcho-syndicalist and anarcho-communist experience in Spain from 1930 until the end of the Civil War in 1939.

The Taking of Siétamo is a report on the activity of the FAI (Durruti) Aguiluchos column on the Aragon front in August 1936 and focuses on the conquest of the town of Siétamo.

After the discovery of a suitcase hidden in the family home of Francisco Martínez Gascón, known as Kautela, a photojournalist who lived through the Spanish Civil War from the perspective of the rebel side, his granddaughter decides to carry out an investigation into his life and work.

The Living Memory Project began back in 2009 on the 70th anniversary of the end of the Spanish Civil War with the recording of the event, organized in Paris to the Spanish Exiles and the victims of the Nazi extermination camp of Mauthausen. Our goal thereafter focused on collecting the greatest possible number of testimonies related to the history of Spanish anarcho-syndicalism. As part of the celebrations of 100 years of CNT we set up the project, the union decided to fund it and we set off . We travelled 12,000 km visiting three countries relying on the logistical support of CNT and selfless work of their members as well as partners Malicious Films GuerrillART. This is the result: 80 hours worth of records, 300 hours worth of testimony in timing and transcription meant for reference purposes at the Anselmo Lorenzo Foundation and 0 actors. Written by Antonio J. García de Quirós Rodríguez

Third film of Juan José Ponce's trilogy about Federico García Lorca.

1939. Thousands of refugees were concentrated in the last republican sectors of Catalonia to cross into France. Through the Camprodon Valley, in the Pyrenean region of Ripollés, some 100,000 people crossed to the neighboring country: civilians, military, international brigades, including doctors and wounded. The war in Spain was ending, but soon another would begin. 100,000 people left their homes behind. Many would return, others would continue the fight.

After the Civil War, between 20,000 and 30,000 Spaniards went into exile in Mexico. This was the country that welcomed the most exiles, after France.

Pedro Urraca, Spanish policeman and Gestapo agent led the persecution of numerous Spanish Republican loyalists exiled in France during the Nazi occupation. The portrait of a sinister character through the testimony of his granddaughter.

The Colegio de Arquitectos de Catalunya commissioned Pere Portabella to make this film for the Joan Miró retrospective exhibit in 1969. There were heated discussions on whether it would be prudent to screen the film during the exhibit. Portabella took the following stance: "either both films are screened or they don't screen any" and, finally, both Miro l'Altre and Aidez l'Espagne were shown. The film was made by combining newsreels and film material from the Spanish Civil War with prints by Miró from the series "Barcelona" (1939-1944). The film ends with the painter's "pochoir" known as Aidez l'Espagne.