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_Joy_ directed by Ben Taylor, delves into the overlooked story of Jean Purdy, a key figure in the creation of in vitro fertilisation (IVF). The film not only brings to light Purdy's often ignored contributions but also serves as a critique of the long-standing marginalisation of women in scientific breakthroughs. It aims to reclaim a narrative that has historically sidelined the role of women in such significant achievements. Ben Taylor's direction chronicles the groundbreaking development of IVF with an approach reminiscent of a sports film. Though the audience knows the outcome—over two million children have been conceived via IVF since 1979—the film immerses you in the highs and lows, triumphs and failures, leading to the birth of Louise Brown, the world's first "test-tube baby." Thomasin McKenzie's portrayal of Purdy stands out, adding depth to a character who faced significant professional and personal challenges. Bill Nighy offers a memorable turn as surgeon Patrick Steptoe, blending compassion and wit. At the same time, James Norton brings warmth to the role of scientist Robert Edwards. Together, the trio captures the tension, camaraderie, and determination needed to challenge societal and scientific norms. The film's strength lies in its focus on the procedural breakthroughs and emotional and ethical dilemmas its protagonists face. It frames the IVF journey as a collective struggle against deep-seated prejudices, balancing moments of triumph with the harsh realities of rejection and scepticism. However, some aspects of the storytelling feel superficial, and the film needs to fully dive into its characters' complexities. The marginalisation of women in the scientific and medical fields is an ongoing issue. Historically, many female scientists have been overshadowed by their male counterparts. For example, Rosalind Franklin's pivotal work in discovering the structure of DNA was primarily credited to James Watson and Francis Crick. Similarly, the film _Hidden Figures_ brought to light the incredible contributions of Katherine Johnson, Dorothy Vaughan, and Mary Jackson—African-American women mathematicians at NASA—whose work was crucial to the space program's success but went uncelebrated for decades. _Joy_ is a commendable effort to highlight an important figure and the persistence required behind one of modern medicine's significant achievements. While the film has flaws, it succeeds in shedding light on Purdy's legacy and the crucial role of women in scientific innovation, ensuring their contributions are finally acknowledged.
The stage of this work is Saitama, a suburb of Tokyo in the early Heisei period. Immediately after the bubble burst gangster countermeasures law, there were gangsters who defended the last territory and young people who freely controlled the city. The youth conflict escalated day by day and became a force that surpassed the yakuza, and the runaways were sent to juvenile prisons one after another, where exclusive rules awaited.
When a young social recluse stumbles onto a series of unsolved cold cases he finds himself pulled deeper into society's dark underside and must face his own demons to learn the truth.
An artist falls for a married young woman while he's commissioned to paint her portrait. The two invest in the risky tulip market in hopes to build a future together.
Serial killer Keith Jesperson murders at least eight women over a five-year span and taunts authorities with disturbing letters and scribbled confessions signed with a happy face.
In an audacious reworking of the biopic, this ensemble drama sees jazz pianist Minami Hiroshi’s memoir cleverly reinterpreted into a surreal and playful story about chasing dreams, disillusionment and the inner lives of professional artists. Closer to playing two sides of the same coin than tackling a dual role, Ikematsu Sosuke embodies two versions of Minami – the naïve upstart and the jaded pro – who magically cross paths as they become entangled with a cast of colourful characters in the seedy alleyways and jazz clubs of Ginza over a single night.
Based on the true story of the attempted defection in 1970 by a Lithuanian seaman seeking political asylum in the United States. Kudirka was denied asylum and returned to the Soviets, charged with treason, and sentenced to ten years of hard labor. It was later discovered and verified that his mother had been born in Brooklyn and gone to Lithuania at a young age, which meant she was a U. S. citizen. As a result, Kudirka was declared a U. S. citizen and in 1974 released by the Soviets.
The Zodiac murders cause the lives of Paul Avery, David Toschi and Robert Graysmith to intersect.
Set in the Bronx during the tumultuous 1960s, an adolescent boy is torn between his honest, working-class father and a violent yet charismatic crime boss. Complicating matters is the youngster's growing attraction - forbidden in his neighborhood - for a beautiful black girl.
The new warden of a small prison farm in Arkansas tries to clean it up of corruption after initially posing as an inmate.
Two FBI agents investigating the murder of civil rights workers during the 60s seek to breach the conspiracy of silence in a small Southern town where segregation divides black and white. The younger agent trained in FBI school runs up against the small town ways of his partner, a former sheriff.
A young teacher inspires her class of at-risk students to learn tolerance, apply themselves, and pursue education beyond high school.