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When is satire not exactly satire? To my mind, its when it ends up acting, to one degree or another, as an apologist, for the thing, is claims to be humorously, critiquing. Suffice to say, I've long had a mixed opinion of SP. I find its satire luke warm at best and this tepid affair, is no exception. A lot of the woke pandering we see in entertainment, is driven by the UN (yes I'm not kidding) grounded standards called Environmental, Social, and Governance (ESG) ratings. They lay down woke rules, often driven by big business financiers, who act as fiscal banker, watch dogs, making it hard for content creators who want to take a more traditional approach, to entertainment. None of which seems to have been mentioned here, as far as I can see? In short, light of laughs and as I see it, there's a certain irony, with regards to "pandering". Watch and see if you agree.
The story of August who loses his beloved sister Christina, a former porn star known as The Princess. He adopts Christina's five-year-old daughter Mia. Weighed down by grief and guilt, August breaks down and with Mia in tow, he embarks on a mission of vengeance to erase Christina's pornographic legacy.
A young lunatic director and his devoted cult of cinema terrorists kidnap a Hollywood movie goddess and force her to star in their radical underground movie.
Private detective Sam Ruben's clever plan falls apart with the onset of amnesia. Everyone is trying to kill him and he doesn't know why. The classic film noir milieu now comes to you in the form of an animated feature.
Leon S. Kennedy and Claire Redfield must battle a rogue warrior seeking revenge after unleashing the deadly G-Virus, whilst a mutated monster goes on a rampage.
The film is a sub-story to Kirikou and the Sorceress rather than a straight sequel. The movie is set while Kirikou is still a child and Karaba is still a sorceress. Like Princes et princesses and Les Contes de la nuit, it is an anthology film comprising several episodic stories, each of them describing Kirikou's interactions with a different animals. It is however unique among Michel Ocelot's films, not only in that it is co-directed by Bénédicte Galup (who has previously worked with him as an animator) but also for each of the stories being written by a different person (in all other cases, Ocelot has been the sole writer and director of his films).
Sylvia Stickles runs a convenience store with her husband and mother-in-law. One day, Sylvia is hit on the head and transforms from an uptight prude to a sex-crazed lunatic. As she goes on a rampage through town, Sylvia attracts the attention of Ray Ray, a sexual healer and tow truck driver in search of the world's greatest orgasm. Their sexual revolution, however, causes a class war in their tiny Baltimore community.
Fritz, now married and with a son, is desperate to escape from the domestic hell he now finds himself in. Lighting up a joint, he begins to dream about his eight other lives, hoping to find one that will provide a pleasant distraction.
Afro Samurai avenged his father and found a life of peace. But the legendary master is forced back into the game by a beautiful and deadly woman from his past. The sparks of violence dropped along Afro’s bloody path now burn out of control – and nowhere are the flames of hatred more intense than in the eyes of Sio.
Venerable newscaster Norm Archer reports the latest news in politics, health, culture and entertainment - such as an automotive recall of decapitation-inducing "Neckbelts" and a study finding that "depression hits losers hardest". This compilation of bogus news stories, celebrity profiles, movie trailers and skits come courtesy of the ace satirists at The Onion.
Pressure from his boss and a skin-cream client produces a talking boil on a British adman's neck.
In the distant technological future, civilization has reached its ultimate Net-based form. An "infection" in the past caused the automated systems to spiral out of order, resulting in a multi-leveled city structure that replicates itself infinitely in all directions. Now humanity has lost access to the city's controls, and is hunted down and purged by the defense system known as the Safeguard. In a tiny corner of the city, a little enclave known as the Electro-Fishers is facing eventual extinction, trapped between the threat of the Safeguard and dwindling food supplies. A girl named Zuru goes on a journey to find food for her village, only to inadvertently cause doom when an observation tower senses her and summons a Safeguard pack to eliminate the threat. With her companions dead and all escape routes blocked, the only thing that can save her now is the sudden arrival of Killy the Wanderer, on his quest for the Net Terminal Genes, the key to restoring order to the world.