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Wow, well, you really know a Widen movie when you see one. He's one of those writers that come up with something unique each time he brings a script to the screen...he's also one of those writers that you just have to assume is on powerful hallucinogenic drugs. Walken, of course, gets top billing, and he did do a very good job, who doesn't love it when he's a villein? He is always delightfully creepy and, in The Prophecy he balances that creepiness with a healthy does of humor. It makes him a lovable character, but then he does have a great sense of humor and one of the best deadpan deliveries in modern Hollywood. Still...Elias Koteas. I don't think he means to do it, but he always takes center stage in whatever he does and The Prophecy is no different. The man just brings his A-game to every movie, every bit part he has ever played. And like his turn in Fallen, the one thing that lingers in your memory when the movie is over, is the Koteas performance. As usual he wields raw acting power with ease. Stolz, as always, plays Eric Stoltz, but in this movie it works perfectly. He is the angel just following orders, and one that positively stinks of 90s era cool. You know from the first time you see him on screen that he was the perfect casting choice for Simon. What makes it better is Adam Goldberg, the man that is always cast in the same sort of roles. That is the slightly dorky Jew. He's really the same character he was in Saving Private Ryan, only far more pathetic. But he also provides the comic relief as a walking, decaying, reanimated corpse forced back to life to be Walken's unwilling and lippy servant. The movie needed elements of relief to keep it grounded enough to appeal to the none Biblically inclined and Goldberg, well, he does his job and makes you laugh. What you have here is a small film with a small budget and a great cast and it works. It works better than anyone can imagine, partially because the surreal quality of the script needed a small budget to keep it believable, and partially because the production quality forced everyone to relay on a very well written story and weigh it all on a cast that could turn it into something memorable. The result is a film that is endlessly watchable
John Constantine has literally been to Hell and back. When he teams up with a policewoman to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists beneath the landscape of contemporary Los Angeles.
Two angels, Damiel and Cassiel, glide through the streets of Berlin, observing the bustling population, providing invisible rays of hope to the distressed but never interacting with them. When Damiel falls in love with lonely trapeze artist Marion, the angel longs to experience life in the physical world, and finds - with some words of wisdom from actor Peter Falk - that it might be possible for him to take human form.
A conflicted youth confesses to crimes he didn't commit while a man and woman aroused by death become obsessed with each other.
A couple of angels, O'Reilly and Jackson, are sent to Earth to make sure that their next supervised love-connection succeeds. They follow Celine, a spoiled rich girl who has just accidentally shot a suitor and, due to a misunderstanding, is kidnapped by janitor Robert. Although Celine quickly frees herself, she stays with Robert for thrills. O'Reilly and Jackson pursue, hoping to unite the prospective lovers.
Maradonna (Shanthnoo) is an aimless youngster who likes to waste his time doing practically nothing other than fooling around. For him everything in life is Oru Rasam (just fun). He likes to take the easy way out and lacks focus in his life. He is the only son of Joseph (Lalu Alex), a Banker and Mary (Ambika), who dotes on him. The only person who has a soft corner for him is the beautiful Sofia (Nithya Menon) who has a limp and is the daughter of a failed filmmaker, Kuruvilla (Vijayaraghavan). Maradonna messes up his life by getting into company of friends and starting an internet café that fails and to recoup his losses and attracted by ‘easy money’ he gets into drugs. Soon he is conned and loses everything after pledging his house to a ‘blade’ moneylender (Salim Kumar).
Tabloid reporters are sent by their editor to investigate after the paper recieves a letter from a woman claiming an angel is living with her.
The conclusion to The Prophecy Trilogy. Once again, Christopher Walken returns as the Arch-Angel Gabriel. As the War in Heaven and on Earth rages on, Pyriel, the Angel of Genocide, rises to power, intending to destroy all of mankind. The only one who stands in his way is Danyael, who was born of an Angel and a woman.
In this direct-to-video sequel, Gabriel returns to try to destroy the human race he despises so much, with the help of a suicidal teen and the opposition of the angel Daniel.
A struggling entrepreneur is visited by an archangel, who tells him that he has been chosen to act as a prophet and save his hometown from corruption. He must also battle a demon that has manifested in his life, constantly whispering negatives into his mind. His marriage, his business, and his sanity will be pushed to the limit on this spiritual quest to let go and find faith.
In the gripping drama "God Help Us", a desperate man stands on the edge of self-destruction caught in a supernatural game of life and death. An Angel and a Demon engage in an otherworldly game of chess to determine the man's fate. Tension rises as the dual between the two extraterrestrial beings mirrors the man's internal struggle with each move on the chessboard propelling the man closer to either salvation or despair. Will Angel's divine strategy prevail or will Demon's conniving manoeuvres let him leave? "God Help Us" is a thought-provoking journey as it challenges viewers about the fragility of the human soul exploring themes of faith, resilience and morality
A mysterious man arrives at the offices of an FBI agent and recounts his childhood: how his religious fanatic father received visions telling him to kill people who were in fact "demons."