The Haunted House: Gags and Growth

Filmmaker Jonas Mekas follows his friend, film director Martin Scorsese, and his cast and crew, through various locations during the shooting of his film The Departed, released in 2006.

Julian has agreed to help Henry make his first film-but, on the day of shooting, Julian shows up having taken four tabs of LSD. Across the streets of Toronto, the two friends battle for control of the frame and struggle towards the meanings of art and communication.

The shooting diary of a film shot in France and in the United States. Using photos of Paris and of New York City, excerpts of his former films, statements by friends of his and shooting sequences of the film itself, tormented filmmaker Marcel Hanoun has made a heterogeneous and unclassifiable film about the difficulty of filming.

A short documentary about one of the best independent cinemas in the UK.

Actor Ned Beatty hosts a look at the genre known as "exploitation" films. Interviews with some of the producers and directors of these films are shown, along with scenes from and trailers for some of these films.

Documentary about the 1991 follow-up film Critters 3. Features interviews with producer Barry Opper; actors Don Opper and Terrence Mann; writer; cinematographer; and critters designers.

Documentary about the 1992 follow-up film Critters 4. Features interviews with producer Barry Opper; actors Don Opper and Terrence Mann; writer; cinematographer; and critters designers.

When Arthur Freed brought Alan Jay Lerner to Hollywood to compose a new Fred Astaire musical (based on Fred's life,) little did he know he would have to recast it's leading lady not once, but twice.

Documentary about the making of Chaplin (1992).

Short documentary exploring the fame and talent of Charlie Chaplin.

Michael Dudok de Wit was asked by the famous Japanese animation studio Ghibli, to create his first feature length animated film. This would be Ghibli's first international co-production ever. Maarten Schmidt and Thomas Doebele followed Dudok de Wit and his team during the complex creative process for over two years. He is a perfectionist that is used to making his own hand drawn animated films by himself. For this new and timely production, he was assisted by a team of 20 to 30 artists from all over Europe.