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Glastonbury Anthems - (Jun 26th)
Love Island - (Jun 26th)
Dispatches - (Jun 26th)
Taskmaster - (Jun 26th)
The Beechgrove Garden - (Jun 26th)
Katy Tur Reports - (Jun 26th)
Outback Crystal Hunters - (Jun 26th)
Piers Morgan Uncensored - (Jun 26th)
Chris Jansing Reports - (Jun 26th)
Sesame Street - (Jun 26th)
Bridge of Lies - (Jun 26th)
Homes Under the Hammer - (Jun 26th)
Airport 24/7 - (Jun 26th)
Money for Nothing - (Jun 26th)
Claire Hoopers House of Games - (Jun 26th)
Love Island- The Morning After - (Jun 26th)
The Chase Australia - (Jun 26th)
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Shed and Buried - (Jun 26th)
Teen Mom UK - (Jun 26th)
Resolution is, for lack of a better term, a neolovecraftian film, relying more on personal conflict and atmosphere than on 'jump scares' or visual effects, developing an absorbing, character-driven plot along the way. Inside a dilapidated house we witness the tug-of-war between Michael (Peter Cilella), who wants to 'save' drug addicted Chris (Vinny Curran), and Chris, who doesn't want to be saved and thinks, not without reason, that Michael’s motives are selfish. This is all very good stuff, even if Curran is too plump to be an addict, and what he undergoes isn't so much withdrawal as irritation at Michael. Outside the house, which Michael soon discovers is on a Native American reserve, there is quite a fauna of quirky characters who range from baffling but harmless to outwardly laughable but nonetheless dangerous. In the lovecraftian tradition, Michael is the level-headed hero, coming from an orderly and practical world, who inadvertently crosses an invisible border into a place where the abnormal and the subhuman are the norm rather than the exception. Michael finds strange documents in the land surrounding the house; texts, photos, and videos that recount ominous past events and contain foreboding omens for the near future. Directors Aaron Moorhead and Justin Benson (who also wrote the screenplay) give the found footage technique one of the best uses I've ever seen, because here we actually see someone finding the footage and reacting to it, while we in turn react to his reaction. I find this a more effective approach than just showing us the supposed footage directly, which always seems incomplete by accident as opposed to by design. The problem with this film – and it’s a doozy if, like me, you set a lot of store by a movie’s aftertaste – is that the makers are more popish than the Pope; or, in this case, more lovecraftian than Lovecraft. HPL’s brand of cosmic indifferentism works better on paper than it does on the screen, because mood, after all, can only take you so far audio-visually – and the mood Resolution leaves you in is of the foul variety, thanks to the obligatory, anticlimactic, intelligence-insulting final shot suggesting that the evil will continue. I’m not saying a happy ending should have been in order, but I do wonder, is it too much to ask of a movie called Resolution to have a conclusion wherein the conflict is, you know, resolved? And the worst part is that this film already had a perfectly cathartic denouement before that last shot that is the equivalent of giving the audience a giant middle finger.
An American master chemist plans to score big on a once in a lifetime drug deal. All does not go as planned and he is soon entangled in a web of deceit.
In the questionable town of Deer Meadow, Washington, FBI Agent Desmond inexplicably disappears while hunting for the man who murdered a teen girl. The killer is never apprehended, and, after experiencing dark visions and supernatural encounters, Agent Dale Cooper chillingly predicts that the culprit will claim another life. Meanwhile, in the more cozy town of Twin Peaks, hedonistic beauty Laura Palmer hangs with lowlifes and seems destined for a grisly fate.
Chev Chelios, a hit man wanting to go straight, lets his latest target slip away. Then he awakes the next morning to a phone call that informs him he has been poisoned and has only an hour to live unless he keeps adrenaline coursing through his body while he searches for an antidote.
A group of college friends reunite for a trip to the forest, but encounter a menacing presence in the woods that's stalking them.
Outside the Australian town of Jindabyne, local man Stuart Kane is on a fishing trip with friends when they discover the body of a murdered girl.
Camp counselors are stalked and murdered by an unknown assailant while trying to reopen a summer camp that was the site of a child's drowning.
When 4 year old Amanda McCready disappears from her home and the police make little headway in solving the case, the girl's aunt, Beatrice McCready hires two private detectives, Patrick Kenzie and Angie Gennaro. The detectives freely admit that they have little experience with this type of case, but the family wants them for two reasons—they're not cops and they know the tough neighborhood in which they all live.
An Italian prison official's wife is kidnapped, and the kidnappers demand that a notorious prisoner be released in order for the man to get his wife back. He gets the man released - but then kidnaps him himself, in order to ensure that the man's colleagues don't kill his wife. Enraged, the gang sets out to free their compatriot and kill the man who took him.
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
Based on the true life experiences of poet Jimmy Santiago Baca, the film focuses on half-brothers Paco and Cruz, and their bi-racial cousin Miklo. It opens in 1972, as the three are members of an East L.A. gang known as the "Vatos Locos", and the story focuses on how a violent crime and the influence of narcotics alter their lives. Miklo is incarcerated and sent to San Quentin, where he makes a "home" for himself. Cruz becomes an exceptional artist, but a heroin addiction overcomes him with tragic results. Paco becomes a cop and an enemy to his "carnal", Miklo.
In the arctic, as Saiva is being born, a shaman declares that she is evil and will bring harm to all who become involved with her. Saiva is cast out of her tribe of herders and grows up to live a nomadic existence with Anja, a young woman she adopts as an infant. Then Loki, an injured and starving soldier, stumbles into their isolated lives. The women nurse him back to health, but treachery, violence and doom await them all.