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Resolution is, for lack of a better term, a neolovecraftian film, relying more on personal conflict and atmosphere than on 'jump scares' or visual effects, developing an absorbing, character-driven plot along the way. Inside a dilapidated house we witness the tug-of-war between Michael (Peter Cilella), who wants to 'save' drug addicted Chris (Vinny Curran), and Chris, who doesn't want to be saved and thinks, not without reason, that Michael’s motives are selfish. This is all very good stuff, even if Curran is too plump to be an addict, and what he undergoes isn't so much withdrawal as irritation at Michael. Outside the house, which Michael soon discovers is on a Native American reserve, there is quite a fauna of quirky characters who range from baffling but harmless to outwardly laughable but nonetheless dangerous. In the lovecraftian tradition, Michael is the level-headed hero, coming from an orderly and practical world, who inadvertently crosses an invisible border into a place where the abnormal and the subhuman are the norm rather than the exception. Michael finds strange documents in the land surrounding the house; texts, photos, and videos that recount ominous past events and contain foreboding omens for the near future. Directors Aaron Moorhead and Justin Benson (who also wrote the screenplay) give the found footage technique one of the best uses I've ever seen, because here we actually see someone finding the footage and reacting to it, while we in turn react to his reaction. I find this a more effective approach than just showing us the supposed footage directly, which always seems incomplete by accident as opposed to by design. The problem with this film – and it’s a doozy if, like me, you set a lot of store by a movie’s aftertaste – is that the makers are more popish than the Pope; or, in this case, more lovecraftian than Lovecraft. HPL’s brand of cosmic indifferentism works better on paper than it does on the screen, because mood, after all, can only take you so far audio-visually – and the mood Resolution leaves you in is of the foul variety, thanks to the obligatory, anticlimactic, intelligence-insulting final shot suggesting that the evil will continue. I’m not saying a happy ending should have been in order, but I do wonder, is it too much to ask of a movie called Resolution to have a conclusion wherein the conflict is, you know, resolved? And the worst part is that this film already had a perfectly cathartic denouement before that last shot that is the equivalent of giving the audience a giant middle finger.
Admiral Kirk and his bridge crew risk their careers stealing the decommissioned Enterprise to return to the restricted Genesis planet to recover Spock's body.
John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.
In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.
Amy and Bill are on a romantic getaway when they come across an old second-hand store. Amidst the clutter, Amy unearths a beautiful antique mirror and immediately is overcome by a deep inner desire to caress and explore her luscious body in ways she never thought possible. Amy quickly buys the mirror only to discover the ghostly legend of the sexually insatiable whorehouse madame trapped inside it. Powerless to control herself, Amy indulges her naughtiest fantasies when standing before the shimmering mirror. Soon all her female friends are introduced to its seductive supernatural energy, and none of them can deny the lesbian urges that overtake their sweet young bodies, transforming them into writhing sex-machines that cannot be satisfied. But amidst the moans of pleasure, how could Amy possibly realize the terrifying consequences of her actions, and the fate the ghost in the mirror has in store for each of them. Will it be infinite ecstasy or endless erotic longing?
Mladen and Marija are an ordinary and happy married couple of the "middle class" of the society in which they live as tenants. Mladen works as a civil engineer in a state company, and Marija is an English teacher in primary school. The couple finds joy in their only son, Nemanja. They discover that Nemanja has a rare heart disease and healing is possible with an operation in a foreign medical center, which costs €26,000.
For more than a decade, parents Andy and Vicky have been on the run, desperate to hide their daughter Charlie from a shadowy federal agency that wants to harness her unprecedented gift for creating fire into a weapon of mass destruction. Andy has taught Charlie how to defuse her power, which is triggered by anger or pain. But as Charlie turns 11, the fire becomes harder and harder to control. After an incident reveals the family's location, a mysterious operative is deployed to hunt down the family and seize Charlie once and for all. Charlie has other plans.
Camp counselors are stalked and murdered by an unknown assailant while trying to reopen a summer camp that was the site of a child's drowning.
A giant lizard terrorizes a rural mid west community with a group of heroic young people led by Chase Winstead attempting to destroy the creature.
In the arctic, as Saiva is being born, a shaman declares that she is evil and will bring harm to all who become involved with her. Saiva is cast out of her tribe of herders and grows up to live a nomadic existence with Anja, a young woman she adopts as an infant. Then Loki, an injured and starving soldier, stumbles into their isolated lives. The women nurse him back to health, but treachery, violence and doom await them all.
Once called "Father Frank" for his efforts to rescue lives, Frank Pierce sees the ghosts of those he failed to save around every turn. He has tried everything he can to get fired, calling in sick, delaying taking calls where he might have to face one more victim he couldn't help, yet cannot quit the job on his own.