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The Brute Syndrome. The Brute is written and directed by Gerry O’Hara. It stars Julian Glover, Sarah Douglas, Roberta Gibbs, Bruce Robinson, Suzanne Stone, Kenneth Nelson, Jenny Twigge and Nicholas Barnes. Music is by Kenneth V. Jones and cinematography by Dennis C. Lewiston. Model Diane Shepherd (Douglas) is emotionally stuck in a violent marriage to her husband Tim (Glover), who in his constant paranoia accuses her of infidelity. Finally having enough, she finds shelter with photographer Mark (Robinson) and his girlfriend Carrie (Stone). Meeting up with another abused wife, Millie (Twigge), Diane begins to find hope for the future, but then Tim informs her that if she doesn't come back to him, he will see to it that he gains custody of their young son and make it impossible for her to see him freely. Tricky subject matter inevitably invokes tricky human reactions, something writer and director Gerry O’Hara knows only too well. Given the “X” certificate upon its release in the UK, the film was promptly vilified by most critics and caused uproar in press and women’s group circles. It seems that back in 1977 the issue of domestic abuse should not be put up as a filmic subject. Things didn’t help that the marketing department played it up as a horror movie, something O’Hara wasn’t aiming for, whilst some mischievous critics angled it as sensationalist soft-core pornography! Viewed now, and it’s become something of a rare movie, there’s flaws aplenty for sure, but one of them isn’t being sensationalist for sensationalist’s sake. Tonally the picture is all over the place, one minute it’s grabbing you by the throat and shaking you, the next it’s almost like we have been transported into some swanky kitchen sink drama. In fact quite early on it gets a little bit sketchy as to where its heart is, but once Diane makes the decision to leave Teddy (how inappropriately cuddly a name can be eh?!), and we get brought into Millie’s awful world (Twigge excellent) then pic finds its rhythm and makes telling and dramatic points. The violence here is tame by today’s standards, unsurprisingly of course, but it’s still terrifying, especially with the Millie scenes, but I reiterate, this is not a horror movie per se. Don’t seek this out if you are looking for something like The Stepfather, this is a social concern movie about horror inflicted domestically, there is a big difference. Lead cast members are more than up to the task of bringing the story home safely, though some of the support work is decidedly amateurish, and those irked by PC issues in movies are likely to draw back their bow and arrows ready to fire off a poisonous dart. A journalist friend of mine went to a special educational double bill screening of The Brute and The Burning Bed (Farrah Fawcett TV movie) in the early 90s. She said that at the end of The Brute the audience applauded and it was a hot-bed of debate in the bar afterwards. I didn’t feel like clapping myself when I watched it yesterday, I felt exhausted yet strangely uplifted. You see here’s the thing, it’s all in the finale, in its hopeful denouement, and with the realisation this is not about The Brute of the title, this is about the women. Very much so. No masterpiece is this, but a very smart and misunderstood piece of cinema. 7/10
Producer Mel Wexler is putting together "Manhattan," a night-time soap opera that will definitely be the toast of the town. He puts together a stellar cast, however, each member of this cast has his own little secret: Zach is a Hollywood leading man apparently being blackmailed by 2 mysterious women; Jane was a former daytime soap star who had to abruptly leave her popular role due to problems at home; Bill is a male model whose marital status would rather be kept secret by his agent; Gaby is a struggling actress determined to make it on her own; and Sabina is a legendary film star who must now take a role on a television series due to a serious "involvement" in San Francisco. One by one, their secrets unfold in this television movie based on the bestseller by Danielle Steel. (Summary Written by Phil Fernando)
The joyous, emotional, heartbreaking celebration of the life and music of Whitney Houston, the greatest female R&B pop vocalist of all time. Tracking her journey from obscurity to musical superstardom.
To escape a marriage arranged by her extremely religious father, a young girl seizes the chance to run away and save more than herself.
Living in a small rural town, with little available emotional help around her, a young woman returns for a visit to her therapist. She finally receives a profoundly symbolic message, guiding her to find answers and solutions while living in a toxic relationship.
In a series of three vignettes, three women in turn struggle to free themselves from the men who restrict their personal freedom.
The pressures of problems at home and at work are taking a tremendous toll on a middle-aged husband, and he begins to take it out on his wife.
During the Second Sino-Japanese War, in 1940, Lieutenant Kurokawa returns home as a honored and decorated soldier but deprived of his arms and legs lost in battle. All hopes, from the villagers and women to close family members, turn to Shigeko, the Lieutenant's wife. She must honor the Emperor and the country in setting an example for all by fulfilling her duty and taking care of the 'god soldier'. Kurokawa prior to leaving to fight in the war regularly beat and berated his wife for her barrenness and inability to bring him a son. When he returns home as an amputee with no hearing and no speech, his wife dutifully attends to him, even though he shows little appreciation for her dedicated care. His main concerns are getting fed and getting sex. Even in his own degraded condition, he manages to berate his wife. Eventually, though, his own memories infiltrate and he is haunted by his horrible, sadistic deeds, performed while in the duty of the Japanese military.
When a harassed movie director takes it on his wife, the battered wife is faced with how long can she take it.
A young woman seeks therapy regarding her anisotropic partner, only to get an undesired response from her therapist.
A goon, who dreams of making it big in life, a student leader, who strives to keep politicians away from college election and a third guy who wants to settle abroad. Their lives change after an incident on a bridge.
After suffering years of mental abuse from her husband, Jules thinks she's finally free when a physical struggle ends in a fire that takes his life. However, she's soon pushed to the edge as she starts to believe she's seeing him at every turn.