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I Escaped to the Country - (Jan 13th)
Great Performances - (Jan 13th)
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I was initially apprehensive about watching The Mouse Trap, given the recent trend of rushed public domain movies that have often been boring and unimaginative. However, when Mickey Mouse became public domain in the form of Steamboat Willie and this film was announced, I was curious to see just how exploitative it might be. The Mouse Trap is undeniably a low-budget slasher film, and it wears that label proudly. The film leans heavily on the Mickey Mouse character and Disney-related puns, almost to the point of overkill. The film’s one-dimensional storyline doesn’t do much to add depth or coherence, leaving viewers with more questions than answers as to the motivation behind the carnage. The overuse of Disney references, while initially amusing, quickly becomes tiresome. The film seems to rely on the novelty of incorporating a beloved public domain character into a slasher context, but this novelty wears off as the movie progresses. For instance, the antagonist’s costume—a grotesque parody of the classic Steamboat Willie design—loses its impact after the first few appearances, becoming more of a distraction than a source of genuine horror. That said, there’s an undeniable sense that the cast and crew had a great time making this movie, and that enthusiasm does shine through in the performances and the film's visual style. The actors, despite the flimsy script, seem to be fully committed to their roles, bringing a sense of fun and energy to the production. The visual style of the film, while not groundbreaking, is creative within the constraints of its budget. The filmmakers clearly took inspiration from classic horror tropes and combined them with a playful, almost satirical approach. Overall, The Mouse Trap may not be a masterpiece by any stretch, but it has its moments of entertainment. While the film’s reliance on Disney puns and the overuse of the Mickey Mouse character can be grating, the clear enjoyment of the cast and crew adds a certain appeal. It’s a film that’s fun for one watch, especially for those curious about how far a public domain slasher can push the boundaries, but it likely won’t hold up to repeated viewings. If you’re in the mood for a campy, low-budget horror flick with a unique twist, The Mouse Trap might be worth a look—just don’t expect too much beyond the novelty.
I was initially apprehensive about watching The Mouse Trap, given the recent trend of rushed public domain movies that have often been boring and unimaginative. However, when Mickey Mouse became public domain in the form of Steamboat Willie and this film was announced, I was curious to see just how exploitative it might be. The Mouse Trap is undeniably a low-budget slasher film, and it wears that label proudly. The film leans heavily on the Mickey Mouse character and Disney-related puns, almost to the point of overkill. The film’s one-dimensional storyline doesn’t do much to add depth or coherence, leaving viewers with more questions than answers as to the motivation behind the carnage. The overuse of Disney references, while initially amusing, quickly becomes tiresome. The film seems to rely on the novelty of incorporating a beloved public domain character into a slasher context, but this novelty wears off as the movie progresses. For instance, the antagonist’s costume—a grotesque parody of the classic Steamboat Willie design—loses its impact after the first few appearances, becoming more of a distraction than a source of genuine horror. That said, there’s an undeniable sense that the cast and crew had a great time making this movie, and that enthusiasm does shine through in the performances and the film's visual style. The actors, despite the flimsy script, seem to be fully committed to their roles, bringing a sense of fun and energy to the production. The visual style of the film, while not groundbreaking, is creative within the constraints of its budget. The filmmakers clearly took inspiration from classic horror tropes and combined them with a playful, almost satirical approach. Overall, The Mouse Trap may not be a masterpiece by any stretch, but it has its moments of entertainment. While the film’s reliance on Disney puns and the overuse of the Mickey Mouse character can be grating, the clear enjoyment of the cast and crew adds a certain appeal. It’s a film that’s fun for one watch, especially for those curious about how far a public domain slasher can push the boundaries, but it likely won’t hold up to repeated viewings. If you’re in the mood for a campy, low-budget horror flick with a unique twist, The Mouse Trap might be worth a look—just don’t expect too much beyond the novelty.
A social media influencer has gotten herself into hot water online. As she tries to drag herself out of the mess she's made, someone else might be trying to make her sink...permanently.
The Hallows Estate is on alert as strange graffiti tags with messages declaring the streets will be taken over on Halloween night begin to appear on walls around the place, along with sightings of strange figures lurking in the shadows. One of the gangs responsible for the serious anti social behavior that give the estate a bad name, decide to take these threats head on and ignore the curfew on Halloween night. But who ever, or what ever, this new threat is, they seem to have the very night on their side as they make good on their promise of claiming the streets by frightening and violent means.
Jesse Walsh moves with his family into the home of the lone survivor from a series of attacks by dream-stalking monster, Freddy Krueger. There, he is bedeviled by nightmares and inexplicably violent impulses.
A group of unwitting teens are stranded near a strange wax museum and soon must fight to survive and keep from becoming the next exhibit.
During a hallucinatory incident, Kristen Parker has her wrists slashed by dream-stalking monster, Freddy Krueger. Her mother, mistaking the wounds for a suicide attempt, sends her to a psychiatric ward, where she joins a group of similarly troubled teens.
A horror / comedy that stars Hollywood B-Movie star Conrad Brooks ("Plan 9 from Outer Space") as Ricky, the perverted owner of an ice cream shop, decides to make his female employees ("The Scoopettes") dress sexy to lure customers. The "Scoopettes" are so hot the ice cream will never stay hard but everyone leaves with a smile and much much more! It becomes apparent that someone doesn't like Ricky's success when one of the Scoopettes is found murdered in the ice cream freezer. The killings of the girls continue one at a time. And the customers' are finding a little extra in their ice cream!
A college campus is plagued by a vicious serial killer murdering students in ways that correspond to various urban legends.
Chris crashes into a carload of other young people, and the group of stranded motorists is soon lost in the woods of West Virginia, where they're hunted by three cannibalistic mountain men who are grossly disfigured by generations of inbreeding.
In the year 2455, Old Earth is now a contaminated planet abandoned for centuries - a brown world of violent storms, toxic landmasses and poisonous seas. Yet humans have returned to the deadly place that they once fled, not to live, but to research the ancient, rusting artifacts of the long-gone civilizations. But it's not the harmful environment that could prove fatal to the intrepid, young explorers who have just landed on Old Earth. For them, it's Friday the 13th, and Jason lives!
Cast and crew from A Nightmare on Elm Street are terrorized by Freddy Krueger and his razor-fingered glove as he crosses over into the real world.
Two decades after surviving a massacre on October 31, 1978, former baby sitter Laurie Strode finds herself hunted by persistent knife-wielder Michael Myers. Laurie now lives in Northern California under an assumed name, where she works as the headmistress of a private school. But it's not far enough to escape Myers, who soon discovers her whereabouts. As Halloween descends upon Laurie's peaceful community, a feeling of dread weighs upon her - with good reason.