Vermiglio 2024 - Movies (Jan 26th)
Companion 2025 - Movies (Jan 26th)
Vampire Genesis 2024 - Movies (Jan 26th)
A Haunting in Council House 2024 - Movies (Jan 26th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Agent Recon 2024 - Movies (Jan 26th)
Get Fast 2024 - Movies (Jan 26th)
Emmanuelle 2024 - Movies (Jan 25th)
Bystanders 2024 - Movies (Jan 25th)
The Killers Game 2024 - Movies (Jan 25th)
Inheritance 2024 - Movies (Jan 25th)
The Intruder 2024 - Movies (Jan 25th)
Oh Canada 2024 - Movies (Jan 24th)
The Loneliest Road 2024 - Movies (Jan 24th)
The Flight of Bryan 2024 - Movies (Jan 24th)
When Money Breaks FTX 2024 - Movies (Jan 24th)
My Divorce Party 2024 - Movies (Jan 24th)
The Sand Castle 2024 - Movies (Jan 24th)
Grafted 2024 - Movies (Jan 24th)
All Elite Wrestling- Collision - (Jan 26th)
48 Hours - (Jan 26th)
Krempoli - A Place For Wild Children - (Jan 26th)
Earth Odyssey with Dylan Dreyer - (Jan 26th)
Harlem Globetrotters- Play It Forward - (Jan 26th)
Prosecuting Evil with Kelly Siegler - (Jan 26th)
Grand Sumo Live - (Jan 26th)
GRAND SUMO Highlights - (Jan 26th)
Oceanfront Property Hunt - (Jan 26th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
**Review: *Just a Farmer*** *Just a Farmer* is a deeply affecting Australian drama that sheds light on the hidden struggles of rural life, intertwining themes of mental health, loss, and resilience. Directed by Simon Lyndon, the film follows Alison, a widow grappling with the challenges of running her family’s farm while raising her children after her husband’s death by suicide. Leila McDougall, who also penned the screenplay, gives a poignant performance, capturing the emotional weight of grief and the determination to persevere against overwhelming odds. The film's authenticity stems not only from its grounded storytelling but also from the personal connections of its cast and crew to the issues it portrays. Actor Robert Taylor, who plays a significant supporting role, has spoken about losing close family members to suicide, bringing added depth and emotional truth to the story. This personal connection reflects the heartbreaking reality that in Australia, a farmer dies by suicide every ten days—a statistic that underscores the urgency of the film's message. The rural backdrop, beautifully captured by Gavin Head’s cinematography, serves as both a haven and a harsh reminder of the isolation faced by farming families. Director Simon Lyndon strikes a delicate balance, using the vastness of the landscape to mirror the emotional journey of the characters while avoiding melodrama. The story’s strength lies in its quiet moments of human connection and the unwavering support of the farming community, offering a hopeful counterbalance to its heavy subject matter. *Just a Farmer* goes beyond being a story of personal loss; it is a powerful call to action, shining a spotlight on the mental health crisis in rural Australia. By highlighting the pressures of farm life and the devastating toll they can take, the film fosters compassion and understanding for an often-overlooked community. This is an essential watch for anyone moved by authentic storytelling that confronts difficult truths with honesty and grace. It’s not just a film about survival—it’s about finding strength in the face of unimaginable hardship and the importance of breaking the silence surrounding mental health.
First all Mexican sound film. Story is based on the ancient customs and legends of the fisherfolk as they come into conflict with the exploitation of agents sent by "big business" from the cities.
The building of a railroad under tough conditions from searing heat to freezing cold in the Sonora desert provokes clashes of passion and struggles between the engineers and the workers at the campsite. The workers also contend with sudden dust storms that are called the 'black wind'. Based on true events.
A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.
An American man returns to the village of his birth in Ireland, where he finds love and conflict.
Eighteen-year-old Alex is in the throes of his transition. When his best friend abandons a joint venture to assert their identity he’s forced to confront his anxieties before entering the unknown alone.
After a terrible air disaster, survivor Max Klein emerges a changed person. Unable to connect to his former life or to wife Laura, he feels godlike and invulnerable. When psychologist Bill Perlman is unable to help Max, he has Max meet another survivor, Carla Rodrigo, who is wracked with grief and guilt since her baby died in the crash which she and Max survived.
Okoma, a witty young woman working as a conductor in an old, rickety bus in Kōfu, Yamanashi (rural Japan), has a creative idea that could avert the dwindling number of passengers when her job and the bus company itself are at stake.
Raised by his science teacher father, Joseph Pagnol, and seamstress mother Augustine, young Marcel grows up during the turn of the century in awe of his rationalist dad. When the family takes a summer vacation in the countryside, Marcel becomes friends with Lili, who teaches him about rural life.
Jana, a girl suffering from depression, escapes to her grandmother's country house in a desperate impulse to escape from her increasingly destructive thoughts. She is searching for the warmth emanating from her grandmother Helena and the home that saw her grow up between summers and holidays, but nothing tears her away from her unease. The forest that surrounds the house further immerses Jana in her loneliness, taking her to the limits of her own darkness.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.