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**Review: *Just a Farmer*** *Just a Farmer* is a deeply affecting Australian drama that sheds light on the hidden struggles of rural life, intertwining themes of mental health, loss, and resilience. Directed by Simon Lyndon, the film follows Alison, a widow grappling with the challenges of running her family’s farm while raising her children after her husband’s death by suicide. Leila McDougall, who also penned the screenplay, gives a poignant performance, capturing the emotional weight of grief and the determination to persevere against overwhelming odds. The film's authenticity stems not only from its grounded storytelling but also from the personal connections of its cast and crew to the issues it portrays. Actor Robert Taylor, who plays a significant supporting role, has spoken about losing close family members to suicide, bringing added depth and emotional truth to the story. This personal connection reflects the heartbreaking reality that in Australia, a farmer dies by suicide every ten days—a statistic that underscores the urgency of the film's message. The rural backdrop, beautifully captured by Gavin Head’s cinematography, serves as both a haven and a harsh reminder of the isolation faced by farming families. Director Simon Lyndon strikes a delicate balance, using the vastness of the landscape to mirror the emotional journey of the characters while avoiding melodrama. The story’s strength lies in its quiet moments of human connection and the unwavering support of the farming community, offering a hopeful counterbalance to its heavy subject matter. *Just a Farmer* goes beyond being a story of personal loss; it is a powerful call to action, shining a spotlight on the mental health crisis in rural Australia. By highlighting the pressures of farm life and the devastating toll they can take, the film fosters compassion and understanding for an often-overlooked community. This is an essential watch for anyone moved by authentic storytelling that confronts difficult truths with honesty and grace. It’s not just a film about survival—it’s about finding strength in the face of unimaginable hardship and the importance of breaking the silence surrounding mental health.
Set in 1962, a young prepubescent boy in rural Australia watches painfully as his best friend and first love blossoms into womanhood and falls for a thuggish rugby player, changing the lives of everyone involved.
A young boy tries to cope with rural life circa 1950s and his fantasies become a way to interpret events. After his father tells him stories of vampires, he becomes convinced that the widow up the road is a vampire, and tries to find ways of discouraging his brother from seeing her.
During the mid 1860s, brothers Dick and Jim Marston are drawn into a life of crime by their ex-convict father Ben and his friend, infamous cattlethief Captain Starlight. Making their way to Melbourne with the proceeds of a recent raid, the brothers meet and romance the Morrison sisters, Kate and Jean, whom they eventually marry; but just as they are poised to start a new life in America, Captain Starlight and his gang arrive in town, planning a raid at the local bank.
A touching story about how peers tackle the grief brought on through a persons sudden passing.
Peter Olsen, a young social outcast who lives alone on a rundown farm and raises vegetables for a living, finds his only consolation in liquor, though Dorcas Chatham, daughter of the general store owner, begs him to forego this indulgence. Returning from town, he finds a dog by the roadside, apparently injured by a car, and takes it home. Later, on a drunken spree, Peter is attacked by robbers, but the dog comes to his rescue and frightens the assailants away. Stirred by the unselfish devotion of his dog, Peter gradually regains his self-respect, and Dorcas falls in love with him and accepts his proposal, though she fears the dog. When Peter enters the dog in a show, another exhibitor proves to be its owner, and Peter is first parted from, then reunited with, "his" dog. Dorcas overcomes her fear and is united with Peter.
Raised by his science teacher father, Joseph Pagnol, and seamstress mother Augustine, young Marcel grows up during the turn of the century in awe of his rationalist dad. When the family takes a summer vacation in the countryside, Marcel becomes friends with Lili, who teaches him about rural life.
In the wake of their parent's separation, three siblings spend the summer in the south of France with their estranged Grandfather. In less than 24 hours, a clash of generations has occurred between the teenagers and the old man. During this turbulent summer, both generations will be transformed by one another.
A girl who's living abroad, alone for the first time, misses her cat.
Tessa is a young, brilliant barrister. From working class origins, she has reached the top of her game. An unexpected event forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge.
Two out-of-work actors - the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail - spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday "by mistake" at the country house of Withnail's flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.