阿牛奇遇記

A jaded Office Lady’s perspective on life is thwarted when she runs into her ex, an Ah Beng giving out free hugs to strangers.

Two playboys try to forget previous romances in Singapore - until they meet Dorothy Lamour...

WHAT IF, in the unforeseen future, when there are not enough boys in Singapore? If Girls have to serve National Service also, what will happen? The story will focus on the first batch of female recruits, a bunch of Gen Z teens and youngsters with different backgrounds and education. As they trained under the fierce leadership of Sergeant Chow and Lieutenant Roxanne, they find themselves being pushed to the limit of their potential. Together, they overcome hardship and initial resistance to serve NS and discover newfound abilities, using it to solve and mend relationships in their personal life as well.

Fast, frenetic, and furious best describe the story of five teenage boys all but abandoned by the system, estranged from any parents, and discarded by life in general. They build a world of there own in which gangs, drugs, fighting, body piercing, self-harm, and even suicide are considered commonplace. The film highlights their harrowing place in time and this small world; where brotherhood is valued above all else. Impressively acted by actual street kids, the movie highlights a gritty side of modern-day Singaporean life.

Former bootlegger Remy Marco has a slight problem with forclosing bankers, a prospective son-in-law, and four hard-to-explain corpses.

Ah Bee goes on a comedic odyssey through Tiong Bahru Social Club, a data-driven project to create the happiest neighborhood in the world. Little by little, his encounters with the neighborhood's residents reveal the absurdity of life.

A bright bubbly short film about coming of age, queer puppy love and girlhood in Singapore, following Bunny - who meets Jyn, a cool yet kind non-binary teen, and realises the world isn't as terrible as her mother makes it out to be.

Kok Pin, Boon Hock and Terry are classmates in "EM3" stream. In Singapore, that means that at the age of 12, the government has decided that they are not as academically inclined as their peers. Kok Pin is creative and a born artist but his parents would rather he focus on his Maths and Sciences. Boon Hock comes from a low-income family and needs to balance school and helping out at the food stall. Terry, a spoilt brat is just too lazy a student. While the three children suffer from the pressure of school, their parents have another set of problems - their jobs and careers.

In a world where food has been outlawed, a small band of food lovers risks their skins to defy the authorities and feast on contraband food.

Wahid provides a brief account of his life beginning with his move to the city in search for employment after persuasion from his girlfriend, Rahmah. He soon finds himself caught in a host of sticky situations as he navigates towards finding steady employment. Gado Gado is one of the 91 sole-surviving Cathay-Keris Malay Classics film titles made during Singapore’s Golden Cinema era from the 1950s to early 1970s, and preserved by the Asian Film Archive. In 2014, the collection was inscribed onto the UNESCO Memory of The World Asia-Pacific Register, a list of endangered library and archive holdings. At 35 minutes long, the film is the only musical variety short from the Cathay-Keris catalogue.

Two Singaporean girls join together to form the Papaya Sisters, a getai group that sings at performances during the seventh lunar month. Big Papaya is estranged from her mother, who disapproves of her performances, whilst Little Papaya is an orphan who suffers from terminal cancer. The two are assisted by Auntie Ling and her son, Guan Yin. The two soon rise to the top of the Singaporean getai scene singing traditional Hokkien songs, but their fame brings along with it the enmity of the Durian Sisters, a rival group of techno-singing Eurasian girls.