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It is the quality of one's convictions that determines success, not the number of followers. So here it is, the 8th and final instalment of a film franchise that has lasted 10 years and runs at just under 20 hours in total. Following straight on from the frustratingly incomplete scene setter that was Deathly Hallows Part 1, we continue to track Harry, Hermione and Ron as they search for the remaining Horcruxes that will render the evil Lord Voldermort as a mere mortal. This narrative thread is run concurrently with the Voldermort movements, where he now has in his possession The Elder Wand (the wand to rule them all) and has gathered a vast army to descend upon Hogwarts and achieve his ultimate goal of killing Harry. Meanwhile vital character story arcs are filled in and secrets will out... David Yates directs and Steve Kloves adapts to the screen, both of whom were perfect choices given their considerable input to the series. Smartly the pic has been kept to a 2 hour and 10 minute run time, and thankfully it flows nicely and the pace never stalls. Being one of those who has never read the books I can't say what has been left out or if anything has been tampered with for dramatic licence? What I know for sure is that the emotional investment garnered from being with this story for so long, to be part of these characters lives, watching them grow, ensures that this closure piece pounds the senses. Sitting down to watch it you realise that we are going to lose people we care for, and Hogwarts, the wonderful place we fist glimpsed across the night time water, is going to be attacked and reduced to a battle scarred place of war. As the effects work dazzles and the one time child actors come shining through as mature actors who have casted off previous wooden traits, the story filling strands show just what wonderful work Rowling achieved on the page. Some of the characters never stood a chance in life, some carried deep emotional scars, and others held secrets so crucial to the whole Potter universe. For a series of such fantastical genre sparkle, the Harry Potter world eventually reveals itself to be a deep and fortified humanist drama, and engaging it most certainly is. That this is achieved as battlefield carnage is raised, with wand wars booming up on the screen, it means credit is due to all involved the making of such a cherished and intensely followed Octalogy. Is it the earth shattering finale one hoped for? Well not quite. Story wise for sure that is the case, but with the whole story driving towards the final battle between Harry and Voldermort, it's disappointing to find it's rather brief and in truth anti climatic. Harry the boy now burgeoning into a man versus the snake faced despot surely should have been a crowning glory, but sadly not so. To compound this irritating disappointment, we then get the epilogue that is bogged down by aging make-up design that is almost laughable. But these are just annoyances, not film killers, for this has been a magical ride for 10 years. Fans will feel a gap in the heart now it's over, maybe even shed a Snape like tear as well? Yet ultimately it has been a triumph and the rewatchable factor for the whole series will always remain high. 8/10
It is the quality of one's convictions that determines success, not the number of followers. So here it is, the 8th and final instalment of a film franchise that has lasted 10 years and runs at just under 20 hours in total. Following straight on from the frustratingly incomplete scene setter that was Deathly Hallows Part 1, we continue to track Harry, Hermione and Ron as they search for the remaining Horcruxes that will render the evil Lord Voldermort as a mere mortal. This narrative thread is run concurrently with the Voldermort movements, where he now has in his possession The Elder Wand (the wand to rule them all) and has gathered a vast army to descend upon Hogwarts and achieve his ultimate goal of killing Harry. Meanwhile vital character story arcs are filled in and secrets will out... David Yates directs and Steve Kloves adapts to the screen, both of whom were perfect choices given their considerable input to the series. Smartly the pic has been kept to a 2 hour and 10 minute run time, and thankfully it flows nicely and the pace never stalls. Being one of those who has never read the books I can't say what has been left out or if anything has been tampered with for dramatic licence? What I know for sure is that the emotional investment garnered from being with this story for so long, to be part of these characters lives, watching them grow, ensures that this closure piece pounds the senses. Sitting down to watch it you realise that we are going to lose people we care for, and Hogwarts, the wonderful place we fist glimpsed across the night time water, is going to be attacked and reduced to a battle scarred place of war. As the effects work dazzles and the one time child actors come shining through as mature actors who have casted off previous wooden traits, the story filling strands show just what wonderful work Rowling achieved on the page. Some of the characters never stood a chance in life, some carried deep emotional scars, and others held secrets so crucial to the whole Potter universe. For a series of such fantastical genre sparkle, the Harry Potter world eventually reveals itself to be a deep and fortified humanist drama, and engaging it most certainly is. That this is achieved as battlefield carnage is raised, with wand wars booming up on the screen, it means credit is due to all involved in the making of such a cherished and intensely followed Octalogy. Is it the earth shattering finale one hoped for? Well not quite. Story wise for sure that is the case, but with the whole story driving towards the final battle between Harry and Voldermort, it's disappointing to find it's rather brief and in truth anti climatic. Harry the boy now burgeoning into a man versus the snake faced despot surely should have been a crowning glory, but sadly not so. To compound this irritating disappointment, we then get the epilogue that is bogged down by aging make-up design that is almost laughable. But these are just annoyances, not film killers, for this has been a magical ride for 10 years. Fans will feel a gap in the heart now it's over, maybe even shed a Snape like tear as well? Yet ultimately it has been a triumph and the rewatchable factor for the whole series will always remain high. 8/10
I can only marvel at the imagination of JK Rowling as this final instalment of our 10 year journey with Harry, Ron and Hermione reaches a fitting climax. Still continuing on their search for the remaining horcruxes, they must use all of their skills and intrepidity before "Voldemort" finally returns to wreak havoc on their (and our) world. Radcliffe, Grint and Watson are very much comfortable in the parts now and that shows - their confidence and assuredness adds bundles to the cracking script and well paced direction from David Yates. Not just the three stars, but others we have seen for many of the series come into their own - Dame Maggie Smith ("Prof. McGonagall") gets some wand action, as does Julie Walters with a cracking duel with Helena Bonham-Carter's "Bellatrix Lestrange"; the magical effects are superb and the multiple threads all tie together well. Did it need to be two films? I suspect that the audience probably benefited from this in two instalments, but a director's cut of the whole thing in one fell swoop could make for an epic piece of cinema. Great stories, characters and a vivid imagination - a most enjoyable ride!
In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. They set off with 1,000 ships holding 50,000 Greeks to Troy.
The mysterious Count Orlok summons Thomas Hutter to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen. After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock, prepares for his master to arrive at his new home.
Harry Potter has lived under the stairs at his aunt and uncle's house his whole life. But on his 11th birthday, he learns he's a powerful wizard—with a place waiting for him at the Hogwarts School of Witchcraft and Wizardry. As he learns to harness his newfound powers with the help of the school's kindly headmaster, Harry uncovers the truth about his parents' deaths—and about the villain who's to blame.
Cars fly, trees fight back, and a mysterious house-elf comes to warn Harry Potter at the start of his second year at Hogwarts. Adventure and danger await when bloody writing on a wall announces: The Chamber Of Secrets Has Been Opened. To save Hogwarts will require all of Harry, Ron and Hermione’s magical abilities and courage.
Year three at Hogwarts means new fun and challenges as Harry learns the delicate art of approaching a Hippogriff, transforming shape-shifting Boggarts into hilarity and even turning back time. But the term also brings danger: soul-sucking Dementors hover over the school, an ally of the accursed He-Who-Cannot-Be-Named lurks within the castle walls, and fearsome wizard Sirius Black escapes Azkaban. And Harry will confront them all.
When Harry Potter's name emerges from the Goblet of Fire, he becomes a competitor in a grueling battle for glory among three wizarding schools—the Triwizard Tournament. But since Harry never submitted his name for the Tournament, who did? Now Harry must confront a deadly dragon, fierce water demons and an enchanted maze only to find himself in the cruel grasp of He Who Must Not Be Named.
Returning for his fifth year of study at Hogwarts, Harry is stunned to find that his warnings about the return of Lord Voldemort have been ignored. Left with no choice, Harry takes matters into his own hands, training a small group of students to defend themselves against the dark arts.
Cool government operative James Bond searches for a stolen invention that can turn the sun's heat into a destructive weapon. He soon crosses paths with the menacing Francisco Scaramanga, a hitman so skilled he has a seven-figure working fee. Bond then joins forces with the swimsuit-clad Mary Goodnight, and together they track Scaramanga to a Thai tropical isle hideout where the killer-for-hire lures the slick spy into a deadly maze for a final duel.
Russian and British submarines with nuclear missiles on board both vanish from sight without a trace. England and Russia both blame each other as James Bond tries to solve the riddle of the disappearing ships. But the KGB also has an agent on the case.
After Drax Industries' Moonraker space shuttle is hijacked, secret agent James Bond is assigned to investigate, traveling to California to meet the company's owner, the mysterious Hugo Drax. With the help of scientist Dr. Holly Goodhead, Bond soon uncovers Drax's nefarious plans for humanity, all the while fending off an old nemesis, Jaws, and venturing to Venice, Rio, the Amazon...and even outer space.