Marisol: llámame Pepa

"El campo para el hombre" was a politically militant documentary about the small holdings of land in the north of Spain and the large estates in the south of the country. This film portrays the exploitation and misery of the Spanish peasants, but also their class-consciousness and their will to fight for their rights and freedom. The film was shot in the late years of Franco's dictatorship, so it was made in secrecy (the directors were connected to the Spanish Communist Party).

An account of the life and work of the Swiss writer Johanna Spyri (1827-1901), the barely known artistic mother of Heidi, her brave alpine heroine, who was first introduced to the world between 1880 and 1881, in a novel published in two parts, and became definitely immortal thanks to an anime series, released in 1974, directed by the Japanese genius Isao Takahata.

A landscape is only a landscape until we know what lies beneath. Pozo Ibarra, in the Central Mountains of León, is a mining complex full of significant architectural attributes, and also the imposing and ruinous remnant of a painful past that passed the ideas of freedom, literally, through the stone, turned into a great mass grave. Now, when the sun goes down, the souls that inhabit it rise up, refusing to forget.

He was born in Granada, the only city in the world with an explosive name. At the age of ten he joined the Falange because he wanted to play the drum. His biggest musical influences have been Holy Week and his first host, the one he was given at birth. It was produced at the age of sixteen. A little later he began using drugs to escape. he should have died before thirty. For forty years he has hit the drums as life has hit him, with all his might.

The story of journalist Edward R. Murrow's stand against Senator Joseph McCarthy's anti-communist witch-hunts in the early 1950s.

An intimate window into one of the great movements in film history that brought about an evolution in the art of cinema. The documentary portrays the movement with insight on the lives and works of Jean-Luc Godard, François Truffaut and other principal players in the New Wave.

An account of the life and work of American film director Sam Peckinpah (1925-84), a tortured artist whose genius and inner demons changed the Western genre forever.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Filmmakers Ibrahim, Suliman, Eltayeb and Manar, close friends for many years, left their motherland in the sixties and seventies to study film abroad and founded the Sudanese Film Group in 1989. After years of distance and exile, they are reunited, hoping to finally make their old dream come true: to bring back cinema to Sudan by reopening the Halfaia Cinema, a dilapidated theater in Khartoum.