Autoportrait

Abstract computer animation set to autoharp solo music composed and performed by Jordan Belson

Shot on 16mm film in New York and composed in Berlin, the work explores polarizing themes of the metropolis. Audibly and visually, the viewer is put in a flicker between serenity and intensity; harrowing ambience cut with sharp beeps, vulnerable steps mashed in high velocity.

In a city inhabited by drawn beings, an indigenous boy witnesses a holographic appearance. It is the arrival of an entity of unknown materiality. With a mysterious presence and exotic allegories, it starts to enchant the residents, awakening their most insane senses.

A nomadic homunculus ranger lives in the derelict wastelands of Neo Kansas City 2, where they barely survive and make friends, despite the constant chaos.

A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.

An NTSC space opera.

A political work in which Ko Nakajima opposes himself to the Vietnam War.

Abstract video art by John Sanborn and Dean Winkler. Dedicated to Ed Emshwiller.

Real time development of a video feedback, processed and controlled through a video keyer. Sound results from video signals, interfaced with audio synthesizer.

A young, wannabe streetwear influencer dying to make an impact on the world gets a lot more than he bargained for when a shy but obsessive fan decides to help him become a star for his own gain at the expense of everyone else involved. Macabre Metrics is an almost feature-length, visually experimental exploration into the world of image culture set in Seoul. Shot entirely on iPhone with animated sequences.

Shows a couple (Adam and Eve) and various objects, simultaneously, in time, space and movement.