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The Traitors - (Mar 7th)
Budding Prospects - (Mar 7th)
Building Outside the Lines - (Mar 7th)
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Georgie and Mandys First Marriage - (Mar 7th)
Severance - (Mar 7th)
Surface - (Mar 7th)
The Pitt - (Mar 7th)
9-1-1 - (Mar 7th)
Happys Place - (Mar 7th)
The Undercover Police Scandal- Love and Lies Exposed - (Mar 7th)
Inside the Tower of London - (Mar 7th)
Tales from the Riverbank - (Mar 7th)
The Beat with Ari Melber - (Mar 7th)
Greys Anatomy - (Mar 7th)
Elsbeth - (Mar 7th)
Ghosts - (Mar 6th)
The Bold and the Beautiful - (Mar 6th)
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Deadline- White House - (Mar 6th)
This is a highly creative version of Snow White that looks and wounds exactly like an old silent movie. It was so well done that I was invested in the characters by the end and therefore somewhat disappointed by the finale.
This is a cracking silent film that sees the traditional "Snow White" story presented in monochrome and transferred to the arena of the toreador. Our heroine is "Carmen" (Macarena García) whose father was a renowned bullfighter "Villalta" (Daniel Gimênez Cacho) but on the day of her birth he suffers a double tragedy that leads him ultimately to marry his rather malevolent nurse "Encarna" (Maribel Verdú). Fortunately for her, "Carmen" went to live with her loving grandmother but upon her death she had to return to her ailing father and his rather brutal second wife. Her new life proves unbearable, so she flees to the forest where she encounters seven diminutive matadors who take her in, name her "Blancanieves" and, seeing that she has inherited some of her father's skill in the bull ring, anticipate making a fortune with her - sure she will be a great crowd-pleaser. The artistry involved here is stunning with the whole production design giving this adaptation a lovely richness as the sparing inter-titles keep us informed on just what is going on. Verdú is really quite menacing, in a sort of Dame Kristen Scott Thomas manner with a "sweet" smile that could strip the hide from you. The girl's mischievous yet kind forest friends add a delightful, and sometimes quite comedic, element of hope and fun to the proceedings and I actually thought, for a while at least, that there was a fair chance that Pablo Berger would amend the ending! The accompaniment has a lovely Spanish flair to it. Sometimes gentle, seductive, sometimes rousing and almost stormy, and it helps sustain the mood of this dark interpretation that is anything but Disney. If you ever get a chance to watch in a cinema, then you ought to take it - this is a celebration of Spanish culture that looks marvellous up on a big screen.
Joe Ryan, a veteran train engineer, is demoted to a flagman position after a disastrous crash- one caused by his cowardly and opportunistic partner. Though Ryan's failing eyesight is named as the cause of the crash, he's undeterred as he designs an automatic braking invention.
An Englishman, Lord Wheatley, purchases an island over which reigns the supremely beautiful Phroso, thus disposessing her of her land. Revolted, the islanders, supported by an adventurer who desires Phroso, rise against the new master. The English are saved by the British governor, also under the spell of gorgeous Phroso. The latter, for her part, is not wholly insensitive to Lord Wheatley's distinction. The imbroglio still worsens with the meddling of a dark horse : the neighboring sultan.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
Two men share an odd friendship while they care for two women who are both in deep comas.
Following the tragic death of her teenage son, Manuela travels from Madrid to Barcelona in an attempt to contact the long-estranged father the boy never knew. She reunites with an old friend, an outspoken transgender sex worker, and befriends a troubled actress and a pregnant, HIV-positive nun.
A solitary nurse bonds with a badly burned patient who survived an accident on an oil rig.
Young Cabiria is kidnapped by pirates and sold as a slave in Carthage. Just as she's to be sacrificed to Moloch, Cabiria is rescued by Fulvius Axilla, a good-hearted Roman spy, and his powerful slave, Maciste. The trio are broken up as Cabiria is entrusted to a woman of noble birth. With Cabiria's fate unknown, Maciste punished for his heroism, and Fulvius sent away to fight for Rome, is there any hope of our heroes reuniting?
Produced under the supervision of the U.S. Navy. James Randall, an upperclassman at the Naval Academy, falls in love with Patricia Lawrence, the sister of a plebe. She is engaged to Basil Courtney, a wealthy reprobate who arranges with Rita to discredit James.
Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.
In 1931, a young soldier deserts from the army and falls into a country farm, where he is welcomed by the owner due to his political ideas. Manolo has four daughters, Fernando likes all of them and they like him, so he has to decide which one to love.
Set during the 16th-century Spanish occupation of Flanders, the story concentrates on the fiercely patriotic Mark Van Ryke (Colman). Donning the guise of "Leatherface," a swashbuckling masked avenger, Van Ryke performs his derring-do on behalf of the Prince of Orange (Nigel de Brulier). Naturally, Van Ruke considers beautiful Spanish aristocrat Donna Leonora de Vargas (Vilma Banky) to be a bitter enemy, and the feeling is mutual. To no one's surprise, however, Van Ryke and Donna Leonara eventually fall in love (hence the title). The pulse-pounding climax finds Van Ryke riding hell-for-leather through a rainstorm to warn the Flemish troops about the Spaniards' plans to burn the city of Ghent to the ground. Two Lovers was based on Madame Orczy's novel Leatherface, and adapted for the screen by Alice Duer Miller.